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	<title>Knowledge Commons | Marly Joseph Desir | Group Activity</title>
	<link>https://hcommons.org/members/desir72/activity/groups/</link>
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	<description>Public group activity feed of which Marly Joseph Desir is a member.</description>
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				<title>Morée Research Project started the topic New York Dada Research — NEW in the forum Art History</title>
				<link>https://hcommons.org/groups/art-history/forum/topic/new-york-dada-research-new-2/</link>
				<pubDate>Sat, 29 Nov 2025 01:30:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thanks to everyone who downloaded my recent book. I’m gathering brief impressions for a future revision — any thoughts welcome.<br />
<a href="https://doi.org/10.17613/pt8e0-r9y91" rel="nofollow ugc">https://doi.org/10.17613/pt8e0-r9y91</a></p>
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				<title>Dora Apel created the doc Chapter on "Art" for The Oxford Handbook of Holocaust Studies in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1913514/</link>
				<pubDate>Sun, 09 Mar 2025 16:34:10 -0400</pubDate>

				
				
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Art History</title>
				<link>https://hcommons.org/groups/art-history/forum/topic/cfp-2026-mla-convention-4/</link>
				<pubDate>Tue, 04 Feb 2025 22:31:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<title>Marianna Charitonidou deposited Towards Non-Eurocentric Historiographies: Challenging Europe’s Position in the Formation of Architectural Histories in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1901092/</link>
				<pubDate>Tue, 08 Oct 2024 03:01:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>The point of departure for this paper is the idea that Europe as a concept is related to the project of thinking and accomplishing universality. It represents the potential for an enlightened resistance in a world that is progressively becoming dominated by the mono-perspectivism of globalism. In this sense, Eurocentrism is specifiable only within&hellip;<span class="activity-read-more" id="activity-read-more-1901092"><a href="https://hcommons.org/activity/p/1901092/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marianna Charitonidou deposited Marianna Charitonidou, “Constantinos A. Doxiadis and Adriano Olivetti’s Conception of Urbanism and Urban Public Space”, in Rosa Tamborrino, ed., Città che si adattano?/Adaptive Cities? Volume 1 (Turin: AISU International, 2024), 508-521. in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1900346/</link>
				<pubDate>Tue, 01 Oct 2024 03:00:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper sheds light on the complex relationship between the Cold War policies including the European Recovery Program (ERP), and urban public space. Its main objective is to provide a precise and deep understanding of how the Marshall plan politics, contributed to the formation of national identity in Greece and Italy. The paper focuses on two&hellip;<span class="activity-read-more" id="activity-read-more-1900346"><a href="https://hcommons.org/activity/p/1900346/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Manfred Engel deposited Making - or Not Making - Sense of Dreams / Trouver - ou non - un sens au rêve. Ed. by Bernard Dieterle, Manfred Engel and Laura Vordermayer. Würzburg: Königshausen &#38; Neumann 2024 (Cultural Dream Studies; 9) — Contents and Preface in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1898534/</link>
				<pubDate>Thu, 12 Sep 2024 03:01:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dreams frighten and attract us because of their ›otherness‹, their manifold deviations from the world we know when we are awake. One of the most consistently used techniques of coming to terms with this otherness has been the attempt to ›make sense‹ of dreams, to consider and portray them as messages which can and have to be deciphered. On the oth&hellip;<span class="activity-read-more" id="activity-read-more-1898534"><a href="https://hcommons.org/activity/p/1898534/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lloyd Graham deposited Rainbow serpents, dragons and dragon-slayers: Global traits, ancient Egyptian particulars, and alchemical echoes in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1895888/</link>
				<pubDate>Sat, 10 Aug 2024 03:00:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Robert Blust has recently established that – globally – dragons evolved from rainbow serpents, which in turn represent a prehistoric understanding of rainbows. The present paper explores the “dragon-scape” of ancient Egypt in search of traits that may have survived from these earlier stages. The cryptic pD.tyw Sw and Iaau of Coffin Text 698 mig&hellip;<span class="activity-read-more" id="activity-read-more-1895888"><a href="https://hcommons.org/activity/p/1895888/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marianna Charitonidou deposited Takis Zenetos and High-Tech Architecture: Electronic Urbanism vis-à-vis Autonomous Ecological Living Units in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1895814/</link>
				<pubDate>Fri, 09 Aug 2024 03:00:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>At the core of Takis Zenetos’s understanding of high-tech architecture and urbanism were the ways in which technology can have a positive impact on how citizens inhabit space. This paper analyses Zenetos’s project entitled ‘Electronic Urbanism’, which concerned the design of housing units adapted to the conditions of working from home.  Zenetos&hellip;<span class="activity-read-more" id="activity-read-more-1895814"><a href="https://hcommons.org/activity/p/1895814/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anna-Marie Kroupová replied to the topic CFP: Iron Curtains or Artistic Gates? in the forum Art History</title>
				<link>https://hcommons.org/groups/art-history/forum/topic/cfp-iron-curtains-or-artistic-gates-5/#post-88123</link>
				<pubDate>Fri, 26 Jul 2024 10:58:08 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Workshop: Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</strong></p>
<p>19–20 September 2024</p>
<p>&nbsp;</p>
<p>Upper Belvedere</p>
<p>Prinz-Eugen-Straße 27, 1030 Vienna, Austria</p>
<p><strong> </strong></p>
<p>Organizers: Anna-Marie Kroupová &amp; Noémie Étienne (University of Vienna)</p>
<p>&nbsp;</p>
<p>This workshop challenges traditional East-West Cold War narra&hellip;<span class="activity-read-more" id="activity-read-more-1894702"><a href="https://hcommons.org/groups/art-history/forum/topic/cfp-iron-curtains-or-artistic-gates-5/#post-88123" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anna-Marie Kroupová started the topic CFP: Iron Curtains or Artistic Gates? in the discussion Art History</title>
				<link>https://hcommons.org/groups/art-history/forum/topic/cfp-iron-curtains-or-artistic-gates-5/</link>
				<pubDate>Fri, 02 Feb 2024 14:43:08 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP:</strong> Workshop: Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</p>
<p><strong>Location:</strong> Vienna, Austria</p>
<p><strong>Date:</strong> 19-20 Spetember 2024</p>
<p><strong>Submission deadline:</strong> 31 March 2024</p>
<p>&nbsp;</p>
<p><strong>Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</strong></p>
<p>How did&hellip;<span class="activity-read-more" id="activity-read-more-1874446"><a href="https://hcommons.org/groups/art-history/forum/topic/cfp-iron-curtains-or-artistic-gates-5/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Wannasarn Noonsuk deposited Performing Prowess: Essays on Localized Hindu Elements in Southeast Asian Art in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1870982/</link>
				<pubDate>Sun, 14 Jan 2024 03:00:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the new and final version of the book, Performing Prowess: Essays on Localized Hindu Elements in Southeast Asian Art from Past to Present. It explores  Hindu elements which have been localized in Southeast Asian art and culture from the ancient to contemporary periods.</p>
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				<title>Lécio Leal deposited Preceitos para uma Arte Edificante: pintura e gravura na corte josefina através da obra de António Joaquim Padrão (c. 1730-1771) in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1870974/</link>
				<pubDate>Sun, 14 Jan 2024 03:00:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>This research it isn't confined to António Joaquim Padrão (c. 1730-71) – marginal personality in the portuguese capital artistic scene, yet with a independent workshop operating in the city during the third quarter of the eighteenth century, working has a painter and engraver – historical-biographical reconstruction, nor to his artistic corpu&hellip;<span class="activity-read-more" id="activity-read-more-1870974"><a href="https://hcommons.org/activity/p/1870974/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lloyd Graham deposited Eyes wide open: A recurring ocular motif in and beyond Syracuse, Sicily in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1868208/</link>
				<pubDate>Sat, 16 Dec 2023 03:00:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>Sicily – and especially Syracuse – seems to have had an ongoing preoccupation with paired eyes as an apotropaic or magico-religious symbol. This brief paper explores some signature pieces and speculates that the excised eyes of Santa Lucia, patron saint of Syracuse, may be but a recent embodiment of a propensity that dates back to the Neolithic era.</p>
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				<title>Marianna Charitonidou deposited Drawing and Experiencing Architecture:  The Evolving Significance of City's Inhabitants in the 20th Century in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1864681/</link>
				<pubDate>Wed, 15 Nov 2023 03:06:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van&hellip;<span class="activity-read-more" id="activity-read-more-1864681"><a href="https://hcommons.org/activity/p/1864681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marianna Charitonidou deposited Frank Gehry’s non-trivial drawings as gestures: drawdlings and a kinaesthetic approach to architecture in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1864256/</link>
				<pubDate>Sun, 12 Nov 2023 03:16:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Departing from the intention to explore Frank Gehry’s drawings serving to their own designer to grasp ideas during the process of their genesis, the article examines Frank Gehry’s concern about the revelation of the first gestural drawings and all the sketches and working models concerning the evolution of his projects, and his intention to cap&hellip;<span class="activity-read-more" id="activity-read-more-1864256"><a href="https://hcommons.org/activity/p/1864256/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marianna Charitonidou deposited Le voyage en Grèce des pensionnaires de la Villa Médicis au xixe siècle : la perception des monuments antiques entre architecture et archéologie in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1864056/</link>
				<pubDate>Fri, 10 Nov 2023 03:01:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>The article analyses the collaborations between the residents of Villa Medici in Rome and the members of the French School of Athens. Its aim is to render explicit how the revelations of archaeology, actively disseminated by members of the French School of Athens, the “Athéniens”, had an important impact on the approach of certain pens&hellip;<span class="activity-read-more" id="activity-read-more-1864056"><a href="https://hcommons.org/activity/p/1864056/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dora Apel deposited Memory and the Arts: Justice, Environment and Ruin - Dora Apel in Conversation with  Martin Pogacar in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1861243/</link>
				<pubDate>Tue, 10 Oct 2023 03:00:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>This conversation revolves around Dora Apel’s work in the field of art and memory. Memory, in its mediating force, is critical for our understanding of the present and the construction of a future, or, rather, as Dora Apel posits it in her recent book Calling Memory Into Place: “Memory effects are not about the past. How do they shape the pre&hellip;<span class="activity-read-more" id="activity-read-more-1861243"><a href="https://hcommons.org/activity/p/1861243/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lloyd Graham deposited From Bethel to Pentecost: The Tower of the Tarot  deck as the Tower of Babel in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1859632/</link>
				<pubDate>Mon, 25 Sep 2023 18:04:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Images of the Tower of Babel (Gen 11:1-9) in illustrated Christian manuscripts are suggestively similar to representations on the Tower card in many versions of the Tarot deck; both genres show the Tower being destroyed from above, with oversized persons falling head-first from it. In terms of connections between heaven and earth, the antithetical&hellip;<span class="activity-read-more" id="activity-read-more-1859632"><a href="https://hcommons.org/activity/p/1859632/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">945aad0772b4a30e6d0c61d5a4bae204</guid>
				<title>Marianna Charitonidou deposited COURSE SYLLABUS BY MARIANNA CHARITONIDOU_CRITICAL URBAN CONTEXTS AND THE VIEW FROM THE CAR_2023-2024 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1857783/</link>
				<pubDate>Fri, 08 Sep 2023 01:06:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This course focuses on the impact of the view from the car in the invention of new representational strategies in architectural and urban design. The automobile has reshaped our conceptions of space and our modes of accessing and penetrating the urban and non-urban territory in multiple ways, revolutionizing how architects perceive the city and&hellip;<span class="activity-read-more" id="activity-read-more-1857783"><a href="https://hcommons.org/activity/p/1857783/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">949c685b88bad677cd56523928626a1f</guid>
				<title>Wannasarn Noonsuk deposited Performing Prowess: Essays on Localized Hindu Elements in Southeast Asian Art from Past to Present in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1856283/</link>
				<pubDate>Thu, 24 Aug 2023 01:11:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book explores localized Hindu elements in Southeast Asian art from ancient times to present</p>
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				<title>Danijela Tešić Radovanović deposited Some Aspects of Decorations on Early Christian Lamps from the Central Balkans, in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1855373/</link>
				<pubDate>Thu, 17 Aug 2023 01:09:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to examine models by which symbolism of light and lamp in<br />
the Mediterranean region was manifested in the early Christian visual culture,<br />
i.e. lamp representations from Central Balkans. Lamps with Early<br />
Christian representations are considered in the context of transculturality<br />
of Late Antiquity, as well as political and&hellip;<span class="activity-read-more" id="activity-read-more-1855373"><a href="https://hcommons.org/activity/p/1855373/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Danijela Tešić Radovanović deposited Fish symbol and maritime motifs on late antique lamps from Central Balkans in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1855368/</link>
				<pubDate>Thu, 17 Aug 2023 01:09:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Elements of Christian visual culture appeared in<br />
various media in monumental and applied art during the late<br />
antique period, from painted decoration in the catacombs,<br />
through funerary monuments, to utilitarian objects such as<br />
jewellery and lamps. The paper analyses the symbolic meaning<br />
of fish and maritime motifs in the context of the late&hellip;<span class="activity-read-more" id="activity-read-more-1855368"><a href="https://hcommons.org/activity/p/1855368/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Danijela Tešić Radovanović deposited Visual Representations of Saint Menas and Saint Thecla: Objects and Sources in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1855363/</link>
				<pubDate>Thu, 17 Aug 2023 01:08:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>On a number of pilgrimage objects from Late Antiquity, St Thecla, a highly revered saint, also known as Thecla the Protomartyr, is shown accompanied by St Menas, whose tomb in Egypt was the pilgrimage centre associated with healing miracles. The saintly couple appear in ad bestias compositions or in a simplified variant as two saints with a cross.&hellip;<span class="activity-read-more" id="activity-read-more-1855363"><a href="https://hcommons.org/activity/p/1855363/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva - Building the Future in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1850554/</link>
				<pubDate>Thu, 29 Jun 2023 02:24:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1850554"><a href="https://hcommons.org/activity/p/1850554/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>María-Teresa García Ballesteros deposited Joaquina Mayol Bazo, fotógrafa con nombre propio in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1844119/</link>
				<pubDate>Tue, 09 May 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The name of Joaquina Mayol Bazo (Málaga, 1830 – 1915) is linked to her former husband, the photographer Eugenio Lorichon, son of the legendary pioneer of photography in Spain: Enrique Lorichon. Joaquina worked as an independent photographer in Malaga from 1860 to 1865, above all, under the name of Viuda de Lorichon. / El nombre de Joaquina Ma&hellip;<span class="activity-read-more" id="activity-read-more-1844119"><a href="https://hcommons.org/activity/p/1844119/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edmundo Murray deposited Art Discovery and Censorship in the Centre William Rappard of Geneva: Building the Future in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1843007/</link>
				<pubDate>Sun, 30 Apr 2023 02:24:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and&hellip;<span class="activity-read-more" id="activity-read-more-1843007"><a href="https://hcommons.org/activity/p/1843007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eeeebcfdb6cd35f5c645450fe61ab20c</guid>
				<title>María-Teresa García Ballesteros deposited A. Alonso Martínez y Hermano: un ministro como socio in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1834250/</link>
				<pubDate>Tue, 14 Feb 2023 02:24:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the Madrid photographic panorama between 1857 and 1868, the presence of Ángel Alonso Martínez is a permanent note, which does not correspond to the scant knowledge we have of his professional career. We intend to shed some more light on this signature: «A. Alonso Martínez and Brother». / En el panorama fotográfico madrileño entre 1857 y 1868,&hellip;<span class="activity-read-more" id="activity-read-more-1834250"><a href="https://hcommons.org/activity/p/1834250/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a94471ae22c923f09ebd11ee5c12b217</guid>
				<title>María-Teresa García Ballesteros deposited Arqueología en sepia: Fotografía española, década 1850 en la CFRivero – 2 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1833837/</link>
				<pubDate>Sat, 11 Feb 2023 02:25:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Discover unique photographs by pioneer photographers in Spain: Clifford, Masson, Lorichon, Blanco, Clonwek, Napoleón, Franck y Sanz y Benito, Conde de Lipa, Massari and more… The primitives in the Fernández Rivero Collection of Old Photograph.</p>
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				<guid isPermaLink="false">f7d7881f9abb86a647bab25b628c37b4</guid>
				<title>Jean Marie Carey deposited Exhibition and Catalogue: Eden and Everything After in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1830082/</link>
				<pubDate>Tue, 17 Jan 2023 02:35:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Announcement for the opening of the exhibition "Eden and Everything After" at the University of Stavanger Archaelogical Museum and publication of attendant catalogue.</p>
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				<guid isPermaLink="false">9cd0a63c2cdf68e75132a6f756525e6d</guid>
				<title>Alvin Alagao deposited Finding Queer Optimism in the Art of Oscar Zalameda in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1827918/</link>
				<pubDate>Sat, 31 Dec 2022 02:24:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>Queer theorists have traditionally advocated for the adoption of an outlook of queer pessimism in order to develop a criticality that helps the queer community effectively address the issues it presently faces. Some queer theorists, however, have instead advocated for an outlook of queer optimism—an outlook which allows space for celebrating joy a&hellip;<span class="activity-read-more" id="activity-read-more-1827918"><a href="https://hcommons.org/activity/p/1827918/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5bc0a61a495998c369200583fd65c0c1</guid>
				<title>María-Teresa García Ballesteros deposited Arqueología en sepia: Fotografía española, década 1850 en la CFRivero – 1 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1827163/</link>
				<pubDate>Tue, 20 Dec 2022 02:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Calotypes, salted papers, albumen printing… these are the terms that take us back to the beginnings of photography, to the 1850s, when the passionate pioneers of this art hit the road eager to capture the world with their camera. The images created by some of these unique non-professional photographers who visited Spain are also kept at the C&hellip;<span class="activity-read-more" id="activity-read-more-1827163"><a href="https://hcommons.org/activity/p/1827163/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f04a1be3653f9b57bb2d7ebbdd4a02b9</guid>
				<title>María-Teresa García Ballesteros deposited El ferrocarril de Gerona a Port-Bou: su construcción en cianotipos, 1876-1878 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1824358/</link>
				<pubDate>Wed, 30 Nov 2022 02:24:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>En este artículo veremos un álbum con fotografías en cianotipia que reflejan la construcción de la línea férrea que, desde Girona, llegó a la frontera con Francia en Port-Bou en 1878. / In this article we will see an album with cyanotype photographs that reflect the construction of the railway line that, from Girona, reached the border with France&hellip;<span class="activity-read-more" id="activity-read-more-1824358"><a href="https://hcommons.org/activity/p/1824358/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a56aa8f0ae3946cb9788580a9870536e</guid>
				<title>Dora Apel deposited Podcast interview on my book Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, with Thomas Hill for The Library Cafe at Vasser College in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1816816/</link>
				<pubDate>Fri, 07 Oct 2022 02:24:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>"In Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, Dora Apel goes on the offensive against the myriad myths and delusions peddled about the Motor City; not only that, she rebuffs the blame and shame that have traditionally been directed at the Detroit citizenry, and redirects our attention to the corporations and bureaucrats who&hellip;<span class="activity-read-more" id="activity-read-more-1816816"><a href="https://hcommons.org/activity/p/1816816/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2c4417b5d34135b710f07fbe5fc120d6</guid>
				<title>Alvin Alagao deposited Country, God, and the Sublime: Imaginative Reflections on the Life and Works of the Philippine Painter Ricarte Puruganan in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1792280/</link>
				<pubDate>Thu, 01 Sep 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This study focuses on the Philippine artist Ricarte Puruganan’s reckoning with the ideas of “country,” “God,” and “the sublime.” It does so through a hermeneutic reading of the artist’s works as a cultural text. In order to fill the gaps in the historiographic record and to enrich the material on the artist that was already available, the&hellip;<span class="activity-read-more" id="activity-read-more-1792280"><a href="https://hcommons.org/activity/p/1792280/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e8b352b660e7961f2ea80396c290a707</guid>
				<title>Sam Rose deposited Interpreting Art in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1791041/</link>
				<pubDate>Sat, 20 Aug 2022 02:25:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general&hellip;<span class="activity-read-more" id="activity-read-more-1791041"><a href="https://hcommons.org/activity/p/1791041/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1c535cc808c96039bed88777a6f5e888</guid>
				<title>Nikos Pegioudis deposited The Redundant Avant-Garde: Walter Benjamin and the Intelligentsia in the Age of Its Disappearance in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1786409/</link>
				<pubDate>Mon, 11 Jul 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Walter Benjamin had much to say about the intelligentsia, from vicious reviews such as “Left-Wing Melancholy” to the more programmatic essays “Author as Producer” and the Artwork essay. But while the specific allegiances, the “strategies” in the literary battle have been plotted with great precision, a larger debate in which these texts repre&hellip;<span class="activity-read-more" id="activity-read-more-1786409"><a href="https://hcommons.org/activity/p/1786409/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">03a62784ab9bc4e682469b8fa049e7f3</guid>
				<title>Dora Apel deposited The Auschwitz Memorial Museum and the Case of the Gypsy Portraits in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1785060/</link>
				<pubDate>Mon, 27 Jun 2022 02:24:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>A unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture.</p>
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				<guid isPermaLink="false">4a461e5acf8eb01e52e35ac535b3b8e2</guid>
				<title>Dora Apel deposited War Culture and the Contest of Images (Introduction) in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1785017/</link>
				<pubDate>Sun, 26 Jun 2022 02:24:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images.&hellip;<span class="activity-read-more" id="activity-read-more-1785017"><a href="https://hcommons.org/activity/p/1785017/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">90aee1a17c4834ccd30875d669db6b97</guid>
				<title>Dora Apel deposited Dislodged from History, Confronted by Walls: Picturing Migration as a Global Emergency in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1785013/</link>
				<pubDate>Sun, 26 Jun 2022 02:24:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines select visual representations of refugees and migrants as embodied subjects in photography, art, and video. It focuses on American asylum politics and explores the questions of free movement, the right to have rights, and the ethics and efficacy of border walls. I argue that the catastrophe of global forced displacement makes&hellip;<span class="activity-read-more" id="activity-read-more-1785013"><a href="https://hcommons.org/activity/p/1785013/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b0e7a336299411ad0d3948efc8d3ecfd</guid>
				<title>Özkan Karaca deposited Tarihin İz Dokunduğu ve Ses Verdiği Güzergah İpek Yolu in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1782999/</link>
				<pubDate>Wed, 01 Jun 2022 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Tarih boyunca kentler, kültür ve medeniyetlerin doğduğu, geliştiği ve yayıldığı yerler olmuştur. Kentler, tarihsel süreçte insanların çeşitli gereksinimlerinin ürünü olarak sürekli bir gelişme göstermiştir. Bu gelişme sürecinde hem insanlığın birikiminin gelecek kuşaklara taşıyıcısı, hem de taşıdığı uygarlık birikimi ile insanoğlunun geleceğini şe&hellip;<span class="activity-read-more" id="activity-read-more-1782999"><a href="https://hcommons.org/activity/p/1782999/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">98b6b4745027fd74d7d2f9073504c2f5</guid>
				<title>Anna-Marie Kroupova started the topic CFP: Belvedere Research Journal, First Issue in the discussion Art History</title>
				<link>https://hcommons.org/groups/art-history/forum/topic/cfp-belvedere-research-journal-first-issue/</link>
				<pubDate>Fri, 27 May 2022 09:53:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>We are inviting the first round of submissions to the newly founded <strong>Belvedere Research Journal (BRJ)</strong>, a peer-reviewed, open access e-journal. We seek articles that shed new light on the <strong>visual culture of the former Habsburg Empire and Central Europe broadly defined from the medieval period to the present day</strong>. We especially welcome contributions&hellip;<span class="activity-read-more" id="activity-read-more-1782764"><a href="https://hcommons.org/groups/art-history/forum/topic/cfp-belvedere-research-journal-first-issue/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f6e0139a319285ed257eadd3737b62bc</guid>
				<title>Lloyd Graham deposited The Moon Card of the Tarot Deck May Reprise an Ancient Amuletic Design Against the Evil Eye in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1781879/</link>
				<pubDate>Wed, 18 May 2022 02:23:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper proposes a novel source for – or at least influence on – the iconography of the Moon trump in the Rider-Waite Tarot deck, which preserves the design from the Tarot de Marseille. In fact, the Moon template appears to date back to the earliest days of the Tarot. The proposed source or prototype is a Greco-Roman talismanic design aga&hellip;<span class="activity-read-more" id="activity-read-more-1781879"><a href="https://hcommons.org/activity/p/1781879/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b4106726d5b6fe5306ac934e65391e46</guid>
				<title>Jean Marie Carey deposited Invitation for Catalogue Contribution: Eden and Everything After in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1771060/</link>
				<pubDate>Wed, 09 Feb 2022 02:24:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>In a groundbreaking endeavour to triangulate three important traditions of our collective cultural heritage, the Arkeologisk Museum of the University of Stavanger presents Eden and Everything After, a conceptual exhibition organised around notions of the loss of – and slim hope of reconnection with – the lost paradise. Mirroring the boldly exp&hellip;<span class="activity-read-more" id="activity-read-more-1771060"><a href="https://hcommons.org/activity/p/1771060/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5f13334ca9718d6c569d66ac291f51e8</guid>
				<title>María-Teresa García Ballesteros deposited Las fotografías Familiares en la Colección Fernández Rivero in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1760518/</link>
				<pubDate>Sat, 04 Dec 2021 02:24:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>From the first moment the CFR (Fernández Rivero Collection) had among its objectives the formation of a collection of historical photography that would serve to understand the reality of the photographic phenomenon (especially in Spain) as a whole. From this point of view, it was clear that family photography should have its space in the&hellip;<span class="activity-read-more" id="activity-read-more-1760518"><a href="https://hcommons.org/activity/p/1760518/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9a99d19301d0b9c5eac7abdb9fdfec9c</guid>
				<title>Dora Apel deposited Beautiful Terrible Ruins, Introduction in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1758414/</link>
				<pubDate>Sat, 13 Nov 2021 02:24:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and tel&hellip;<span class="activity-read-more" id="activity-read-more-1758414"><a href="https://hcommons.org/activity/p/1758414/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dora Apel deposited Podcast interview on my book Calling Memory into Place in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1758411/</link>
				<pubDate>Sat, 13 Nov 2021 02:24:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Interview with Thomas Hill on The Library Cafe out of Vassar</p>
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				<guid isPermaLink="false">81177ca1ef929f6a011ad8e215f649e1</guid>
				<title>Christiane Wagner deposited Art Style, Art &#38; Culture International Magazine, no. 8.1, part 2 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1752522/</link>
				<pubDate>Wed, 22 Sep 2021 02:24:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Art Style | Art &amp; Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of&hellip;<span class="activity-read-more" id="activity-read-more-1752522"><a href="https://hcommons.org/activity/p/1752522/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2dc2df459899cb871c8eb3797f4b9004</guid>
				<title>Christiane Wagner deposited Art Style, Art &#38; Culture International Magazine, no. 8.1, part 1 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1752517/</link>
				<pubDate>Wed, 22 Sep 2021 02:24:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Art Style | Art &amp; Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of&hellip;<span class="activity-read-more" id="activity-read-more-1752517"><a href="https://hcommons.org/activity/p/1752517/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0d5fa46f6657e21fedc0532f73e2656e</guid>
				<title>María-Teresa García Ballesteros deposited Un retrato desconocido de Doña Trinidad Grund in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1748332/</link>
				<pubDate>Wed, 04 Aug 2021 02:24:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>An unknown portrait of Trinidad Grund y Cereno del Campo enriches the short iconography of this woman, a true character from the 19th century in the history of the city of Malaga (Spain). The photographer Pedro Fernández had an ephemeral studio on calle Nueva, but in this case he moved to the garden in which Trinidad posed with a young lady and a&hellip;<span class="activity-read-more" id="activity-read-more-1748332"><a href="https://hcommons.org/activity/p/1748332/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">333c0a975a3c9ae574ea7048febf582b</guid>
				<title>Anne Swartz deposited With Pleasure: Pattern and Decoration in American Art 1972–1985 in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1743225/</link>
				<pubDate>Wed, 23 Jun 2021 02:30:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>This review examines the exhibition catalogue for the exhibition, originated by the Museum of Contemporary Art Los Angeles in 2019-20, which traveled to the Hessel Museum at Bard College in 2021.</p>
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