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				<pubDate>Tue, 28 May 2019 17:26:00 -0400</pubDate>

				
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				<title>Erika Supria Honisch&#039;s profile was updated</title>
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				<title>Erika Supria Honisch deposited Historical Sound Studies Seminar Syllabus</title>
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				<pubDate>Tue, 30 Apr 2019 15:25:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>How does history sound? What kind of historical document is music? What does it mean to study past music as music, and what do we learn when we think of past music as sound? In this seminar, we will take up these questions together, applying them to the sounds of Europe—musical and otherwise—in the two centuries between 1550 and 1750. While mus&hellip;<span class="activity-read-more" id="activity-read-more-1639300"><a href="https://hcommons.org/activity/p/1639300/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 in the group Music and Sound</title>
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				<pubDate>Thu, 13 Dec 2018 16:25:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>What were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty&hellip;<span class="activity-read-more" id="activity-read-more-1625681"><a href="https://hcommons.org/activity/p/1625681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750</title>
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				<pubDate>Wed, 12 Dec 2018 21:19:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>What were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty&hellip;<span class="activity-read-more" id="activity-read-more-1625644"><a href="https://hcommons.org/activity/p/1625644/" rel="nofollow ugc">[Read more]</a></span></p>
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				<link>https://hcommons.org/activity/p/1623487/</link>
				<pubDate>Sun, 11 Nov 2018 14:44:17 -0500</pubDate>

				
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				<pubDate>Wed, 17 Oct 2018 03:00:50 -0400</pubDate>

				
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				<title>Erika Supria Honisch deposited Sample Statement on Accessibility (for Course Syllabi)</title>
				<link>https://hcommons.org/activity/p/1620967/</link>
				<pubDate>Sat, 13 Oct 2018 15:35:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>This Statement on Accessibility replaces what used to be a "Statement on Disability" in my course syllabi. The language in this updated statement reflects changes recommended by disabled colleagues, friends, and family. Please feel free to use and adapt; no credit necessary. I welcome further suggestions.</p>
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				<pubDate>Tue, 31 Jul 2018 13:43:42 -0400</pubDate>

				
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				<pubDate>Thu, 21 Jun 2018 14:18:32 -0400</pubDate>

				
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				<pubDate>Sat, 31 Mar 2018 14:19:47 -0400</pubDate>

				
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				<title>Erika Supria Honisch deposited Drowning Winter, Burning Bones, Singing Songs: Representations of Popular Devotion in a Central European Motet Cycle in the group Religious Studies</title>
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				<pubDate>Fri, 05 Jan 2018 05:38:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint&hellip;<span class="activity-read-more" id="activity-read-more-1594816"><a href="https://hcommons.org/activity/p/1594816/" rel="nofollow ugc">[Read more]</a></span></p>
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