Other Publications

“Emily Dickinson, Jenny Lind, and Rural Nineteenth-Century Fandom,” Reception: Texts, Readers, Audiences, History, Volume 12, 2020. 38-53. 
 
“‘Invisible, as Music –’: What the Earliest Musical Settings of Emily Dickinson’s Poems, Including Two Previously Unknown, Tell Us about Dickinson’s Musicality,” Emily Dickinson Journal, Volume 28, no. 2, 2019. 73-105.
 
Forthcoming, 2021, “‘Discretion in the Interval’: Emily Dickinson, Musical Improvisation, and Manuscript Variations,” Oxford Handbook to Emily Dickinson, Oxford University Press.
 
Forthcoming, October / November 2020, Guest-edit and contribute essay, “‘the Bird / Who sings the same, unheard, / As unto Crowd -’: Dickinson’s Birdsongs and the Sentimental Ideal of Spontaneous Utterance,” to special issue of Women’s Studies, “New Directions in Emily Dickinson and Music,” with Assistant Professor Samantha Landau. 
 
“Athenot, Éric and Cristanne Miller, eds. Whitman & Dickinson: A Colloquy,”  Walt Whitman Quarterly Review, Volume 36, no. 3: Spring / Summer 2019. 353-357. 
 
“What Academic Humanists Can Learn from Nonprofits,” Public Humanities as / and Comparatist Practice cluster, Contemporaries / Post45.
 
“Emily C. Friedman. Reading Smell in Eighteenth-Century Fiction.” The Eighteenth-Century Intelligencer, Volume 31, no. 2: October 2017. 29-31.

Gerard Holmes

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