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	<title>Knowledge Commons | Christine Fena | Activity</title>
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				<title>Christine Fena deposited The “piano technician” and his “unfortunate piano:” Henry Cowell in the machine age</title>
				<link>https://hcommons.org/activity/p/1789897/</link>
				<pubDate>Tue, 09 Aug 2022 21:37:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Despite Cowell’s rural upbringing and connection with California’s central coast, critics of<br />
the 1920s were quick to associate the composer-pianist’s “tone cluster” and “string piano”<br />
techniques with the noise, monotony, and “unfeeling” technologies of the “machine age” and<br />
American metropolis. By positioning the reception of Cowell’s early pia&hellip;<span class="activity-read-more" id="activity-read-more-1789897"><a href="https://hcommons.org/activity/p/1789897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christine Fena&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1789888/</link>
				<pubDate>Tue, 09 Aug 2022 20:57:16 -0400</pubDate>

				
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				<title>Christine Fena&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1603480/</link>
				<pubDate>Wed, 14 Mar 2018 16:05:42 -0400</pubDate>

				
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