https://hcommons.org/members/davidjamelang/activity/ Activity feed for David Amelang. Sun, 05 Apr 2026 17:00:00 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 29b176a349b3e6118c5592b847da1eab https://hcommons.org/activity/p/1856826/ Tue, 29 Aug 2023 01:09:01 -0400 Respondiendo al creciente interés por cuestiones de diversidad en la cultura y el entretenimiento actual, las instituciones académicas y artísticas dedicadas al teatro clásico español buscan reflejar estas nuevas tendencias en su selección de obras para ser estudiadas y/o representadas. Este esfuerzo de cambiar de aires plantea ciertos probl…[Read more]

]]> 0 b5f3c5cfd4fed993723bc4f1630c3c96 https://hcommons.org/activity/p/1856825/ Tue, 29 Aug 2023 01:08:48 -0400 Respondiendo al creciente interés por cuestiones de diversidad en la cultura y el entretenimiento actual, las instituciones académicas y artísticas dedicadas al teatro clásico español buscan reflejar estas nuevas tendencias en su selección de obras para ser estudiadas y/o representadas. Este esfuerzo de cambiar de aires plantea ciertos probl…[Read more]

]]> 0 84f24d11637d0205dfa7914c1eb5e8a6 https://hcommons.org/activity/p/1856824/ Tue, 29 Aug 2023 01:08:46 -0400 Este artículo visibiliza el uso que se le puede dar a una serie de proyectos de Humanidades Digitales, como son las bases de datos de Rolecall, DICAT y CATCOM o la biblioteca digital EMOTHE, a la hora de analizar las dinámicas escenográficas en el teatro español de finales del siglo XVI y principios del siglo XVII, coincidiendo con las déc…[Read more]

]]> 0 7889b4220743f92692f7a1f87100e403 https://hcommons.org/activity/p/1856823/ Tue, 29 Aug 2023 01:08:38 -0400 Este artículo visibiliza el uso que se le puede dar a una serie de proyectos de Humanidades Digitales, como son las bases de datos de Rolecall, DICAT y CATCOM o la biblioteca digital EMOTHE, a la hora de analizar las dinámicas escenográficas en el teatro español de finales del siglo XVI y principios del siglo XVII, coincidiendo con las déc…[Read more]

]]> 0 0ddf1071ed83ce4afe7275915e08123d https://hcommons.org/activity/p/1856822/ Tue, 29 Aug 2023 01:08:03 -0400 Este artículo visibiliza el uso que se le puede dar a una serie de proyectos de Humanidades Digitales, como son las bases de datos de Rolecall, DICAT y CATCOM o la biblioteca digital EMOTHE, a la hora de analizar las dinámicas escenográficas en el teatro español de finales del siglo XVI y principios del siglo XVII, coincidiendo con las déc…[Read more]

]]> 0 2d47ceedac395c746f78cf59bbcd4bdb https://hcommons.org/activity/p/1856792/ Mon, 28 Aug 2023 18:24:28 -0400 Respondiendo al creciente interés por cuestiones de diversidad en la cultura y el entretenimiento actual, las instituciones académicas y artísticas dedicadas al teatro clásico español buscan reflejar estas nuevas tendencias en su selección de obras para ser estudiadas y/o representadas. Este esfuerzo de cambiar de aires plantea ciertos probl…[Read more]

]]> 0 5edd84e67e39a21b6055d8bb1d7b43a8 https://hcommons.org/activity/p/1856791/ Mon, 28 Aug 2023 18:20:49 -0400 Este artículo visibiliza el uso que se le puede dar a una serie de proyectos de Humanidades Digitales, como son las bases de datos de Rolecall, DICAT y CATCOM o la biblioteca digital EMOTHE, a la hora de analizar las dinámicas escenográficas en el teatro español de finales del siglo XVI y principios del siglo XVII, coincidiendo con las déc…[Read more]

]]> 0 2ac0052d9f8180965a40cd463916b562 https://hcommons.org/activity/p/1856789/ Mon, 28 Aug 2023 18:10:40 -0400 0 cf8584845b0ddb935cf8d2a27e2b34c1 https://hcommons.org/activity/p/1856790/ Mon, 28 Aug 2023 14:15:32 -0400 0 8e0f266eb1f044626800e20b421a5216 https://hcommons.org/activity/p/1717520/ Thu, 19 Nov 2020 02:24:46 -0500 "Hace ya veintiséis años se publicó una colección de ensayos en homenaje a la historiadora Natalie Zemon Davis que incluía un capítulo llamado “People of the Ribera: Popular Politics and Neighborhood Identity in Early Modern Barcelona”. En él, su autor, a quien ahora dedicamos esta obra, delinea brevemente una metodología para analizar el perfil s…[Read more]

]]> 0 81ced0783939ec62d99ae59b84fcde72 https://hcommons.org/activity/p/1717519/ Thu, 19 Nov 2020 02:24:45 -0500 "Hace ya veintiséis años se publicó una colección de ensayos en homenaje a la historiadora Natalie Zemon Davis que incluía un capítulo llamado “People of the Ribera: Popular Politics and Neighborhood Identity in Early Modern Barcelona”. En él, su autor, a quien ahora dedicamos esta obra, delinea brevemente una metodología para analizar el perfil s…[Read more]

]]> 0 356e8de54b95c170dc895af80b522363 https://hcommons.org/activity/p/1717518/ Thu, 19 Nov 2020 02:24:33 -0500 This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

]]> 0 17f46fc2927644f4fbf7c4a7f1361b92 https://hcommons.org/activity/p/1717517/ Thu, 19 Nov 2020 02:24:31 -0500 This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

]]> 0 ff5445b3b5787128b9e3fc84cd7623dc https://hcommons.org/activity/p/1717516/ Thu, 19 Nov 2020 02:24:25 -0500 This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

]]> 0 39de66cafd285dd4becbd39bfefb7178 https://hcommons.org/activity/p/1717515/ Thu, 19 Nov 2020 02:24:24 -0500 This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

]]> 0 cc2a4081557ba676c1e701cfe378755a https://hcommons.org/activity/p/1717514/ Thu, 19 Nov 2020 02:24:11 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 301e385390439e39b921918355a125eb https://hcommons.org/activity/p/1717513/ Thu, 19 Nov 2020 02:24:10 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 f95850877097252a4577abd0456e9b1b https://hcommons.org/activity/p/1717512/ Thu, 19 Nov 2020 02:24:07 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 b0dc2dfabad26b588614068666da394e https://hcommons.org/activity/p/1717511/ Thu, 19 Nov 2020 02:24:06 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 447db52f74e47310705485e0ff095799 https://hcommons.org/activity/p/1717510/ Thu, 19 Nov 2020 02:24:05 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 554e3f91215fd373b1ba7054681b6ad4 https://hcommons.org/activity/p/1717356/ Wed, 18 Nov 2020 15:35:10 -0500 "Hace ya veintiséis años se publicó una colección de ensayos en homenaje a la historiadora Natalie Zemon Davis que incluía un capítulo llamado “People of the Ribera: Popular Politics and Neighborhood Identity in Early Modern Barcelona”. En él, su autor, a quien ahora dedicamos esta obra, delinea brevemente una metodología para analizar el perfil s…[Read more]

]]> 0 596b95be5abbe47b6736007f9d4966ad https://hcommons.org/activity/p/1717347/ Wed, 18 Nov 2020 14:55:09 -0500 This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

]]> 0 9880285d21928fb6be512aefa4305303 https://hcommons.org/activity/p/1717345/ Wed, 18 Nov 2020 14:50:39 -0500 Comparative studies have revealed uncanny similarities between the theatrical cultures of Shakespearean England and Golden Age Spain, and in particular between the Elizabethan amphitheaters and the Spanish corrales de comedia (courtyard playhouses). Contrary to conventional wisdom, however, Spain’s (and, in particular, Madrid’s) courtyard the…[Read more]

]]> 0 dd088a9debbdea537fce370206bcfc1d https://hcommons.org/activity/p/1716899/ Mon, 16 Nov 2020 02:25:12 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 cde570a886f4a58ba60a38588aaddca1 https://hcommons.org/activity/p/1716898/ Mon, 16 Nov 2020 02:25:10 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 a7b292b9d7cd80b8f5ca8dcad7340e66 https://hcommons.org/activity/p/1716897/ Mon, 16 Nov 2020 02:25:04 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 c4e70e7a6da708dac1055ea76ea96521 https://hcommons.org/activity/p/1716896/ Mon, 16 Nov 2020 02:25:03 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 c4e70e7a6da708dac1055ea76ea96521 https://hcommons.org/activity/p/1716895/ Mon, 16 Nov 2020 02:25:03 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 36e05cffc29a456fca0145cad9115575 https://hcommons.org/activity/p/1716894/ Mon, 16 Nov 2020 02:24:50 -0500 This article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]

]]> 0 9be5b731d57d05b7720da8299b56ca7d https://hcommons.org/activity/p/1716893/ Mon, 16 Nov 2020 02:24:48 -0500 This article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]

]]> 0 e69f75eadca9945856d735d022bdd66c https://hcommons.org/activity/p/1716892/ Mon, 16 Nov 2020 02:24:42 -0500 This article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]

]]> 0 f86eea2987e5106eed890ee0d88d3259 https://hcommons.org/activity/p/1716891/ Mon, 16 Nov 2020 02:24:41 -0500 This article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]

]]> 0 a8e4b0121bedd914befc538b59be9bab https://hcommons.org/activity/p/1716890/ Mon, 16 Nov 2020 02:24:40 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 890614905ee0fa70fcd7ec87f5a54147 https://hcommons.org/activity/p/1716889/ Mon, 16 Nov 2020 02:24:38 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 1673b18522d8fca176fe9cc5a54236a2 https://hcommons.org/activity/p/1716888/ Mon, 16 Nov 2020 02:24:31 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 d8e3737acac2e359ae89c0510cd04aff https://hcommons.org/activity/p/1716887/ Mon, 16 Nov 2020 02:24:30 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 8e4b4643f5773a9dd1846225b8a089c2 https://hcommons.org/activity/p/1716886/ Mon, 16 Nov 2020 02:24:05 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 4e3aa2db49287ab93c4d6250cf2f1860 https://hcommons.org/activity/p/1716847/ Sun, 15 Nov 2020 21:04:04 -0500 Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]

]]> 0 ad65753bc2924f695a7c44412d6e40eb https://hcommons.org/activity/p/1716846/ Sun, 15 Nov 2020 21:00:53 -0500 This article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]

]]> 0 d4bddf1fad3f71c60be2387f2c4e2290 https://hcommons.org/activity/p/1716845/ Sun, 15 Nov 2020 20:53:27 -0500 One of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]

]]> 0 c898cd93fd5d646733050d6735355a85 https://hcommons.org/activity/p/1715951/ Mon, 09 Nov 2020 12:38:07 -0500 0