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	<title>Knowledge Commons | Gregory Reish | Group Activity</title>
	<link>https://hcommons.org/members/greish01/activity/groups/</link>
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	<description>Public group activity feed of which Gregory Reish is a member.</description>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Ethnomusicology</title>
				<link>https://hcommons.org/groups/ethnomusicology/forum/topic/cfp-2026-mla-convention-11/</link>
				<pubDate>Tue, 04 Feb 2025 22:45:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Archives</title>
				<link>https://hcommons.org/groups/archives/forum/topic/cfp-2026-mla-convention-8/</link>
				<pubDate>Tue, 04 Feb 2025 22:41:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Tobias Kraft deposited Archivos Abiertos. El patrimonio documental cubano y la transformación digital in the group Archives</title>
				<link>https://hcommons.org/activity/p/1897127/</link>
				<pubDate>Sat, 24 Aug 2024 03:00:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>La incorporación de tecnologías y métodos digitales en las humanidades y las instituciones del patrimonio cultural ha provocado una reflexión fundamental de sus áreas de investigación y tareas de divulgación: en los archivos y las bibliotecas, se reorganizan los procesos de preservación y documentación. Colecciones del patrimonio cultural reaparec&hellip;<span class="activity-read-more" id="activity-read-more-1897127"><a href="https://hcommons.org/activity/p/1897127/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rosselly Virmania Loor Zambrano deposited Conservação preventiva de documentos na América Latina: estudo da produção científica gerada em Cuba in the group Archives</title>
				<link>https://hcommons.org/activity/p/1885802/</link>
				<pubDate>Fri, 10 May 2024 03:02:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>A conservação de documentos é um aspecto fundamental na preservação da memória histórica de uma sociedade. Os documentos são testemunhos escritos que refletem a cultura, as tradições, os costumes e os acontecimentos que marcaram a história de um povo. Por isso, é de vital importância conservá-los para garantir sua transmissão às gerações futura&hellip;<span class="activity-read-more" id="activity-read-more-1885802"><a href="https://hcommons.org/activity/p/1885802/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joao Silva deposited Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1879675/</link>
				<pubDate>Sat, 16 Mar 2024 03:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese p&hellip;<span class="activity-read-more" id="activity-read-more-1879675"><a href="https://hcommons.org/activity/p/1879675/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alicia Colson deposited WHAT DO THESE SYMBOLS MEAN? A CRITICAL REVIEW OF THE IMAGES FOUND ON THE ROCKS OF THE CANADIAN SHIELD WITH SPECIFIC REFERENCE TO THE PICTOGRAPHS OF THE LAKE OF THE WOODS in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1868532/</link>
				<pubDate>Tue, 19 Dec 2023 03:03:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.</p>
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				<title>Anthony Cerulli deposited “Vies et renaissances des manuscrits en Asie du Sud” in the group Archives</title>
				<link>https://hcommons.org/activity/p/1868290/</link>
				<pubDate>Sun, 17 Dec 2023 03:00:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>article + 6 photographs from the Manuscriptistan Project</p>
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				<title>Meral Ekincioglu, Ph.D. started the topic Online Panel on Health Equity in Architecture and Archives (Nov. 4). in the discussion Archives</title>
				<link>https://hcommons.org/groups/archives/forum/topic/online-panel-on-health-equity-in-architecture-and-archives-nov-4/</link>
				<pubDate>Fri, 27 Oct 2023 17:48:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Invitation to the online panel:</p>
<p>“<strong>Health Equity in Architecture at the Intersection of Teaching, Archive and Curating</strong>”</p>
<p>Dear all;</p>
<p>We would be very happy if you could join our online panel, “<strong>Health Equity in Architecture at the Intersection of Teaching, Archive and Curating</strong>” on November 4th, 2023, 10:00 am EST (Eastern time zone for North and Sou&hellip;<span class="activity-read-more" id="activity-read-more-1862854"><a href="https://hcommons.org/groups/archives/forum/topic/online-panel-on-health-equity-in-architecture-and-archives-nov-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Archives</title>
				<link>https://hcommons.org/activity/p/1859634/</link>
				<pubDate>Mon, 25 Sep 2023 18:04:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l&hellip;<span class="activity-read-more" id="activity-read-more-1859634"><a href="https://hcommons.org/activity/p/1859634/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1856723/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856723"><a href="https://hcommons.org/activity/p/1856723/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Roland deposited Der Dürnsteiner Stiftbrief. Multimedia im Mittelalter (2010) in the group Archives</title>
				<link>https://hcommons.org/activity/p/1839098/</link>
				<pubDate>Thu, 30 Mar 2023 02:24:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The multimedia aspects of one of the most beautifully illuminated charters is in the focus of this paper.</p>
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				<title>Martin Roland deposited Medieval Grants of Arms and their Illuminators in the group Archives</title>
				<link>https://hcommons.org/activity/p/1839095/</link>
				<pubDate>Thu, 30 Mar 2023 02:23:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Th is essay deals with the relevance of medieval grants of arms in art history, focusing on the aspects of innovation and quality. Th e fi rst part discusses the origins of innovative prototypes that did not yet match the quality of later grants of arms. Th e second part presents a selection of qualitative landmarks in the history of grants of&hellip;<span class="activity-read-more" id="activity-read-more-1839095"><a href="https://hcommons.org/activity/p/1839095/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kaleb E. Goldschmitt deposited From Miami to Hong Kong SoundingTransnational Queerness and Translation in Moonlight in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1837949/</link>
				<pubDate>Mon, 20 Mar 2023 02:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, "Cucurrucucú Paloma," exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig&hellip;<span class="activity-read-more" id="activity-read-more-1837949"><a href="https://hcommons.org/activity/p/1837949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Carlos A. Pittella deposited Tradições, Transcrições, Traduções: Por um Entendimento Rizomático do Fausto Pessoano in the group Archives</title>
				<link>https://hcommons.org/activity/p/1837117/</link>
				<pubDate>Mon, 13 Mar 2023 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article invites the reading of Fernando Pessoa’s Fausto as a rhizomatic work, via three different critical lenses that lead to plurality: Traditions, Transcriptions, and Translations. Regarding different Faustian traditions, instead of seeing Pessoa’s Fausto merely as a competition with Goethe (as proposed by Eduardo Lourenço in his pref&hellip;<span class="activity-read-more" id="activity-read-more-1837117"><a href="https://hcommons.org/activity/p/1837117/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group Archives</title>
				<link>https://hcommons.org/activity/p/1836468/</link>
				<pubDate>Mon, 06 Mar 2023 02:25:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836468"><a href="https://hcommons.org/activity/p/1836468/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1836012/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836012"><a href="https://hcommons.org/activity/p/1836012/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gavin Holman deposited The Brass Band Bibliography (v17 - 2023) in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1835394/</link>
				<pubDate>Sat, 25 Feb 2023 02:24:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>A comprehensive list of books, articles, theses, and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009. [c. 12, 710 entries]</p>
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				<title>Susanne Wosnitzka deposited Beethovens und Mozarts verschollene Oboenkonzert-Manuskripte: Eine gemeinsame 'heiße Spur' in Augsburg in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1827258/</link>
				<pubDate>Wed, 21 Dec 2022 02:25:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Im Jahr 2002 kam die fast verzweifelte Suche nach Beethovens verschollenem Oboenkonzert zu einem vorläufigen Ende, weil die Forschung an dieser Stelle nicht weiterkam. Jetzt habe ich neue Hinweise auf das autographe Dokument gefunden – und auch auf Mozarts verschollenes Oboenkonzert sowie auf eine unbekannte Oper von Joseph Haydn. Es ist kein Zu&hellip;<span class="activity-read-more" id="activity-read-more-1827258"><a href="https://hcommons.org/activity/p/1827258/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susanne Wosnitzka deposited Beethoven's and Mozart's Lost Oboe Concerto Manuscripts: A New Lead in Augsburg in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1827254/</link>
				<pubDate>Wed, 21 Dec 2022 02:24:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 2002 the research for Beethoven's lost oboe concerto came to a temporary end. Now I've found new leads to the autograph manuscript – and to Mozart's lost oboe concerto, too, and to a lost opera of Joseph Haydn. It is no coincidence that all autograph manuscripts are missing at the same time: They were together and possibly are, played in a c&hellip;<span class="activity-read-more" id="activity-read-more-1827254"><a href="https://hcommons.org/activity/p/1827254/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Matthew Connelly started the topic Free Digital History and Archiving Training Workshops at Columbia this Summer in the discussion Archives</title>
				<link>https://hcommons.org/groups/archives/forum/topic/free-digital-history-and-archiving-training-workshops-at-columbia-this-summer/</link>
				<pubDate>Thu, 17 Nov 2022 21:24:02 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Archives as Data, </strong><strong>May 22-June 2, 2023</strong></p>
<p>Digital history and archiving are thriving, but the increasing volume of digitized and “born digital” materials for historical research also present new challenges for both archivists and historians. Typically, the only way to explore these resources has been through keyword searching. More direct access to&hellip;<span class="activity-read-more" id="activity-read-more-1822827"><a href="https://hcommons.org/groups/archives/forum/topic/free-digital-history-and-archiving-training-workshops-at-columbia-this-summer/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis Ernesto Paz Enrique deposited Afecciones de hemangiomas cutáneos en la infancia registrados en Villa Clara desde 2012 hasta 2015 in the group Archives</title>
				<link>https://hcommons.org/activity/p/1821747/</link>
				<pubDate>Sun, 13 Nov 2022 02:26:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introducción: los hemangiomas son el tumor cutáneo más común en la infancia. Se clasifican dentro de las anomalías vasculares congénitas.Objetivo: identificar el comportamiento clínico-epidemiológico y resultados terapéuticos de los hemangiomas en pacientes atendidos en el Hospital Infantil “José Luis Miranda” de Santa Clara, Villa Clara en el p&hellip;<span class="activity-read-more" id="activity-read-more-1821747"><a href="https://hcommons.org/activity/p/1821747/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis Ernesto Paz Enrique deposited Vasculitis leucocitoclástica in the group Archives</title>
				<link>https://hcommons.org/activity/p/1818815/</link>
				<pubDate>Thu, 27 Oct 2022 02:23:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Introducción: la vasculitis leucocitoclástica constituye un proceso clínico patológico caracterizado por inflamación y necrosis de los vasos sanguíneos. Objetivo: describir las características clínicas de la vasculitis leucocitoclástica y el tratamiento utilizado. Resultados: se indicaron estudios de laboratorios: eritrosedimentación, células L&hellip;<span class="activity-read-more" id="activity-read-more-1818815"><a href="https://hcommons.org/activity/p/1818815/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gavin Holman deposited A fanfare of orphans - the brass band of the St-Georges-de-l'Isle orphanage in Saint-Fraimbault-de-Prières in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1793074/</link>
				<pubDate>Wed, 07 Sep 2022 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>An example of the brass bands established by various children's homes, orphanages and similar institutions, around the world in the early 20th century. This French orphanage fanfare band was founded on charitable principles, to give the children musical training and discipline, and to help raise funds for the home.</p>
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				<title>James Gifford deposited The Sealed Book of the Future: The Collected Prose of Edward Taylor Fletcher in the group Archives</title>
				<link>https://hcommons.org/activity/p/1791045/</link>
				<pubDate>Sat, 20 Aug 2022 02:25:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher's works. The ideas that drove Fletcher's creative works are on display here,&hellip;<span class="activity-read-more" id="activity-read-more-1791045"><a href="https://hcommons.org/activity/p/1791045/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arun Luthra started the topic Songs of the India independence movement in the Carnatic music tradition in the discussion Ethnomusicology</title>
				<link>https://hcommons.org/groups/ethnomusicology/forum/topic/songs-of-the-india-independence-movement-in-the-carnatic-music-tradition-2/</link>
				<pubDate>Thu, 18 Aug 2022 19:29:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hello, Everyone–</p>
<p>My video file is too large to attach to this post, so here is the link to my social media post: <a href="https://twitter.com/ArunLuthra/status/1559252306738049026" rel="nofollow ugc">https://twitter.com/ArunLuthra/status/1559252306738049026</a>.</p>
<p>Can anyone point me in the direction of recordings, oral histories, writing, etc. on the type of songs which V. Sriram is talking about in this interview?  The video is an ex&hellip;<span class="activity-read-more" id="activity-read-more-1790915"><a href="https://hcommons.org/groups/ethnomusicology/forum/topic/songs-of-the-india-independence-movement-in-the-carnatic-music-tradition-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frans Wiering replied to the topic What Do Musicologists Do All Day? Please participate in our survey in the discussion Ethnomusicology</title>
				<link>https://hcommons.org/groups/ethnomusicology/forum/topic/what-do-musicologists-do-all-day-please-participate-in-our-survey/#post-58580</link>
				<pubDate>Fri, 20 May 2022 13:11:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Friendly reminder: we will close the survey on Thursday 26 May. If you haven't participated yet, please consider doing so now!</p>
<p>many thanks,</p>
<p>Frans Wiering</p>
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				<title>Rocío Quispe-Agnoli deposited "Mulieris Litterarum": Oral, Visual, and Written Narratives of Indigenous Elite Women. in the group Archives</title>
				<link>https://hcommons.org/activity/p/1779648/</link>
				<pubDate>Sun, 24 Apr 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Women’s literary expression in Latin America started as a crossroads of rhetorical practices and textual devices that included the knowledge and transmission of oral traditions, visual iconic narratives, tangible systems of record keeping, and the incorporation of the alphabetic script.  I propose to look at the written production of Indigenous w&hellip;<span class="activity-read-more" id="activity-read-more-1779648"><a href="https://hcommons.org/activity/p/1779648/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Carlos A. Pittella deposited João de Alemquer: o mistério de um drama em inglês no espólio pessoano in the group Archives</title>
				<link>https://hcommons.org/activity/p/1778517/</link>
				<pubDate>Wed, 13 Apr 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Num dos envelopes do espólio pessoano, encontram-se 56 folhas dactilografadas, quase sem emendas, com o que aparenta ser boa parte de uma peça teatral em inglês. O problema: não há indicação de título, nem de autor. Será um inédito de Fernando Pessoa? Uma tradução inglesa de uma peça olvidada de outro dramaturgo português? Num momento em qu&hellip;<span class="activity-read-more" id="activity-read-more-1778517"><a href="https://hcommons.org/activity/p/1778517/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frans Wiering started the topic What Do Musicologists Do All Day? Please participate in our survey in the discussion Ethnomusicology</title>
				<link>https://hcommons.org/groups/ethnomusicology/forum/topic/what-do-musicologists-do-all-day-please-participate-in-our-survey/</link>
				<pubDate>Wed, 06 Apr 2022 12:56:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>[apologies for multiple postings]</p>
<p>In <strong>What Do Musicologists Do All Day</strong> (WDMDAD) we are investigating the use of technology in the work of music researchers in the widest sense. Building on our 2014-2015 survey, we're now seeking insight in how your views on and use of technology have been affected by the Covid-19 pandemic. To participate in our&hellip;<span class="activity-read-more" id="activity-read-more-1777469"><a href="https://hcommons.org/groups/ethnomusicology/forum/topic/what-do-musicologists-do-all-day-please-participate-in-our-survey/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rocío Quispe-Agnoli deposited Mestizos (in)deseables en el Perú colonial temprano. [(Un)Desirable mestizos in early colonial Peru] in the group Archives</title>
				<link>https://hcommons.org/activity/p/1774564/</link>
				<pubDate>Sun, 13 Mar 2022 04:01:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>In early seventeenth century, Francisco de Avila, Huarochiri’s extirpator of idolatries, and Guaman Poma de Ayala rejected the mestizo either for personal convenience or as a matter of concern for the fate of the Andean race. This article examines the places of enunciation from which these and other authors categorized some individuals as u&hellip;<span class="activity-read-more" id="activity-read-more-1774564"><a href="https://hcommons.org/activity/p/1774564/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rocío Quispe-Agnoli deposited Simulando el testimonio de vista: los “indios del Perú” de la Historia de José de Acosta a la imprenta de Theodore De Bry. in the group Archives</title>
				<link>https://hcommons.org/activity/p/1774563/</link>
				<pubDate>Sun, 13 Mar 2022 04:01:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay studies the textual and visual representation of “the Indians of Peru” and their place in the illustrated edition of the Historia natural y moral de las Indias (1590) by José de Acosta, prepared by the sons of publisher Theodore De Bry. Such edition was published in 1601-1602 as the ninth volume of The Great Voyages. This essay disc&hellip;<span class="activity-read-more" id="activity-read-more-1774563"><a href="https://hcommons.org/activity/p/1774563/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rocío Quispe-Agnoli deposited “Waman Poma, autor indígena do século XVI: questionando antropocentrismos no colonialocenos" [Guaman Poma, 17th-century Indigenous author: Questioning Anthropocentrism in the Colonialocene] in the group Archives</title>
				<link>https://hcommons.org/activity/p/1774512/</link>
				<pubDate>Sat, 12 Mar 2022 02:31:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Based on a critical and reflective reading of Guaman Poma’s "New Chronicle and Good Government" (1615) [Nueva corónica y buen gobierno], this essay departs from the understanding of Waman Poma’s work as an “Opera Aperta” (Quispe-Agnoli 2020). Visual and written texts are understood initially as written-visual semantic fields that stimulat&hellip;<span class="activity-read-more" id="activity-read-more-1774512"><a href="https://hcommons.org/activity/p/1774512/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">38eff62ee15d668c3ad3a7302ac238b0</guid>
				<title>Gavin Holman deposited Mauston Ladies' Ideal Band in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1770589/</link>
				<pubDate>Sun, 06 Feb 2022 02:24:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>A look at the brief history of this band from central Wisconsin in the 1880's</p>
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				<title>Amadeu Corbera Jaume deposited El «musicólogo transterrado». Los escritos etnomusicológicos de Baltasar Samper en México (1947-1964) in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1761920/</link>
				<pubDate>Sun, 19 Dec 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q&hellip;<span class="activity-read-more" id="activity-read-more-1761920"><a href="https://hcommons.org/activity/p/1761920/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e44307a94ef5df918f6f4c251fd92225</guid>
				<title>Bruno Buike deposited Thousand perls - Korobeiniki - piano - audio in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757316/</link>
				<pubDate>Mon, 01 Nov 2021 02:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 41 -  Es funkeln tausend Perlen in demGlas in meiner Hand - Thousand perls - piano solo -<br />
paraphrase of Rebrov-version "Poj Zigan" from N.Nekrasov`s 1861  Коробейники peddler  / Коробушка, box (of peddlers) - audio</p>
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				<title>Bruno Buike deposited Tousand perls - Korobeiniki - piano - sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757315/</link>
				<pubDate>Mon, 01 Nov 2021 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 41 - Es funkeln tausend Perlen in dem Glas in meiner Hand - Thousand perls - piano solo  -<br />
paraphrase of Rebrov-version "Poj Zigan" from the poem Korobeiniki Коробейники peddler  / Коробушка, box (of peddlers) by  N.Nekrasov`s 1861 - sheetmusic</p>
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				<title>Bruno Buike deposited O sanctissima - Christmas merry go round - organ - audio in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757072/</link>
				<pubDate>Fri, 29 Oct 2021 02:28:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 38 - O sanctissima – O du froehliche - Weihnachtliche Spielmusik – Christmas Merry Go Round<br />
- great organ - audio</p>
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				<title>Bruno Buike deposited O sanctissima - O du froehliche - Christmas merry go round - organ - sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757070/</link>
				<pubDate>Fri, 29 Oct 2021 02:27:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 38 - O sanctissima – O du froehliche - Weihnachtliche Spielmusik – - Christmas Merry Go Round - great organ - sheetmusic - 2010, 2nd ed.<br />
- said from Sicilian origin, not confirmed nor verified</p>
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				<title>Bruno Buike deposited Daughter Zion - Prelude - organ - audio in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757068/</link>
				<pubDate>Fri, 29 Oct 2021 02:26:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 37 - Prelude Daughter Zion - great organ - 2010, 2nd. ed. - audio</p>
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				<title>Bruno Buike deposited Daughter Zion - Prelude - great organ -sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757066/</link>
				<pubDate>Fri, 29 Oct 2021 02:25:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 37 - Präludium Tochter Zion - Prelude Daughter Zion - great organ - - sheetmusic - 2010, 2nd ed.</p>
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				<title>Larisa Mann deposited Booming at the Margins: Ethnic Radio, Intimacy, and Nonlinear Innovation in Media in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757062/</link>
				<pubDate>Fri, 29 Oct 2021 02:24:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b&hellip;<span class="activity-read-more" id="activity-read-more-1757062"><a href="https://hcommons.org/activity/p/1757062/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Larisa Mann deposited White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1757059/</link>
				<pubDate>Fri, 29 Oct 2021 02:24:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This study explores Jamaican popular music's changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating&hellip;<span class="activity-read-more" id="activity-read-more-1757059"><a href="https://hcommons.org/activity/p/1757059/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bruno Buike deposited Lonely bell - Kolokoltshik - piano - audio in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755991/</link>
				<pubDate>Wed, 20 Oct 2021 02:24:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 9-2 - Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik - Однозвучно<br />
гремит колокольчик ) - Eintönig klingt das Glöckchen - lonely bell - T.: I. Makarov – И.Макаров<br />
M.: first Alexander Lvovich Gurilev (1853?) - А. Гурилев - here: melody of K. Sidorowicz / K.<br />
Сидорович - piano - audio</p>
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				<title>Bruno Buike deposited Lonely bell - Kolokoltshik - piano - sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755990/</link>
				<pubDate>Wed, 20 Oct 2021 02:24:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 9-2 - Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik - Однозвучно<br />
гремит колокольчик ) - Eintönig klingt das Glöckchen - lonely bell - T.: I. Makarov – И.Макаров - M.: first Alexander - Lvovich Gurilev (1853?) - А. - Гурилев - here: melody of K. Sidorowicz / K.<br />
Сидорович - piano- sheetmusic</p>
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				<title>Bruno Buike deposited Lonely bell - Kolokoltshik - vibraphones - sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755989/</link>
				<pubDate>Wed, 20 Oct 2021 02:24:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>BB 9-1 - Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik)<br />
Eintönig klingt das Glöckchen - lonely bell T.: I. Makarov – И.Макаров - M.: first Alexander Lvovich Gurilev (1853?) - А. Гурилев -  here: melody of K. Sidorowicz / K. Сидорович - 2 vibraphones solo - sheetmusic</p>
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				<title>Bruno Buike deposited Maros river - Gipsy tune - video in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755987/</link>
				<pubDate>Wed, 20 Oct 2021 02:24:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Maros River, all ungherese – Gipsy tune – Maros vize folyik cszendesen – piano solo - 2:10 - video (plus music plus pics from maros / Mures river)</p>
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				<title>Bruno Buike deposited Maros River - Hungarian Gipsy - audio in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755982/</link>
				<pubDate>Wed, 20 Oct 2021 02:23:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Maros River, all ungherese - Maros vize folyik csendesen – piano solo - 1:05 / 2:10 - audio</p>
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				<title>Bruno Buike deposited Maros river - al ungearese - Gipsy tune - sheetmusic in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1755981/</link>
				<pubDate>Wed, 20 Oct 2021 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Maros River, all ungherese – Gipsy tune – Maros vize folyik cszendesen – piano solo - pdf - sheetmusic</p>
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				<title>Marcelo R. S. Ribeiro deposited Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière in the group Archives</title>
				<link>https://hcommons.org/activity/p/1755836/</link>
				<pubDate>Tue, 19 Oct 2021 02:23:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Considerando o catálogo Lumière como experiência inaugural do cinema mundial, este artigo propõe uma leitura anarquívica de algumas de suas imagens. Diferenciando a operação do cinematógrafo como dispositivo cosmotécnico de arquivamento do mundo e aparelho cosmopoético de invenção de mundos, exploro as formas de inscrição da diferença no&hellip;<span class="activity-read-more" id="activity-read-more-1755836"><a href="https://hcommons.org/activity/p/1755836/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Archives</title>
				<link>https://hcommons.org/activity/p/1752750/</link>
				<pubDate>Fri, 24 Sep 2021 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Reflections on Trevor Paglen's (ab)use of the JAFFE dataset</p>
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