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	<title>Knowledge Commons | Edmundo Murray | Activity</title>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva - Building the Future in the group International Organization</title>
				<link>https://hcommons.org/activity/p/1850555/</link>
				<pubDate>Thu, 29 Jun 2023 02:24:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1850555"><a href="https://hcommons.org/activity/p/1850555/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva - Building the Future in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1850554/</link>
				<pubDate>Thu, 29 Jun 2023 02:24:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1850554"><a href="https://hcommons.org/activity/p/1850554/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva - Building the Future in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1850553/</link>
				<pubDate>Thu, 29 Jun 2023 02:24:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1850553"><a href="https://hcommons.org/activity/p/1850553/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva - Building the Future</title>
				<link>https://hcommons.org/activity/p/1850486/</link>
				<pubDate>Wed, 28 Jun 2023 17:19:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1850486"><a href="https://hcommons.org/activity/p/1850486/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva: Building the Future in the group International Organization</title>
				<link>https://hcommons.org/activity/p/1843008/</link>
				<pubDate>Sun, 30 Apr 2023 02:24:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1843008"><a href="https://hcommons.org/activity/p/1843008/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva: Building the Future in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1843007/</link>
				<pubDate>Sun, 30 Apr 2023 02:24:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1843007"><a href="https://hcommons.org/activity/p/1843007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva: Building the Future in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1843006/</link>
				<pubDate>Sun, 30 Apr 2023 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1843006"><a href="https://hcommons.org/activity/p/1843006/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1842970/</link>
				<pubDate>Sat, 29 Apr 2023 16:40:12 -0400</pubDate>

				
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva: Building the Future</title>
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				<pubDate>Sat, 29 Apr 2023 16:35:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1842967"><a href="https://hcommons.org/activity/p/1842967/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1824426/</link>
				<pubDate>Wed, 30 Nov 2022 15:13:00 -0500</pubDate>

				
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				<title>Edmundo Murray deposited The Diplomacy of Art: Irish, Spanish and Latin American Artwork in a Historic Building of Geneva in the group International Organization</title>
				<link>https://hcommons.org/activity/p/1713752/</link>
				<pubDate>Tue, 20 Oct 2020 02:23:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and&hellip;<span class="activity-read-more" id="activity-read-more-1713752"><a href="https://hcommons.org/activity/p/1713752/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Diplomacy of Art: Irish, Spanish and Latin American Artwork in a Historic Building of Geneva in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1713751/</link>
				<pubDate>Tue, 20 Oct 2020 02:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and&hellip;<span class="activity-read-more" id="activity-read-more-1713751"><a href="https://hcommons.org/activity/p/1713751/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Diplomacy of Art: Irish, Spanish and Latin American Artwork in a Historic Building of Geneva</title>
				<link>https://hcommons.org/activity/p/1713631/</link>
				<pubDate>Mon, 19 Oct 2020 09:30:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and&hellip;<span class="activity-read-more" id="activity-read-more-1713631"><a href="https://hcommons.org/activity/p/1713631/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Explosive Journey: Perceptions of Latin America in the FARC-IRA Affair (2001-2005) in the group Latin America and the Caribbean</title>
				<link>https://hcommons.org/activity/p/1690182/</link>
				<pubDate>Sun, 07 Jun 2020 16:26:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>The IRA's alleged connections with FARC, which surfaced in 2001 and continue to appear in the Irish and Colombian media, are an ideal opportunity to analyse perceptions of Latin America in Ireland. Newspaper articles, personal interviews, and the judgement of the Appeals Court in Bogotá have been used to study different attitudes in this puzzling&hellip;<span class="activity-read-more" id="activity-read-more-1690182"><a href="https://hcommons.org/activity/p/1690182/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Explosive Journey: Perceptions of Latin America in the FARC-IRA Affair (2001-2005) in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1690181/</link>
				<pubDate>Sun, 07 Jun 2020 16:26:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>The IRA's alleged connections with FARC, which surfaced in 2001 and continue to appear in the Irish and Colombian media, are an ideal opportunity to analyse perceptions of Latin America in Ireland. Newspaper articles, personal interviews, and the judgement of the Appeals Court in Bogotá have been used to study different attitudes in this puzzling&hellip;<span class="activity-read-more" id="activity-read-more-1690181"><a href="https://hcommons.org/activity/p/1690181/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Explosive Journey: Perceptions of Latin America in the FARC-IRA Affair (2001-2005) in the group History</title>
				<link>https://hcommons.org/activity/p/1690180/</link>
				<pubDate>Sun, 07 Jun 2020 16:26:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>The IRA's alleged connections with FARC, which surfaced in 2001 and continue to appear in the Irish and Colombian media, are an ideal opportunity to analyse perceptions of Latin America in Ireland. Newspaper articles, personal interviews, and the judgement of the Appeals Court in Bogotá have been used to study different attitudes in this puzzling&hellip;<span class="activity-read-more" id="activity-read-more-1690180"><a href="https://hcommons.org/activity/p/1690180/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Explosive Journey: Perceptions of Latin America in the FARC-IRA Affair (2001-2005) in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1690179/</link>
				<pubDate>Sun, 07 Jun 2020 16:26:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>The IRA's alleged connections with FARC, which surfaced in 2001 and continue to appear in the Irish and Colombian media, are an ideal opportunity to analyse perceptions of Latin America in Ireland. Newspaper articles, personal interviews, and the judgement of the Appeals Court in Bogotá have been used to study different attitudes in this puzzling&hellip;<span class="activity-read-more" id="activity-read-more-1690179"><a href="https://hcommons.org/activity/p/1690179/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography in the group Latin America and the Caribbean</title>
				<link>https://hcommons.org/activity/p/1690178/</link>
				<pubDate>Sun, 07 Jun 2020 16:25:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, book chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion of&hellip;<span class="activity-read-more" id="activity-read-more-1690178"><a href="https://hcommons.org/activity/p/1690178/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1690177/</link>
				<pubDate>Sun, 07 Jun 2020 16:25:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, book chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion of&hellip;<span class="activity-read-more" id="activity-read-more-1690177"><a href="https://hcommons.org/activity/p/1690177/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1690176/</link>
				<pubDate>Sun, 07 Jun 2020 16:25:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, book chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion of&hellip;<span class="activity-read-more" id="activity-read-more-1690176"><a href="https://hcommons.org/activity/p/1690176/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1690175/</link>
				<pubDate>Sun, 07 Jun 2020 16:25:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, book chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion of&hellip;<span class="activity-read-more" id="activity-read-more-1690175"><a href="https://hcommons.org/activity/p/1690175/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1690174/</link>
				<pubDate>Sun, 07 Jun 2020 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, book chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion of&hellip;<span class="activity-read-more" id="activity-read-more-1690174"><a href="https://hcommons.org/activity/p/1690174/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Explosive Journey: Perceptions of Latin America in the FARC-IRA Affair (2001-2005)</title>
				<link>https://hcommons.org/activity/p/1690114/</link>
				<pubDate>Sat, 06 Jun 2020 16:03:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>The IRA's alleged connections with FARC, which surfaced in 2001 and continue to appear in the Irish and Colombian media, are an ideal opportunity to analyse perceptions of Latin America in Ireland. Newspaper articles, personal interviews, and the judgement of the Appeals Court in Bogotá have been used to study different attitudes in this puzzling&hellip;<span class="activity-read-more" id="activity-read-more-1690114"><a href="https://hcommons.org/activity/p/1690114/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3bc240779c2173994e2948f924bdc8d5</guid>
				<title>Edmundo Murray deposited The Irish in Latin America and Iberia: An Annotated Bibliography</title>
				<link>https://hcommons.org/activity/p/1690111/</link>
				<pubDate>Sat, 06 Jun 2020 15:39:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This bibliography includes books, books chapters, articles, documentaries and websites grouped in geographic areas: Latin America (general); Central America; the Caribbean; Argentina; Chile, Bolivia, Ecuador and Peru; Brazil; Colombia and Venezuela; Mexico; Paraguay and Uruguay; Portugal and Spain. Thematic lists include: San Patricio Battalion;&hellip;<span class="activity-read-more" id="activity-read-more-1690111"><a href="https://hcommons.org/activity/p/1690111/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish Road to South America: Nineteenth-Century Travel Patterns from Ireland to the Río de la Plata region in the group Irish Literature and Culture</title>
				<link>https://hcommons.org/activity/p/1690010/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Nineteenth-century Irish emigration to Argentina has been studied from different perspectives. There is a growing number of historical, demographic and cultural studies focusing on diverse aspects of this migration, which together with Quebec and Mexican Texas, produced the only Irish settlements in non English-speaking territories. However, with&hellip;<span class="activity-read-more" id="activity-read-more-1690010"><a href="https://hcommons.org/activity/p/1690010/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">aad01e52e874e59dd043622316212c65</guid>
				<title>Edmundo Murray deposited The Irish Road to South America: Nineteenth-Century Travel Patterns from Ireland to the Río de la Plata region in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1690009/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Nineteenth-century Irish emigration to Argentina has been studied from different perspectives. There is a growing number of historical, demographic and cultural studies focusing on diverse aspects of this migration, which together with Quebec and Mexican Texas, produced the only Irish settlements in non English-speaking territories. However, with&hellip;<span class="activity-read-more" id="activity-read-more-1690009"><a href="https://hcommons.org/activity/p/1690009/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited The Irish Road to South America: Nineteenth-Century Travel Patterns from Ireland to the Río de la Plata region in the group History</title>
				<link>https://hcommons.org/activity/p/1690008/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Nineteenth-century Irish emigration to Argentina has been studied from different perspectives. There is a growing number of historical, demographic and cultural studies focusing on diverse aspects of this migration, which together with Quebec and Mexican Texas, produced the only Irish settlements in non English-speaking territories. However, with&hellip;<span class="activity-read-more" id="activity-read-more-1690008"><a href="https://hcommons.org/activity/p/1690008/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">27b90c61ee498e1a96dc30d02f96cb84</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History in the group Irish Literature and Culture</title>
				<link>https://hcommons.org/activity/p/1690007/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1690007"><a href="https://hcommons.org/activity/p/1690007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">27b90c61ee498e1a96dc30d02f96cb84</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1690006/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1690006"><a href="https://hcommons.org/activity/p/1690006/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">01d26fe63a792151e9ffc2a51772a958</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History in the group History</title>
				<link>https://hcommons.org/activity/p/1690005/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1690005"><a href="https://hcommons.org/activity/p/1690005/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">23fb2402fdd7dee9ea849be467257233</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1690004/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1690004"><a href="https://hcommons.org/activity/p/1690004/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">05b209aad42f8104ac84bbfd942b0907</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1690003/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1690003"><a href="https://hcommons.org/activity/p/1690003/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9ef90b76125c7e931eb94f5a13d3237b</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group International Organization</title>
				<link>https://hcommons.org/activity/p/1690002/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1690002"><a href="https://hcommons.org/activity/p/1690002/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3abda9e59c058a9a1b82c0ef81c849aa</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1690001/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1690001"><a href="https://hcommons.org/activity/p/1690001/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1e95dd77af79d5d1fa7c89c2f1942b95</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group History</title>
				<link>https://hcommons.org/activity/p/1690000/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1690000"><a href="https://hcommons.org/activity/p/1690000/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0c64d0bc80325c84eb74ad8941b2f14a</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1689999/</link>
				<pubDate>Fri, 05 Jun 2020 16:26:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1689999"><a href="https://hcommons.org/activity/p/1689999/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7c7c5e0b5688c5a1a5b9b2a2c3d952bb</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1689998/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1689998"><a href="https://hcommons.org/activity/p/1689998/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">570794a108fc9f609ecfb268431e89c9</guid>
				<title>Edmundo Murray deposited A Symphony of Flavors: Food and Music in Concert in the group Food, Cuisine, and Restaurant Aesthetics</title>
				<link>https://hcommons.org/activity/p/1689997/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.</p>
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				<guid isPermaLink="false">f2461051698ddfba922731271adc769a</guid>
				<title>Edmundo Murray deposited A Symphony of Flavors: Food and Music in Concert in the group Ethnomusicology</title>
				<link>https://hcommons.org/activity/p/1689996/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">1122f6c2f634390432939d2fa3bf4335</guid>
				<title>Edmundo Murray deposited A Symphony of Flavors: Food and Music in Concert in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1689995/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.</p>
]]></content:encoded>
				
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				<title>Edmundo Murray deposited "Sighted the coast of Brazil the 28 th": John Murphy's journey to South America in 1863 in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1689994/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Murphy (1822-1909) was born in Haysland, Kilrane parish of County Wexford, the eldest son of the farmer Nicholas Murphy and his wife, Katherine, née Sinnott. It was a typical Catholic middle-class family of Wexford farmers. In 1844, as a member of an emigrant group organized by Kilrane merchant James Pettit, John Murphy went to Liverpool,&hellip;<span class="activity-read-more" id="activity-read-more-1689994"><a href="https://hcommons.org/activity/p/1689994/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b74d5594de39b61b2e85004ed1cd52ca</guid>
				<title>Edmundo Murray deposited "Sighted the coast of Brazil the 28 th": John Murphy's journey to South America in 1863 in the group History</title>
				<link>https://hcommons.org/activity/p/1689993/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Murphy (1822-1909) was born in Haysland, Kilrane parish of County Wexford, the eldest son of the farmer Nicholas Murphy and his wife, Katherine, née Sinnott. It was a typical Catholic middle-class family of Wexford farmers. In 1844, as a member of an emigrant group organized by Kilrane merchant James Pettit, John Murphy went to Liverpool,&hellip;<span class="activity-read-more" id="activity-read-more-1689993"><a href="https://hcommons.org/activity/p/1689993/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f2aa9abab61eda5cd09d81ede1149a66</guid>
				<title>Edmundo Murray deposited "Sighted the coast of Brazil the 28 th": John Murphy's journey to South America in 1863 in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1689992/</link>
				<pubDate>Fri, 05 Jun 2020 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Murphy (1822-1909) was born in Haysland, Kilrane parish of County Wexford, the eldest son of the farmer Nicholas Murphy and his wife, Katherine, née Sinnott. It was a typical Catholic middle-class family of Wexford farmers. In 1844, as a member of an emigrant group organized by Kilrane merchant James Pettit, John Murphy went to Liverpool,&hellip;<span class="activity-read-more" id="activity-read-more-1689992"><a href="https://hcommons.org/activity/p/1689992/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">da6e39a4dd9ab0f5df3ad7d9bbd963d1</guid>
				<title>Edmundo Murray deposited "Sighted the coast of Brazil the 28th": John Murphy's journey to South America in 1863</title>
				<link>https://hcommons.org/activity/p/1689838/</link>
				<pubDate>Thu, 04 Jun 2020 15:55:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Murphy (1822-1909) was born in Haysland, Kilrane parish of County Wexford, the eldest son of the farmer Nicholas Murphy and his wife, Katherine, née Sinnott. It was a typical Catholic middle-class family of Wexford farmers. In 1844, as a member of an emigrant group organized by Kilrane merchant James Pettit, John Murphy went to Liverpool,&hellip;<span class="activity-read-more" id="activity-read-more-1689838"><a href="https://hcommons.org/activity/p/1689838/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">41074d704f5bb18543f5839628f7edce</guid>
				<title>Edmundo Murray deposited The Irish Road to South America: Nineteenth-Century Travel Patterns from Ireland to the Río de la Plata region</title>
				<link>https://hcommons.org/activity/p/1689837/</link>
				<pubDate>Thu, 04 Jun 2020 15:45:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>Nineteenth-century Irish emigration to Argentina has been studied from different perspectives. There is a growing number of historical, demographic and cultural studies focusing on diverse aspects of this migration, which together with Quebec and Mexican Texas, produced the only Irish settlements in non English-speaking territories. However, with&hellip;<span class="activity-read-more" id="activity-read-more-1689837"><a href="https://hcommons.org/activity/p/1689837/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b28812ba1a4baaac2d38eeee61a8dd59</guid>
				<title>Edmundo Murray deposited Ireland and Latin America: a Cultural History</title>
				<link>https://hcommons.org/activity/p/1689833/</link>
				<pubDate>Thu, 04 Jun 2020 15:30:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>According to Declan Kiberd, "postcolonial writing does not begin only when the occupier withdraws: rather it is initiated at that very moment when a native writer formulates a text committed to cultural resistance." The Irish in Latin America --a continent emerging from indigenous cultures, colonisation, and migrations-- may be regarded as&hellip;<span class="activity-read-more" id="activity-read-more-1689833"><a href="https://hcommons.org/activity/p/1689833/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">00d5bf0d79aed1ddf76b2da8689283c8</guid>
				<title>Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva</title>
				<link>https://hcommons.org/activity/p/1689832/</link>
				<pubDate>Thu, 04 Jun 2020 15:12:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. "Centre William Rappard: Home of the World&hellip;<span class="activity-read-more" id="activity-read-more-1689832"><a href="https://hcommons.org/activity/p/1689832/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cfbec178027e297fc9c62308b42a3ad7</guid>
				<title>Edmundo Murray deposited A Symphony of Flavors: Food and Music in Concert</title>
				<link>https://hcommons.org/activity/p/1689827/</link>
				<pubDate>Thu, 04 Jun 2020 14:44:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">454a488c58757579afbcaf9d31f2170b</guid>
				<title>Edmundo Murray&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1688813/</link>
				<pubDate>Wed, 27 May 2020 19:16:12 -0400</pubDate>

				
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				<guid isPermaLink="false">eb64c839a24c93c30c42d9b44722ff1b</guid>
				<title>Edmundo Murray deposited Becoming Irlandés: Private Narratives of Irish Emigration to Argentina, 1844-1912 in the group Irish Diaspora Histories</title>
				<link>https://hcommons.org/activity/p/1688612/</link>
				<pubDate>Tue, 26 May 2020 16:26:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>"Revised edition in English of "Devenir irlandés", published originally by Eudeba in 2004. This edition abridges some of the documents that make up the bulk of the volume: two memories and two sets of family letters from Irish immigrants in Argentina, without losing any substance. The documents are presented in this volume in their original&hellip;<span class="activity-read-more" id="activity-read-more-1688612"><a href="https://hcommons.org/activity/p/1688612/" rel="nofollow ugc">[Read more]</a></span></p>
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