This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served…[Read more]

This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served…[Read more]

The focus of this article is a speculative argument on the relation between photography and testimony as one that situates the viewer on a particularly powerless, but responsibility-laden position. Articulating Nilufër Demir’s viral 2015 photograph of Aylan Kurdi, and Walter Kleinfeldt’s 1918 photograph of an unknown fallen soldier, as images bear…[Read more]

The focus of this article is a speculative argument on the relation between photography and testimony as one that situates the viewer on a particularly powerless, but responsibility-laden position. Articulating Nilufër Demir’s viral 2015 photograph of Aylan Kurdi, and Walter Kleinfeldt’s 1918 photograph of an unknown fallen soldier, as images bear…[Read more]

The current article focuses on the approach to Walter Benjamin’s theory of the author as producer, narrowing it down to the case of photography. In the attempt to both expanding and testing Benjamin’s theory, the article speculates through an approach ranging from philosophy to visual culture propos-ing, at its end, a photographic principle in tun…[Read more]

The current article focuses on the approach to Walter Benjamin’s theory of the author as producer, narrowing it down to the case of photography. In the attempt to both expanding and testing Benjamin’s theory, the article speculates through an approach ranging from philosophy to visual culture propos-ing, at its end, a photographic principle in tun…[Read more]