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				<title>Eileen A. Fradenburg Joy changed their profile picture</title>
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				<pubDate>Thu, 10 Jul 2025 21:14:29 -0400</pubDate>

				
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				<title>Eileen A. Fradenburg Joy changed their profile picture</title>
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
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				<pubDate>Tue, 03 Dec 2024 02:30:43 -0500</pubDate>

				
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				<title>Eileen A. Fradenburg Joy changed their profile picture</title>
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
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				<title>Eileen A. Fradenburg Joy deposited What is Your Threshold? The Economics of Open Access Scholarly Book Publishing, the “Business” of Care, and the Case of punctum books in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1867393/</link>
				<pubDate>Sun, 10 Dec 2023 03:01:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, we share how a small, independent, academic open access (OA) press, punctum books, has survived and can maybe thrive financially, but also in terms of human quality of life dividends, in the very precarious landscape of making and funding open books. Tracing the history of the press and our bumpy road to better financial&hellip;<span class="activity-read-more" id="activity-read-more-1867393"><a href="https://hcommons.org/activity/p/1867393/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited What is Your Threshold? The Economics of Open Access Scholarly Book Publishing, the “Business” of Care, and the Case of punctum books in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1867392/</link>
				<pubDate>Sun, 10 Dec 2023 03:00:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, we share how a small, independent, academic open access (OA) press, punctum books, has survived and can maybe thrive financially, but also in terms of human quality of life dividends, in the very precarious landscape of making and funding open books. Tracing the history of the press and our bumpy road to better financial&hellip;<span class="activity-read-more" id="activity-read-more-1867392"><a href="https://hcommons.org/activity/p/1867392/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited What is Your Threshold? The Economics of Open Access Scholarly Book Publishing, the “Business” of Care, and the Case of punctum books</title>
				<link>https://hcommons.org/activity/p/1867338/</link>
				<pubDate>Sat, 09 Dec 2023 18:14:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, we share how a small, independent, academic open access (OA) press, punctum books, has survived and can maybe thrive financially, but also in terms of human quality of life dividends, in the very precarious landscape of making and funding open books. Tracing the history of the press and our bumpy road to better financial&hellip;<span class="activity-read-more" id="activity-read-more-1867338"><a href="https://hcommons.org/activity/p/1867338/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1816942/</link>
				<pubDate>Sun, 09 Oct 2022 01:15:09 -0400</pubDate>

				
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1816901/</link>
				<pubDate>Sat, 08 Oct 2022 02:25:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816901"><a href="https://hcommons.org/activity/p/1816901/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril in the group Global DH</title>
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				<pubDate>Sat, 08 Oct 2022 02:25:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816900"><a href="https://hcommons.org/activity/p/1816900/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril in the group Education and Pedagogy</title>
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				<pubDate>Sat, 08 Oct 2022 02:25:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816899"><a href="https://hcommons.org/activity/p/1816899/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1816898/</link>
				<pubDate>Sat, 08 Oct 2022 02:24:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816898"><a href="https://hcommons.org/activity/p/1816898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril in the group Cultural Studies</title>
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				<pubDate>Sat, 08 Oct 2022 02:24:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816897"><a href="https://hcommons.org/activity/p/1816897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Veritas and Copyright: The Public Library in Peril</title>
				<link>https://hcommons.org/activity/p/1816857/</link>
				<pubDate>Fri, 07 Oct 2022 17:26:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>A response to the decision of Wiley Global to "disappear" 1,300+ of their ebooks in the ProQuest catalog at the beginning of the Fall 2022 term without any communication to university libraries at all, thus taking libraries by surprise and indicating Wiley's move away from libraries as repositories and lenders of their ebooks, passing on costs to&hellip;<span class="activity-read-more" id="activity-read-more-1816857"><a href="https://hcommons.org/activity/p/1816857/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1816855/</link>
				<pubDate>Fri, 07 Oct 2022 17:07:45 -0400</pubDate>

				
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1790741/</link>
				<pubDate>Tue, 16 Aug 2022 22:29:02 -0400</pubDate>

				
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				<title>Eileen A. Fradenburg Joy deposited Improbable Modes of Being in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1766496/</link>
				<pubDate>Sat, 15 Jan 2022 02:24:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766496"><a href="https://hcommons.org/activity/p/1766496/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Improbable Modes of Being in the group Political Philosophy &#38; Theory</title>
				<link>https://hcommons.org/activity/p/1766495/</link>
				<pubDate>Sat, 15 Jan 2022 02:24:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766495"><a href="https://hcommons.org/activity/p/1766495/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Improbable Modes of Being in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1766494/</link>
				<pubDate>Sat, 15 Jan 2022 02:24:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766494"><a href="https://hcommons.org/activity/p/1766494/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Improbable Modes of Being in the group LGBTQ Studies</title>
				<link>https://hcommons.org/activity/p/1766493/</link>
				<pubDate>Sat, 15 Jan 2022 02:24:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766493"><a href="https://hcommons.org/activity/p/1766493/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy deposited Improbable Modes of Being in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1766492/</link>
				<pubDate>Sat, 15 Jan 2022 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766492"><a href="https://hcommons.org/activity/p/1766492/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited Improbable Modes of Being</title>
				<link>https://hcommons.org/activity/p/1766435/</link>
				<pubDate>Fri, 14 Jan 2022 20:20:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>This mini-essay was published as part of a "dossier" of authors discussing various forms of "queer inhumanisms." In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault's 1981 interview, "Friendship as a Way of Life." These relations are tied together in critique but also in various&hellip;<span class="activity-read-more" id="activity-read-more-1766435"><a href="https://hcommons.org/activity/p/1766435/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1766433/</link>
				<pubDate>Fri, 14 Jan 2022 20:01:27 -0500</pubDate>

				
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				<title>Eileen Joy deposited All That Remains Unnoticed, I Adore: Spencer Reese's Addresses in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1765728/</link>
				<pubDate>Tue, 11 Jan 2022 02:25:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>An commentary upon the poet Spencer Reese, and more specifically, upon Reece's "addresses" in his book "The Clerk's Tale: Poems" (Houghton Mifflin, 2004) in light of Barbara Johnson's work on the "apostrophe" in her book chapter "Toys R Us," in her book "Persons and Things" (Harvard University Press, 2008), and also in light of Graham Harman's&hellip;<span class="activity-read-more" id="activity-read-more-1765728"><a href="https://hcommons.org/activity/p/1765728/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited All That Remains Unnoticed, I Adore: Spencer Reese's Addresses in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1765727/</link>
				<pubDate>Tue, 11 Jan 2022 02:25:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>An commentary upon the poet Spencer Reese, and more specifically, upon Reece's "addresses" in his book "The Clerk's Tale: Poems" (Houghton Mifflin, 2004) in light of Barbara Johnson's work on the "apostrophe" in her book chapter "Toys R Us," in her book "Persons and Things" (Harvard University Press, 2008), and also in light of Graham Harman's&hellip;<span class="activity-read-more" id="activity-read-more-1765727"><a href="https://hcommons.org/activity/p/1765727/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited All That Remains Unnoticed, I Adore: Spencer Reese's Addresses in the group LGBTQ Studies</title>
				<link>https://hcommons.org/activity/p/1765726/</link>
				<pubDate>Tue, 11 Jan 2022 02:25:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>An commentary upon the poet Spencer Reese, and more specifically, upon Reece's "addresses" in his book "The Clerk's Tale: Poems" (Houghton Mifflin, 2004) in light of Barbara Johnson's work on the "apostrophe" in her book chapter "Toys R Us," in her book "Persons and Things" (Harvard University Press, 2008), and also in light of Graham Harman's&hellip;<span class="activity-read-more" id="activity-read-more-1765726"><a href="https://hcommons.org/activity/p/1765726/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited All That Remains Unnoticed, I Adore: Spencer Reese's Addresses in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1765725/</link>
				<pubDate>Tue, 11 Jan 2022 02:25:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>An commentary upon the poet Spencer Reese, and more specifically, upon Reece's "addresses" in his book "The Clerk's Tale: Poems" (Houghton Mifflin, 2004) in light of Barbara Johnson's work on the "apostrophe" in her book chapter "Toys R Us," in her book "Persons and Things" (Harvard University Press, 2008), and also in light of Graham Harman's&hellip;<span class="activity-read-more" id="activity-read-more-1765725"><a href="https://hcommons.org/activity/p/1765725/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited All That Remains Unnoticed, I Adore: Spencer Reese's Addresses</title>
				<link>https://hcommons.org/activity/p/1765645/</link>
				<pubDate>Mon, 10 Jan 2022 19:04:52 -0500</pubDate>

									<content:encoded><![CDATA[<p>An commentary upon the poet Spencer Reese, and more specifically, upon Reece's "addresses" in his book "The Clerk's Tale: Poems" (Houghton Mifflin, 2004) in light of Barbara Johnson's work on the "apostrophe" in her book chapter "Toys R Us," in her book "Persons and Things" (Harvard University Press, 2008), and also in light of Graham Harman's&hellip;<span class="activity-read-more" id="activity-read-more-1765645"><a href="https://hcommons.org/activity/p/1765645/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited Not Self-Indulgence, but Self-Preservation: Open Access and the Ethics of Care in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1718086/</link>
				<pubDate>Thu, 26 Nov 2020 02:24:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores how certain forms of academic publishing—especially scholar-led, community-owned, open-access platforms and presses—might enable better forms of institutional life conducive to personal flourishing and the increase of public knowledge (and to lubricating the important connection between the two), especially at a time when the&hellip;<span class="activity-read-more" id="activity-read-more-1718086"><a href="https://hcommons.org/activity/p/1718086/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited Not Self-Indulgence, but Self-Preservation: Open Access and the Ethics of Care in the group Library &#38; Information Science</title>
				<link>https://hcommons.org/activity/p/1718085/</link>
				<pubDate>Thu, 26 Nov 2020 02:24:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores how certain forms of academic publishing—especially scholar-led, community-owned, open-access platforms and presses—might enable better forms of institutional life conducive to personal flourishing and the increase of public knowledge (and to lubricating the important connection between the two), especially at a time when the&hellip;<span class="activity-read-more" id="activity-read-more-1718085"><a href="https://hcommons.org/activity/p/1718085/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">238ffcb72e6220b02b28b591bb39f9ea</guid>
				<title>Eileen Joy deposited Not Self-Indulgence, but Self-Preservation: Open Access and the Ethics of Care in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1718084/</link>
				<pubDate>Thu, 26 Nov 2020 02:24:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores how certain forms of academic publishing—especially scholar-led, community-owned, open-access platforms and presses—might enable better forms of institutional life conducive to personal flourishing and the increase of public knowledge (and to lubricating the important connection between the two), especially at a time when the&hellip;<span class="activity-read-more" id="activity-read-more-1718084"><a href="https://hcommons.org/activity/p/1718084/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">34d341243e8aad6f90908b8fefb85b5f</guid>
				<title>Eileen Joy deposited Not Self-Indulgence, but Self-Preservation: Open Access and the Ethics of Care</title>
				<link>https://hcommons.org/activity/p/1718075/</link>
				<pubDate>Wed, 25 Nov 2020 21:52:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores how How certain forms of academic publishing—especially scholar-led, community-owned, open-access platforms, and presses—might enable better forms of institutional life conducive to personal flourishing and the increase of public knowledge (and to lubricating the important connection between the two), especially at a time whe&hellip;<span class="activity-read-more" id="activity-read-more-1718075"><a href="https://hcommons.org/activity/p/1718075/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dc32b3a69ffc962e22c3900571aa0ad0</guid>
				<title>Eileen Joy deposited The Signs and Location of a Flight (or Return?) of Time: The Old English WONDERS OF THE EAST and the Gujarat Massacre in the group Old English / Early Medieval England</title>
				<link>https://hcommons.org/activity/p/1673669/</link>
				<pubDate>Sun, 29 Dec 2019 16:32:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I examine two widely divergent instances of what I understand to be a compulsive and racialized-sexualized violence against women whose bodies have been figured as "foreign"/Eastern (and even, as animal and barbaric) threats within collective national bodies: the real case of a massacre in the modern state of Gujarat in southwestern&hellip;<span class="activity-read-more" id="activity-read-more-1673669"><a href="https://hcommons.org/activity/p/1673669/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">867bdc8c29223ef80b489398eaddb345</guid>
				<title>Eileen Joy deposited The Signs and Location of a Flight (or Return?) of Time: The Old English WONDERS OF THE EAST and the Gujarat Massacre in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1673668/</link>
				<pubDate>Sun, 29 Dec 2019 16:32:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I examine two widely divergent instances of what I understand to be a compulsive and racialized-sexualized violence against women whose bodies have been figured as "foreign"/Eastern (and even, as animal and barbaric) threats within collective national bodies: the real case of a massacre in the modern state of Gujarat in southwestern&hellip;<span class="activity-read-more" id="activity-read-more-1673668"><a href="https://hcommons.org/activity/p/1673668/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6020e12e51ab12d55d980bd86f568229</guid>
				<title>Eileen Joy deposited The Signs and Location of a Flight (or Return?) of Time: The Old English WONDERS OF THE EAST and the Gujarat Massacre in the group Historiography</title>
				<link>https://hcommons.org/activity/p/1673667/</link>
				<pubDate>Sun, 29 Dec 2019 16:32:13 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I examine two widely divergent instances of what I understand to be a compulsive and racialized-sexualized violence against women whose bodies have been figured as "foreign"/Eastern (and even, as animal and barbaric) threats within collective national bodies: the real case of a massacre in the modern state of Gujarat in southwestern&hellip;<span class="activity-read-more" id="activity-read-more-1673667"><a href="https://hcommons.org/activity/p/1673667/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">099d0a2a7175a3b53c0bf6ec35d310eb</guid>
				<title>Eileen Joy deposited The Signs and Location of a Flight (or Return?) of Time: The Old English WONDERS OF THE EAST and the Gujarat Massacre</title>
				<link>https://hcommons.org/activity/p/1673584/</link>
				<pubDate>Sat, 28 Dec 2019 21:00:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I examine two widely divergent instances of what I understand to be a compulsive and racialized-sexualized violence against women whose bodies have been figured as "foreign"/Eastern (and even, as animal and barbaric) threats within collective national bodies: the real case of a massacre in the modern state of Gujarat in southwestern&hellip;<span class="activity-read-more" id="activity-read-more-1673584"><a href="https://hcommons.org/activity/p/1673584/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen A. Fradenburg Joy&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1642783/</link>
				<pubDate>Tue, 18 Jun 2019 20:31:03 -0400</pubDate>

				
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				<title>Eileen Joy deposited The Faded Silvery Imprints of the Bare Feet of Angels: Notes Toward an Historical Poethics in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1642492/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>By way of the autobiographical writings of Bruno Schulz and the "resurrection" paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the&hellip;<span class="activity-read-more" id="activity-read-more-1642492"><a href="https://hcommons.org/activity/p/1642492/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2d1fdc125c6d4288bd536fd8ce691eef</guid>
				<title>Eileen Joy deposited The Faded Silvery Imprints of the Bare Feet of Angels: Notes Toward an Historical Poethics in the group Historiography</title>
				<link>https://hcommons.org/activity/p/1642491/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>By way of the autobiographical writings of Bruno Schulz and the "resurrection" paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the&hellip;<span class="activity-read-more" id="activity-read-more-1642491"><a href="https://hcommons.org/activity/p/1642491/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">33367e8c078c3c12d1753c48c218fb5a</guid>
				<title>Eileen Joy deposited The Faded Silvery Imprints of the Bare Feet of Angels: Notes Toward an Historical Poethics in the group Historical theory and the philosophy of history</title>
				<link>https://hcommons.org/activity/p/1642490/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>By way of the autobiographical writings of Bruno Schulz and the "resurrection" paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the&hellip;<span class="activity-read-more" id="activity-read-more-1642490"><a href="https://hcommons.org/activity/p/1642490/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">92f96ccb13c29d907c5c97abf42f3ab0</guid>
				<title>Eileen Joy deposited The Faded Silvery Imprints of the Bare Feet of Angels: Notes Toward an Historical Poethics in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1642489/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>By way of the autobiographical writings of Bruno Schulz and the "resurrection" paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the&hellip;<span class="activity-read-more" id="activity-read-more-1642489"><a href="https://hcommons.org/activity/p/1642489/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8c3193f5ce70e1040e7f3f75c499fdd5</guid>
				<title>Eileen Joy deposited The Old English Seven Sleepers, Eros, and the Unincorporable Infinite of the Human Person in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1642488/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Although the ultimate theme of "The Seven Sleepers" can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version's emphasis on the highly individualized emotion&hellip;<span class="activity-read-more" id="activity-read-more-1642488"><a href="https://hcommons.org/activity/p/1642488/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b16c54904e0e5286e74381efde66176f</guid>
				<title>Eileen Joy deposited The Old English Seven Sleepers, Eros, and the Unincorporable Infinite of the Human Person in the group Historical theory and the philosophy of history</title>
				<link>https://hcommons.org/activity/p/1642487/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Although the ultimate theme of "The Seven Sleepers" can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version's emphasis on the highly individualized emotion&hellip;<span class="activity-read-more" id="activity-read-more-1642487"><a href="https://hcommons.org/activity/p/1642487/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f6e33d7c387c05e885ac3952bc08b692</guid>
				<title>Eileen Joy deposited The Old English Seven Sleepers, Eros, and the Unincorporable Infinite of the Human Person in the group Anglo-Saxon / Old English</title>
				<link>https://hcommons.org/activity/p/1642486/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Although the ultimate theme of "The Seven Sleepers" can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version's emphasis on the highly individualized emotion&hellip;<span class="activity-read-more" id="activity-read-more-1642486"><a href="https://hcommons.org/activity/p/1642486/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1642485/</link>
				<pubDate>Thu, 13 Jun 2019 16:25:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of Tony Kushner’s 2001 play "Homebody/Kabul" and the Old English "Ruin" poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o&hellip;<span class="activity-read-more" id="activity-read-more-1642485"><a href="https://hcommons.org/activity/p/1642485/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">78db87fe07e18d7320a3ccb90b41aa4e</guid>
				<title>Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1642484/</link>
				<pubDate>Thu, 13 Jun 2019 16:25:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of Tony Kushner’s 2001 play "Homebody/Kabul" and the Old English "Ruin" poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o&hellip;<span class="activity-read-more" id="activity-read-more-1642484"><a href="https://hcommons.org/activity/p/1642484/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9ffbe76d680d789859e70446f3ffc514</guid>
				<title>Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group Historical theory and the philosophy of history</title>
				<link>https://hcommons.org/activity/p/1642483/</link>
				<pubDate>Thu, 13 Jun 2019 16:25:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of Tony Kushner’s 2001 play "Homebody/Kabul" and the Old English "Ruin" poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o&hellip;<span class="activity-read-more" id="activity-read-more-1642483"><a href="https://hcommons.org/activity/p/1642483/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9f476e22f8d3e6f20ee0f5295a3929ba</guid>
				<title>Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1642482/</link>
				<pubDate>Thu, 13 Jun 2019 16:25:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of Tony Kushner’s 2001 play "Homebody/Kabul" and the Old English "Ruin" poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o&hellip;<span class="activity-read-more" id="activity-read-more-1642482"><a href="https://hcommons.org/activity/p/1642482/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9f476e22f8d3e6f20ee0f5295a3929ba</guid>
				<title>Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group Anglo-Saxon / Old English</title>
				<link>https://hcommons.org/activity/p/1642481/</link>
				<pubDate>Thu, 13 Jun 2019 16:25:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of Tony Kushner’s 2001 play "Homebody/Kabul" and the Old English "Ruin" poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o&hellip;<span class="activity-read-more" id="activity-read-more-1642481"><a href="https://hcommons.org/activity/p/1642481/" rel="nofollow ugc">[Read more]</a></span></p>
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