PublicationsPersecution, Plague and Fire: Fugitive Histories of the Stage in Early Modern England.
The University of Chicago Press, 2011.
“The Curious Absence of Soft Matter: A Response to Cute Shakespeare,” Journal of Early Modern Cultural Studies
, special issue ed. Julia R. Lupton, Fall 2016.
“Water: Absorption, Uncontainment, and Cleopatra’s Barge” Shakespeare International Yearbook
2015, special issue: The Human, ed. Tiffany Jo Werth.
“The Wrong Stuff: Staffordshire Figurines at the Folger Shakespeare Library” Theatre Survey
, September, 2015.
“Feeling Unhistorical” Historical Affects on the Early Modern Theatre
, ed Ronda Arab, Michelle Dowd, Adam Zucker. Routledge 2015.
“Acting Historical with Shakespeare, or William-Henry Ireland’s Oaken Chest” Shakespeare Survey
67 (2014): 202-220, special issue:
“Shakespeare’s Collaborative Work”Recipient of the 2015 Oscar G. Brockett Essay Prize, American Society of Theatre Research (ASTR)
“Indecorum” 21st Century Approaches to Early Modern Theatricality
. Ed. Henry S. Turner for the “21st Century Approaches” series. ed. Paul Strohm. Oxford University Press, 2013.
“Richard III in the Parking Lot” in “Finding Richard III: A Forum,” Upstart: A Journal of English Renaissance Studies http://www.clemson.edu/upstart
“The Monkey Wrench in The Busie Body
” Approaches to Teaching British Women Playwrights of the Restoration and Eighteenth Century
Ed. Catherine Burroughs and Bonnie Nelson. Modern Language Association, 2010
“Against Plausibility” Theatre Historiography: Critical Questions
. Ed. Henry Bial and Scott Magelssen. University of Michigan Press, 2010.
“The Specter of Straight Shakespeare” [reprint]. Canadian Shakespeare
Ed. Susan Knutson for the series, “Critical Perspectives on Canadian Theatre in English.” Ed. Ric Knowles, Playwrights Canada, 2010.
“The Theatre as a Self-Consuming Art.” Theatre Survey
49:1 (May 2008): 91-107.
“Toward a New Theatre History of Dionysus” Theatre History Studies
26 (2006): 71-87.