I teach and write about premodern English literature. I am the author of Meter and Modernity in English Verse, 13501650 (University of Pennsylvania Press, 2021) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), which won the 2018 English Association Beatrice White Prize. With Irina Dumitrescu, I edited The Shapes of Early English Poetry: Style, Form, History (Medieval Institute Publications, 2019). I edit the Yearbook of Langland Studies with Alastair Bennett and Katharine Breen.
My research focuses on meter and poetics (what makes poetry tick). I am especially interested in poetry from the medieval period, which has led to an interest in periodization itself. All of my scholarship deals in one way or another with the historicity of early English literature: its forms and cultural meanings, and how those are mediated by modern disciplinary study. I am interested in the social implications of literature, the phenomenology of poetry reading, and how we come to know what we think we know about the past. These interests all converge on William Langland’s Piers Plowman, an enigmatic long alliterative poem of the fourteenth century.


Ph.D., English Language and Literature, Yale University
M.Phil., Medieval Studies, Yale
B.A., English and Classical Civilization, Wesleyan University

Other Publications

For a bibliography of my scholarly work, including forthcoming work, visit my personal website. I also write for public audiences.


My current project, tentatively titled Unheard Melodies: Apophatic Poetics in English Literature, concerns the paradoxical power of literature to represent what literature cannot represent: novels no one can read, lyrics no one can hear, syllables no one can pronounce, spaces no one can inhabit, experiences no one can have, and more. I call these “apophatic effects,” by analogy to apophatic (a.k.a. negative) theology. Premodern readers understood apophatic effects through metaphors of concealment embedded in the Latin nouns obscuritas and occultatio. My title alludes to John Keats’s “On a Grecian Urn,” which both performs and reflects on apophatic poetics.


American Association of University Professors
Early Book Society
Early English Text Society
International Piers Plowman Society
Medieval Academy of America
Modern Language Association
New Chaucer Society
Sociedad Española de Lengua y Literatura Inglesa Medieval

Eric Weiskott

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