<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Knowledge Commons | Elsa De Luca | Activity</title>
	<link>https://hcommons.org/members/elsadl/activity/</link>
	<atom:link href="https://hcommons.org/members/elsadl/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Elsa De Luca.</description>
	<lastBuildDate>Sat, 04 Apr 2026 09:12:11 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">6349716e5b4be484d96352f53131f039</guid>
				<title>Elsa De Luca uploaded the file: Brainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study to &#34;Encoding Cultures&#34; Joint MEC and TEI Conference</title>
				<link>https://hcommons.org/activity/p/1861179/</link>
				<pubDate>Mon, 09 Oct 2023 07:42:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Authors: De Luca, Elsa / Alexandru, Maria / Fujinaga, Ichiro<br />
ABSTRACT<br />
The effort to encode neumatic notations has primarily focused on Western European repertories, with little attention given to the neumes employed in the East. To address this gap, we propose to apply our knowledge of the MEI Neumes Module and Eastern notations to raise awareness&hellip;<span class="activity-read-more" id="activity-read-more-1861179"><a href="https://hcommons.org/activity/p/1861179/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ed451e79df958be2048cce4db406c11b</guid>
				<title>Elsa De Luca changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1833632/</link>
				<pubDate>Fri, 10 Feb 2023 05:23:50 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cda7df240a124d0966170c955123c3df</guid>
				<title>Elsa De Luca deposited Rehearsal encodings with a social life in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702132/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>MEI-encoded scores are versatile music information resources representing musical meaning within a finely addressable XML structure. The Verovio MEI engraver reflects the hierarchy and identifiers of these encodings into its generated SVG output, supporting presentation of digital scores as richly interactive Web applications. Typical MEI&hellip;<span class="activity-read-more" id="activity-read-more-1702132"><a href="https://hcommons.org/activity/p/1702132/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f28d56997c2971ba15b4773e4541f0a7</guid>
				<title>Elsa De Luca deposited Retrieving Music Semantics from Optical Music Recognition by Machine Translation in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702131/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, we apply machine translation techniques to solve one of the central problems in the field of optical music recognition: extracting the semantics of a sequence of music characters. So far, this problem has been approached through heuristics and grammars, which are not generalizable solutions. We borrowed the seq2seq model and the&hellip;<span class="activity-read-more" id="activity-read-more-1702131"><a href="https://hcommons.org/activity/p/1702131/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">76170eb4e391647d99ccd3c6844a3878</guid>
				<title>Elsa De Luca deposited MEI and Verovio for MIR: A Minimal Computing Approach in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702130/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>While the increase in digital editions, online corpora, and browsable databases of encoded music presents an extraordinary resource for contemporary music scholarship, using these databases for computational research remains a complex endeavor. Although norms and standards have begun to emerge, and interoperability among different formats is often&hellip;<span class="activity-read-more" id="activity-read-more-1702130"><a href="https://hcommons.org/activity/p/1702130/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">081d253d0920b71ac283d5e74bcfde1e</guid>
				<title>Elsa De Luca deposited Editing Italian Madrigals in the Digital World: The Tasso in Music Project in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702129/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Despite the interdisciplinary nature of the Italian madrigal—a genre in which poetry and music often stand on equal footing—critical editions of this repertoire tend to focus primarily on the musical text, devoting limited attention to the often-complex philological tradition of the poems set to music. Likewise, most critical editions are dev&hellip;<span class="activity-read-more" id="activity-read-more-1702129"><a href="https://hcommons.org/activity/p/1702129/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8708a9716e3e13be4443c204d1c7ab92</guid>
				<title>Elsa De Luca deposited IIIF-based lyric and neume editor for square-notation manuscripts in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702128/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper we introduce a set of improvements to Neon, an online square-notation music editor based on the International Image Interoperability Framework (IIIF) and the Music Encoding Initiative (MEI) file format. The enhancements extend the functionality of Neon to the editing of lyrics and single-session editing of entire manuscripts and&hellip;<span class="activity-read-more" id="activity-read-more-1702128"><a href="https://hcommons.org/activity/p/1702128/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">36dceedf18280a0252b1dd047e21e10d</guid>
				<title>Elsa De Luca deposited Multimedia from the 17th-Century Book to the 21st-Century Web: a playable digital edition of Michael Maier’s "Atalanta fugiens" in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702127/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6b826e99d4504a4f5916399e4209e0c3</guid>
				<title>Elsa De Luca deposited Do visual features matter? Studies in phylogenetic analysis of mensural music in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702126/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper reports on the task of developing concepts for a computational analysis of the transmission of mensural music based on concepts of phylogenetic analysis. Since the analysis of transmission aims for the reconstruction of relations between sources, it focuses on the differences of rather similar items. Therefore, it is necessary to find&hellip;<span class="activity-read-more" id="activity-read-more-1702126"><a href="https://hcommons.org/activity/p/1702126/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fea861876ff3890832343b2b34a020d5</guid>
				<title>Elsa De Luca deposited Probstücke Digital in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702125/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1731, Johann Mattheson writes in the preface to the Große Generalbass-Schule: “The complaint, however, which I made in the first edition of this Organisten-Probe about the badly printed notes, is still in its full strength, and patience is the only remedy.” Probstücke Digital is an open and critical digital edition project of the 24 test piece&hellip;<span class="activity-read-more" id="activity-read-more-1702125"><a href="https://hcommons.org/activity/p/1702125/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ea0e5e0a106ce2c6073e93e88cda53dd</guid>
				<title>Elsa De Luca deposited Preventing conversion failure across encoding formats: A transcription protocol and representation scheme considerations in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702124/</link>
				<pubDate>Thu, 23 Jul 2020 02:39:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Conversion issues across musical symbolic representations, such as musicXML, MEI, and humdrum, are well known. Often, these depend on methodological choices undertaken during the generation and processing of the data. For a better under-standing of this topic, we present a transcription protocol, result of trial and error transcription attempts&hellip;<span class="activity-read-more" id="activity-read-more-1702124"><a href="https://hcommons.org/activity/p/1702124/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ad817332e522cff99e1b24ce88d740fc</guid>
				<title>Elsa De Luca deposited MusicDiff: A Diff Tool for MEI in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702123/</link>
				<pubDate>Thu, 23 Jul 2020 02:38:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work&hellip;<span class="activity-read-more" id="activity-read-more-1702123"><a href="https://hcommons.org/activity/p/1702123/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1fd35d6b3eadd250115e27e12e5bc565</guid>
				<title>Elsa De Luca deposited Beethovens Werkstatt on the Test Bench in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702118/</link>
				<pubDate>Thu, 23 Jul 2020 02:38:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>In my master thesis I am working on the analysis of scriptural problems, trying to discuss the chronology of Ludwig van Beethoven’s entries in the autograph of his Flohlied op. 75, no. 3. This is in order to examine the efficiency of the so-called VideApp of the research project Beethovens Werkstatt which studies sketches and manuscripts of B&hellip;<span class="activity-read-more" id="activity-read-more-1702118"><a href="https://hcommons.org/activity/p/1702118/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">be6650dcf6f9a1d857918df70ae4d728</guid>
				<title>Elsa De Luca deposited Harmalysis: A language for the annotation of roman numerals in symbolic music representations in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702117/</link>
				<pubDate>Thu, 23 Jul 2020 02:38:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>High-quality annotations of harmonic analysis are scarce. Furthermore, the existing data usually follows different conventions for spelling scale degrees, inversions, and special chords (e.g., cadential six-four). There have been efforts for standardizing the notation of harmonic analysis annotations, however, these have not been very successful&hellip;<span class="activity-read-more" id="activity-read-more-1702117"><a href="https://hcommons.org/activity/p/1702117/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6fd21edb1cb4bf5d9a6dc4b7650ec8b4</guid>
				<title>Elsa De Luca deposited MIDI 2.0: Promises and Challenges in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702116/</link>
				<pubDate>Thu, 23 Jul 2020 02:37:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>MIDI, the musical instrument digital interface, is a highly successful protocol for conveying and, through the use of Standard MIDI Files, representing musical performance information. However, it lacks the ability to convey notation information. The newly approved MIDI 2.0 protocol gives us a chance to rectify that by including notation&hellip;<span class="activity-read-more" id="activity-read-more-1702116"><a href="https://hcommons.org/activity/p/1702116/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3b9779b2bb2d3503ed94ad9084e060ed</guid>
				<title>Elsa De Luca deposited Implementing the Enhancing Music Addressability API for MusicXML in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702115/</link>
				<pubDate>Thu, 23 Jul 2020 02:37:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b9c6f9381abef1a0f9eb95d25f8ff5e0</guid>
				<title>Elsa De Luca deposited Figured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702114/</link>
				<pubDate>Thu, 23 Jul 2020 02:37:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>The computational study of figured bass remains an under-researched topic, likely due to the lack of machine-<br />
readable datasets. This paper is intended to address the paucity of digital figured bass data by 1) investigating procedures for systematically annotating symbolic music files with figured bass, and 2) producing and releasing a model&hellip;<span class="activity-read-more" id="activity-read-more-1702114"><a href="https://hcommons.org/activity/p/1702114/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">050f09523ae3a8481be4fa28c95f0afd</guid>
				<title>Elsa De Luca deposited Traversing Eighteenth-Century Networks of Operatic Fame in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702113/</link>
				<pubDate>Thu, 23 Jul 2020 02:37:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper employs a digital project entitled “Visualizing Operatic Fame” to delve into three major issues in graph theory and network science: searching and pathfinding, influencers and hubs, and clusters and communities.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">202485f705ced31dc3ca75cf225623e3</guid>
				<title>Elsa De Luca deposited Computer-Aided Analysis Across the Tonal Divide: Cross-Stylistic Applications of the Discrete Fourier Transform in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702112/</link>
				<pubDate>Thu, 23 Jul 2020 02:37:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discrete Fourier transform is a mathematically robust way of modeling various musical phenomena. I use the music21 Python module to interpret the pitch classes of an encoded musical score through the discrete Fourier transform (DFT). This methodology offers a broad view of the backgrounded scales and pitch-class collections of a piece. I have&hellip;<span class="activity-read-more" id="activity-read-more-1702112"><a href="https://hcommons.org/activity/p/1702112/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0850d4ec2798d2eefbdb93e232464c01</guid>
				<title>Elsa De Luca deposited Music Encoding Conference Proceedings 26-29 May, 2020 Tufts University, Boston (USA). Edited by Elsa De Luca and Julia Flanders in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702107/</link>
				<pubDate>Thu, 23 Jul 2020 02:32:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Conference proceedings of the Music Encoding Conference 2020 with Foreword by Richard Freedman and Anna J. Kijas.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">67634cec0819ca575d82478aab69624c</guid>
				<title>Elsa De Luca deposited The forgotten classroom? Bringing music encoding to a new generation in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702106/</link>
				<pubDate>Thu, 23 Jul 2020 02:32:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital methods have begun to make their way into the research practices of music scholars, and most this insurgence can be attributed to the rise of the discipline of music technology. Though music encoding is becoming increasingly prevalent among the research and teaching methodologies of music scholars, evidence gathered from course&hellip;<span class="activity-read-more" id="activity-read-more-1702106"><a href="https://hcommons.org/activity/p/1702106/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">34b745e84d8c6414fbd7f7915a159d83</guid>
				<title>Elsa De Luca deposited Crafting TabMEI, a Module for Encoding Instrumental Tablatures in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702105/</link>
				<pubDate>Thu, 23 Jul 2020 02:32:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this progress report, we describe the issues encountered during the design and implementation of TabMEI, a new MEI module for encoding instrumental tablatures. We discuss the main challenges faced and lay out our workflow for implementing the TabMEI module. In addition, we present a number of example encodings, and we describe anticipated&hellip;<span class="activity-read-more" id="activity-read-more-1702105"><a href="https://hcommons.org/activity/p/1702105/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e98f14f255ee9364e4663c01d571747d</guid>
				<title>Elsa De Luca deposited Next Steps for Measuring Polyphony: A Prototype Editor for Encoding Mensural Music in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1702104/</link>
				<pubDate>Thu, 23 Jul 2020 02:32:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">16b6aa71dba22451de31e17197523c5f</guid>
				<title>Elsa De Luca deposited Rehearsal encodings with a social life</title>
				<link>https://hcommons.org/activity/p/1701897/</link>
				<pubDate>Wed, 22 Jul 2020 16:58:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>MEI-encoded scores are versatile music information resources representing musical meaning within a finely addressable XML structure. The Verovio MEI engraver reflects the hierarchy and identifiers of these encodings into its generated SVG output, supporting presentation of digital scores as richly interactive Web applications. Typical MEI&hellip;<span class="activity-read-more" id="activity-read-more-1701897"><a href="https://hcommons.org/activity/p/1701897/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6f58b113540e6f0a4f02129ef234ddc1</guid>
				<title>Elsa De Luca deposited Retrieving Music Semantics from Optical Music Recognition by Machine Translation</title>
				<link>https://hcommons.org/activity/p/1701891/</link>
				<pubDate>Wed, 22 Jul 2020 16:52:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, we apply machine translation techniques to solve one of the central problems in the field of optical music recognition: extracting the semantics of a sequence of music characters. So far, this problem has been approached through heuristics and grammars, which are not generalizable solutions. We borrowed the seq2seq model and the&hellip;<span class="activity-read-more" id="activity-read-more-1701891"><a href="https://hcommons.org/activity/p/1701891/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">75328a95fdd858e8a4defed12c27e700</guid>
				<title>Elsa De Luca deposited MEI and Verovio for MIR: A Minimal Computing Approach</title>
				<link>https://hcommons.org/activity/p/1701889/</link>
				<pubDate>Wed, 22 Jul 2020 16:42:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>While the increase in digital editions, online corpora, and browsable databases of encoded music presents an extraordinary resource for contemporary music scholarship, using these databases for computational research remains a complex endeavor. Although norms and standards have begun to emerge, and interoperability among different formats is often&hellip;<span class="activity-read-more" id="activity-read-more-1701889"><a href="https://hcommons.org/activity/p/1701889/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5f864d81b5499bf296f6f27dd907111f</guid>
				<title>Elsa De Luca deposited Editing Italian Madrigals in the Digital World: The Tasso in Music Project</title>
				<link>https://hcommons.org/activity/p/1701887/</link>
				<pubDate>Wed, 22 Jul 2020 16:35:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>Despite the interdisciplinary nature of the Italian madrigal—a genre in which poetry and music often stand on equal footing—critical editions of this repertoire tend to focus primarily on the musical text, devoting limited attention to the often-complex philological tradition of the poems set to music. Likewise, most critical editions are dev&hellip;<span class="activity-read-more" id="activity-read-more-1701887"><a href="https://hcommons.org/activity/p/1701887/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">50b1ac9b262c12730ca4425c903c6a66</guid>
				<title>Elsa De Luca deposited IIIF-based lyric and neume editor for square-notation manuscripts</title>
				<link>https://hcommons.org/activity/p/1701886/</link>
				<pubDate>Wed, 22 Jul 2020 16:28:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper we introduce a set of improvements to Neon, an online square-notation music editor based on the International Image Interoperability Framework (IIIF) and the Music Encoding Initiative (MEI) file format. The enhancements extend the functionality of Neon to the editing of lyrics and single-session editing of entire manuscripts and&hellip;<span class="activity-read-more" id="activity-read-more-1701886"><a href="https://hcommons.org/activity/p/1701886/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e686b697b3fe0e0c28a8a868f7920d64</guid>
				<title>Elsa De Luca deposited Multimedia from the 17th-Century Book to the 21st-Century Web: a playable digital edition of Michael Maier’s "Atalanta fugiens"</title>
				<link>https://hcommons.org/activity/p/1701878/</link>
				<pubDate>Wed, 22 Jul 2020 16:20:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ca80de9379804a78a10d5f9cbaf45fa5</guid>
				<title>Elsa De Luca deposited Do visual features matter? Studies in phylogenetic analysis of mensural music</title>
				<link>https://hcommons.org/activity/p/1701875/</link>
				<pubDate>Wed, 22 Jul 2020 16:14:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper reports on the task of developing concepts for a computational analysis of the transmission of mensural music based on concepts of phylogenetic analysis. Since the analysis of transmission aims for the reconstruction of relations between sources, it focuses on the differences of rather similar items. Therefore, it is necessary to find&hellip;<span class="activity-read-more" id="activity-read-more-1701875"><a href="https://hcommons.org/activity/p/1701875/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2f7ef78d4332ff26eacfa6af34b378ec</guid>
				<title>Elsa De Luca deposited Probstücke Digital</title>
				<link>https://hcommons.org/activity/p/1701873/</link>
				<pubDate>Wed, 22 Jul 2020 16:08:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1731, Johann Mattheson writes in the preface to the Große Generalbass-Schule: “The complaint, however, which I made in the first edition of this Organisten-Probe about the badly printed notes, is still in its full strength, and patience is the only remedy.” Probstücke Digital is an open and critical digital edition project of the 24 test piece&hellip;<span class="activity-read-more" id="activity-read-more-1701873"><a href="https://hcommons.org/activity/p/1701873/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b96c96529d648afa2e8c6ad504f9d2b0</guid>
				<title>Elsa De Luca deposited Preventing conversion failure across encoding formats: A transcription protocol and representation scheme considerations</title>
				<link>https://hcommons.org/activity/p/1701867/</link>
				<pubDate>Wed, 22 Jul 2020 16:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Conversion issues across musical symbolic representations, such as musicXML, MEI, and humdrum, are well known. Often, these depend on methodological choices undertaken during the generation and processing of the data. For a better under-standing of this topic, we present a transcription protocol, result of trial and error transcription attempts&hellip;<span class="activity-read-more" id="activity-read-more-1701867"><a href="https://hcommons.org/activity/p/1701867/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">aec2c5491de7a81906c4446260c79df0</guid>
				<title>Elsa De Luca deposited MusicDiff: A Diff Tool for MEI</title>
				<link>https://hcommons.org/activity/p/1701862/</link>
				<pubDate>Wed, 22 Jul 2020 15:55:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work&hellip;<span class="activity-read-more" id="activity-read-more-1701862"><a href="https://hcommons.org/activity/p/1701862/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9b2e21e6d326a017dac7a56d561cb963</guid>
				<title>Elsa De Luca deposited Beethovens Werkstatt on the Test Bench</title>
				<link>https://hcommons.org/activity/p/1701848/</link>
				<pubDate>Wed, 22 Jul 2020 15:44:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>In my master thesis I am working on the analysis of scriptural problems, trying to discuss the chronology of Ludwig van Beethoven’s entries in the autograph of his Flohlied op. 75, no. 3. This is in order to examine the efficiency of the so-called VideApp of the research project Beethovens Werkstatt which studies sketches and manuscripts of B&hellip;<span class="activity-read-more" id="activity-read-more-1701848"><a href="https://hcommons.org/activity/p/1701848/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cb7848d7fdc780609b22673f6bb1d730</guid>
				<title>Elsa De Luca deposited Harmalysis: A language for the annotation of roman numerals in symbolic music representations</title>
				<link>https://hcommons.org/activity/p/1701819/</link>
				<pubDate>Wed, 22 Jul 2020 15:17:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>High-quality annotations of harmonic analysis are scarce. Furthermore, the existing data usually follows different conventions for spelling scale degrees, inversions, and special chords (e.g., cadential six-four). There have been efforts for standardizing the notation of harmonic analysis annotations, however, these have not been very successful&hellip;<span class="activity-read-more" id="activity-read-more-1701819"><a href="https://hcommons.org/activity/p/1701819/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">761017bd23fed32844c4677ca5156ac0</guid>
				<title>Elsa De Luca deposited MIDI 2.0: Promises and Challenges</title>
				<link>https://hcommons.org/activity/p/1701808/</link>
				<pubDate>Wed, 22 Jul 2020 15:05:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>MIDI, the musical instrument digital interface, is a highly successful protocol for conveying and, through the use of Standard MIDI Files, representing musical performance information. However, it lacks the ability to convey notation information. The newly approved MIDI 2.0 protocol gives us a chance to rectify that by including notation&hellip;<span class="activity-read-more" id="activity-read-more-1701808"><a href="https://hcommons.org/activity/p/1701808/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">51a5874de8f1907ac0b76d35b2ef7823</guid>
				<title>Elsa De Luca deposited Implementing the Enhancing Music Addressability API for MusicXML</title>
				<link>https://hcommons.org/activity/p/1701806/</link>
				<pubDate>Wed, 22 Jul 2020 14:59:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8588b91f24cacd856caad1d0f281f62a</guid>
				<title>Elsa De Luca deposited Figured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study</title>
				<link>https://hcommons.org/activity/p/1701792/</link>
				<pubDate>Wed, 22 Jul 2020 14:42:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>The computational study of figured bass remains an under-researched topic, likely due to the lack of machine-<br />
readable datasets. This paper is intended to address the paucity of digital figured bass data by 1) investigating procedures for systematically annotating symbolic music files with figured bass, and 2) producing and releasing a model&hellip;<span class="activity-read-more" id="activity-read-more-1701792"><a href="https://hcommons.org/activity/p/1701792/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">311d5e9d87560f23fb8f04b8c008cbde</guid>
				<title>Elsa De Luca deposited Traversing Eighteenth-Century Networks of Operatic Fame</title>
				<link>https://hcommons.org/activity/p/1701784/</link>
				<pubDate>Wed, 22 Jul 2020 14:17:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper employs a digital project entitled “Visualizing Operatic Fame” to delve into three major issues in graph theory and network science: searching and pathfinding, influencers and hubs, and clusters and communities.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f685a8d3f88bd27d894214b385b0cc4b</guid>
				<title>Elsa De Luca deposited Computer-Aided Analysis Across the Tonal Divide: Cross-Stylistic Applications of the Discrete Fourier Transform</title>
				<link>https://hcommons.org/activity/p/1701782/</link>
				<pubDate>Wed, 22 Jul 2020 14:12:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discrete Fourier transform is a mathematically robust way of modeling various musical phenomena. I use the music21 Python module to interpret the pitch classes of an encoded musical score through the discrete Fourier transform (DFT). This methodology offers a broad view of the backgrounded scales and pitch-class collections of a piece. I have&hellip;<span class="activity-read-more" id="activity-read-more-1701782"><a href="https://hcommons.org/activity/p/1701782/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ce454068f3028b4006dec7b604e051fd</guid>
				<title>Elsa De Luca deposited Music Encoding Conference Proceedings 26-29 May, 2020 Tufts University, Boston (USA). Edited by Elsa De Luca and Julia Flanders</title>
				<link>https://hcommons.org/activity/p/1701767/</link>
				<pubDate>Wed, 22 Jul 2020 13:53:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Conference proceedings.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">830bb21ec3ffeab2088d2b53e4a573de</guid>
				<title>Elsa De Luca deposited The forgotten classroom? Bringing music encoding to a new generation</title>
				<link>https://hcommons.org/activity/p/1701749/</link>
				<pubDate>Wed, 22 Jul 2020 13:36:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital methods have begun to make their way into the research practices of music scholars, and most this insurgence can be attributed to the rise of the discipline of music technology. Though music encoding is becoming increasingly prevalent among the research and teaching methodologies of music scholars, evidence gathered from course&hellip;<span class="activity-read-more" id="activity-read-more-1701749"><a href="https://hcommons.org/activity/p/1701749/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9fabdc6c805cbcbddc4728858c21b283</guid>
				<title>Elsa De Luca deposited Crafting TabMEI, a Module for Encoding Instrumental Tablatures</title>
				<link>https://hcommons.org/activity/p/1701737/</link>
				<pubDate>Wed, 22 Jul 2020 13:18:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this progress report, we describe the issues encountered during the design and implementation of TabMEI, a new MEI module for encoding instrumental tablatures. We discuss the main challenges faced and lay out our workflow for implementing the TabMEI module. In addition, we present a number of example encodings, and we describe anticipated&hellip;<span class="activity-read-more" id="activity-read-more-1701737"><a href="https://hcommons.org/activity/p/1701737/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ff5ea6e58e64d482383b0c8916bc1197</guid>
				<title>Elsa De Luca deposited Next Steps for Measuring Polyphony: A Prototype Editor for Encoding Mensural Music</title>
				<link>https://hcommons.org/activity/p/1701682/</link>
				<pubDate>Wed, 22 Jul 2020 11:03:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Poster</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>