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	<title>Knowledge Commons | Christopher Crosbie | Activity</title>
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				<title>Christopher Crosbie&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1923385/</link>
				<pubDate>Thu, 24 Jul 2025 18:18:18 -0400</pubDate>

				
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				<title>Christopher Crosbie changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1895470/</link>
				<pubDate>Mon, 05 Aug 2024 14:12:13 -0400</pubDate>

				
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				<title>Christopher Crosbie deposited Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859610/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Raphael, the principal expositor of scientific knowledge in Milton’s Paradise Lost, as embodying divergent, virtually antithetical, dispositions towards the prospect of free engagement with natural philosophy within the public sphere. At once stimulating Adam’s curiosity about the natural world while also overzealously cur&hellip;<span class="activity-read-more" id="activity-read-more-1859610"><a href="https://hcommons.org/activity/p/1859610/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1859608/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how Thomas Hughes's "The Misfortunes of Arthur" pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.</p>
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				<title>Christopher Crosbie deposited Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I in the group Early Modern Theater</title>
				<link>https://hcommons.org/activity/p/1859607/</link>
				<pubDate>Mon, 25 Sep 2023 18:02:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how Thomas Hughes's "The Misfortunes of Arthur" pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">4b5c6f9a6435b97436b3a974d461d19f</guid>
				<title>Christopher Crosbie deposited Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge</title>
				<link>https://hcommons.org/activity/p/1859363/</link>
				<pubDate>Fri, 22 Sep 2023 20:28:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Raphael, the principal expositor of scientific knowledge in Milton’s Paradise Lost, as embodying divergent, virtually antithetical, dispositions towards the prospect of free engagement with natural philosophy within the public sphere. At once stimulating Adam’s curiosity about the natural world while also overzealously cur&hellip;<span class="activity-read-more" id="activity-read-more-1859363"><a href="https://hcommons.org/activity/p/1859363/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I</title>
				<link>https://hcommons.org/activity/p/1859350/</link>
				<pubDate>Fri, 22 Sep 2023 18:26:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article examines how Thomas Hughes's "The Misfortunes of Arthur" pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.</p>
]]></content:encoded>
				
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				<title>Christopher Crosbie deposited Francis Bacon and Aristotelian Afterlives in the group The Renaissance Society of America</title>
				<link>https://hcommons.org/activity/p/1855434/</link>
				<pubDate>Thu, 17 Aug 2023 01:23:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Baconian oeuvre remains the most extensive and influential assault on Aristotelianism in English writing of the early modern period. Where convention respected Aristotelian logic as a viable instrument for studying natural philosophy, Bacon instead sought to initiate an instauration, or restoration, of learning by proposing his inductive&hellip;<span class="activity-read-more" id="activity-read-more-1855434"><a href="https://hcommons.org/activity/p/1855434/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Francis Bacon and Aristotelian Afterlives in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1855433/</link>
				<pubDate>Thu, 17 Aug 2023 01:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Baconian oeuvre remains the most extensive and influential assault on Aristotelianism in English writing of the early modern period. Where convention respected Aristotelian logic as a viable instrument for studying natural philosophy, Bacon instead sought to initiate an instauration, or restoration, of learning by proposing his inductive&hellip;<span class="activity-read-more" id="activity-read-more-1855433"><a href="https://hcommons.org/activity/p/1855433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Francis Bacon and Aristotelian Afterlives in the group Classical Tradition</title>
				<link>https://hcommons.org/activity/p/1855432/</link>
				<pubDate>Thu, 17 Aug 2023 01:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Baconian oeuvre remains the most extensive and influential assault on Aristotelianism in English writing of the early modern period. Where convention respected Aristotelian logic as a viable instrument for studying natural philosophy, Bacon instead sought to initiate an instauration, or restoration, of learning by proposing his inductive&hellip;<span class="activity-read-more" id="activity-read-more-1855432"><a href="https://hcommons.org/activity/p/1855432/" rel="nofollow ugc">[Read more]</a></span></p>
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					<item>
				<guid isPermaLink="false">4331395b2d11d1c9eb84412d3a6bf1b6</guid>
				<title>Christopher Crosbie deposited Francis Bacon and Aristotelian Afterlives</title>
				<link>https://hcommons.org/activity/p/1854932/</link>
				<pubDate>Tue, 15 Aug 2023 18:06:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Baconian oeuvre remains the most extensive and influential assault on Aristotelianism in English writing of the early modern period. Where convention respected Aristotelian logic as a viable instrument for studying natural philosophy, Bacon instead sought to initiate an instauration, or restoration, of learning by proposing his inductive&hellip;<span class="activity-read-more" id="activity-read-more-1854932"><a href="https://hcommons.org/activity/p/1854932/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group The Renaissance Society of America</title>
				<link>https://hcommons.org/activity/p/1845035/</link>
				<pubDate>Wed, 10 May 2023 02:23:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thomas Kyd's The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener's son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular&hellip;<span class="activity-read-more" id="activity-read-more-1845035"><a href="https://hcommons.org/activity/p/1845035/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1845034/</link>
				<pubDate>Wed, 10 May 2023 02:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thomas Kyd's The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener's son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular&hellip;<span class="activity-read-more" id="activity-read-more-1845034"><a href="https://hcommons.org/activity/p/1845034/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cbffe2d243d0828d50633064cfbbaa30</guid>
				<title>Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group Early Modern Theater</title>
				<link>https://hcommons.org/activity/p/1845033/</link>
				<pubDate>Wed, 10 May 2023 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thomas Kyd's The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener's son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular&hellip;<span class="activity-read-more" id="activity-read-more-1845033"><a href="https://hcommons.org/activity/p/1845033/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy</title>
				<link>https://hcommons.org/activity/p/1844595/</link>
				<pubDate>Tue, 09 May 2023 13:12:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thomas Kyd's The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener's son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular&hellip;<span class="activity-read-more" id="activity-read-more-1844595"><a href="https://hcommons.org/activity/p/1844595/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">2e61da2a426b55efea5600ac2c85d412</guid>
				<title>Christopher Crosbie&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1843895/</link>
				<pubDate>Mon, 08 May 2023 14:14:07 -0400</pubDate>

				
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				<guid isPermaLink="false">7ca7b58035f1f60f0babd53bcf0c6914</guid>
				<title>Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1843572/</link>
				<pubDate>Thu, 04 May 2023 02:23:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examines Shakespeare's The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle's Metaphysics, specifically his theories of substance and individuation.</p>
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				<guid isPermaLink="false">70fdb90ba4e2fd9e5a29d7e449ad0400</guid>
				<title>Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1843571/</link>
				<pubDate>Thu, 04 May 2023 02:23:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examines Shakespeare's The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle's Metaphysics, specifically his theories of substance and individuation.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">86ba11ef229c4b9bcf202ef355cd3652</guid>
				<title>Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group Early Modern Theater</title>
				<link>https://hcommons.org/activity/p/1843570/</link>
				<pubDate>Thu, 04 May 2023 02:23:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examines Shakespeare's The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle's Metaphysics, specifically his theories of substance and individuation.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">28b6d0dd0a857f9fa0bb9423c7cc5ef2</guid>
				<title>Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation”</title>
				<link>https://hcommons.org/activity/p/1843361/</link>
				<pubDate>Wed, 03 May 2023 01:09:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examines Shakespeare's The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle's Metaphysics, specifically his theories of substance and individuation.</p>
]]></content:encoded>
				
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				<title>Christopher Crosbie deposited Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1842936/</link>
				<pubDate>Sat, 29 Apr 2023 02:24:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shortly after publishing the first edition of his Essays in 1597, Francis Bacon drafted De sapientia veterum, a series of unpublished essays designed to re-read classical mythology as indicative of political and scientific truths. An early, if partial, expression of Bacon’s project to facilitate mastery over the natural order, De sapientia has c&hellip;<span class="activity-read-more" id="activity-read-more-1842936"><a href="https://hcommons.org/activity/p/1842936/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eae49db33f643b388f1b6f492c2d2d7b</guid>
				<title>Christopher Crosbie deposited Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher</title>
				<link>https://hcommons.org/activity/p/1842880/</link>
				<pubDate>Fri, 28 Apr 2023 18:14:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shortly after publishing the first edition of his Essays in 1597, Francis Bacon drafted De sapientia veterum, a series of unpublished essays designed to re-read classical mythology as indicative of political and scientific truths. An early, if partial, expression of Bacon’s project to facilitate mastery over the natural order, De sapientia has c&hellip;<span class="activity-read-more" id="activity-read-more-1842880"><a href="https://hcommons.org/activity/p/1842880/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2cf5858e02b977c73541d04edab46b52</guid>
				<title>Christopher Crosbie deposited “'Strange Serious Wantoning:' Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1842217/</link>
				<pubDate>Sun, 23 Apr 2023 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines English Renaissance chess manuals in order to understand why chess, a game that encourages subterfuge and stratagem, was nonetheless figured as the paradigmatic example of a virtuous pastime. Particular attention is given to da Odenara Damiano’s The Pleasaunt and Wittie Playe of the Cheasts (1564), Arthur Saul’s The Famous Gam&hellip;<span class="activity-read-more" id="activity-read-more-1842217"><a href="https://hcommons.org/activity/p/1842217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9d6c167f027d307eaeece6e2fa7162e6</guid>
				<title>Christopher Crosbie deposited “'Strange Serious Wantoning:' Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge"</title>
				<link>https://hcommons.org/activity/p/1842182/</link>
				<pubDate>Sat, 22 Apr 2023 01:53:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines English Renaissance chess manuals in order to understand why chess, a game that encourages subterfuge and stratagem, was nonetheless figured as the paradigmatic example of a virtuous pastime. Particular attention is given to da Odenara Damiano’s The Pleasaunt and Wittie Playe of the Cheasts (1564), Arthur Saul’s The Famous Gam&hellip;<span class="activity-read-more" id="activity-read-more-1842182"><a href="https://hcommons.org/activity/p/1842182/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Christopher Crosbie deposited The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1842089/</link>
				<pubDate>Fri, 21 Apr 2023 02:25:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Longleat Manuscript, the earliest known illustration of a Shakespearean play, contains three main components: a passage from the beginning of Titus Andronicus where Tamora pleads for her son's life, lines from Aaron's final confession, and a hand-drawn image that, apparently, corresponds with neither passage fully. Amid other mysteries, the&hellip;<span class="activity-read-more" id="activity-read-more-1842089"><a href="https://hcommons.org/activity/p/1842089/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4548925a5e2b1f0d6413c7782deafaea</guid>
				<title>Christopher Crosbie deposited The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath</title>
				<link>https://hcommons.org/activity/p/1842053/</link>
				<pubDate>Thu, 20 Apr 2023 19:13:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Longleat Manuscript, the earliest known illustration of a Shakespearean play, contains three main components: a passage from the beginning of Titus Andronicus where Tamora pleads for her son's life, lines from Aaron's final confession, and a hand-drawn image that, apparently, corresponds with neither passage fully. Amid other mysteries, the&hellip;<span class="activity-read-more" id="activity-read-more-1842053"><a href="https://hcommons.org/activity/p/1842053/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Christopher Crosbie deposited Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1834290/</link>
				<pubDate>Tue, 14 Feb 2023 02:28:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen&hellip;<span class="activity-read-more" id="activity-read-more-1834290"><a href="https://hcommons.org/activity/p/1834290/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b7f80a0d4320d8fa4eece9d0e6815aba</guid>
				<title>Christopher Crosbie deposited Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V in the group Renaissance / Early Modern Studies</title>
				<link>https://hcommons.org/activity/p/1834289/</link>
				<pubDate>Tue, 14 Feb 2023 02:28:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen&hellip;<span class="activity-read-more" id="activity-read-more-1834289"><a href="https://hcommons.org/activity/p/1834289/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">6d49210898d8e0c4a454337ffe0f21ab</guid>
				<title>Christopher Crosbie deposited Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V in the group Early Modern Theater</title>
				<link>https://hcommons.org/activity/p/1834288/</link>
				<pubDate>Tue, 14 Feb 2023 02:28:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen&hellip;<span class="activity-read-more" id="activity-read-more-1834288"><a href="https://hcommons.org/activity/p/1834288/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Crosbie deposited Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V</title>
				<link>https://hcommons.org/activity/p/1834080/</link>
				<pubDate>Mon, 13 Feb 2023 01:11:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen&hellip;<span class="activity-read-more" id="activity-read-more-1834080"><a href="https://hcommons.org/activity/p/1834080/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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