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	<title>Knowledge Commons | Charles Edward Fox | Group Activity</title>
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	<description>Public group activity feed of which Charles Edward Fox is a member.</description>
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				<title>Shashi Bhusan Nayak started the topic Call for Chapters – Scripting Selves: New Directions in Life Writing in the forum TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-6/</link>
				<pubDate>Tue, 04 Mar 2025 19:40:01 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Scripting Selves: New Directions in Life Writing</strong><br />
<strong>Editors: P. Muralidhar Sharma &amp; Shashibhusan Nayak</strong></p>
<p>Until recently, Life Writing has emerged as a loose critical label encompassing a variety of genres, including biographies, autobiographies, memoirs, letters, and dairies. The later decades of the 20th century, in particular, have witnessed a surge&hellip;<span class="activity-read-more" id="activity-read-more-1913204"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-6/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini uploaded the file: CFP: Limits of Narrative. 8th International Conference of the European Narratology Network (ENN), Wuppertal, Germany, September 29 - October 2, 2025 to TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1912534/</link>
				<pubDate>Tue, 25 Feb 2025 15:18:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>In view of the rampant use of the term ‘narrative’, which often enough lacks a precise meaning, it is time to take a critical look at its limits. The 8th ENN conference in Wuppertal (Germany) is dedicated to this reflection on the concept of narrative in order to sharpen it by defining its boundaries: Which phenomena cannot be appropriately lab&hellip;<span class="activity-read-more" id="activity-read-more-1912534"><a href="https://mla.hcommons.org/activity/p/1912534/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1900961/</link>
				<pubDate>Mon, 07 Oct 2024 03:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900961"><a href="https://mla.hcommons.org/activity/p/1900961/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New article on Turkish Girls' Studies in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-on-turkish-girls-studies-2/</link>
				<pubDate>Sun, 30 Jun 2024 08:32:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>I am a Turkish researcher who is an associate professor in sociology with a focus on Turkish girlhood studies from İstanbul Aydın University, Turkey. I recently published an article with the title "A Study on the Poem “Zamane Kızları” (Girls of Today) Regarding the Representations of Young Turkish Girls from a Male-centered Perspec&hellip;<span class="activity-read-more" id="activity-read-more-1890681"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-on-turkish-girls-studies-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Toward a Decolonial Queer Humanism: Thomas Hardy's The Well-Beloved and André Aciman's Call Me by Your Name in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1878059/</link>
				<pubDate>Thu, 29 Feb 2024 04:09:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay situates queer negativity within the modernist tradition. In The Well-Beloved (1897), Thomas Hardy satirizes the then-popular notion of racial memory for its racist, colonialist implications, inaugurating the modernist critique of romantic love as complicit with the self-delusions of the liberal-humanist subject. Despite the view shared&hellip;<span class="activity-read-more" id="activity-read-more-1878059"><a href="https://mla.hcommons.org/activity/p/1878059/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Mazanec deposited Poet-Monks: The Invention of Buddhist Poetry in Late Medieval China in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1874112/</link>
				<pubDate>Wed, 31 Jan 2024 04:00:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the&hellip;<span class="activity-read-more" id="activity-read-more-1874112"><a href="https://mla.hcommons.org/activity/p/1874112/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited Provincializing Romanticism: Ottoman Hayaliyyun and Literary Globality in the Nineteenth Century in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1868241/</link>
				<pubDate>Sat, 16 Dec 2023 04:04:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the shortfalls of globalizing tendencies in nineteenth-century<br />
literary studies with a focus on the Ottoman Turkish articulation of romanticism, i.e.,<br />
hayaliyyun. Retrieving a historically and geographically hybrid genealogy of romanticism<br />
through the Ottoman Turkish context, my discussion situates romantic imaginary&hellip;<span class="activity-read-more" id="activity-read-more-1868241"><a href="https://mla.hcommons.org/activity/p/1868241/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic new article: The Turkish Angel in the House: A Travelling Concept... in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-the-turkish-angel-in-the-house-a-travelling-concept/</link>
				<pubDate>Tue, 05 Dec 2023 15:18:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>We would like to announce the publication of our new article titled "The Turkish Angel in the House: A Travelling Concept in the Housewife Poems of Ziya Gökalp and Halide Nusret Zorlutuna" in the Journal of International Women's Studies. It is possible to download the article from the following link for free:&hellip;<span class="activity-read-more" id="activity-read-more-1866841"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/new-article-the-turkish-angel-in-the-house-a-travelling-concept/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited Loving Sovereignty: Political Mysticism, Seyh Galib, and Giorgio Agamben in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1866784/</link>
				<pubDate>Tue, 05 Dec 2023 04:03:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Centering on the poetry of Şeyh Galib (1757–1799), this article considers Ottoman imperial sovereignty in tandem with the discourse of mysticism that underpinned it. A key rhetorical device that enables the abstraction of the politics of empire in this discourse is the metaphor of the beloved sovereign. In the mystical writing of Galib, this me&hellip;<span class="activity-read-more" id="activity-read-more-1866784"><a href="https://mla.hcommons.org/activity/p/1866784/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Arif Camoglu deposited “Supreme in Ruin”: Empire’s Afterlife in Romantic Encounters with Imperial Ruins in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1866467/</link>
				<pubDate>Fri, 01 Dec 2023 04:02:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp&hellip;<span class="activity-read-more" id="activity-read-more-1866467"><a href="https://mla.hcommons.org/activity/p/1866467/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1865793/</link>
				<pubDate>Fri, 24 Nov 2023 04:06:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Anthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a&hellip;<span class="activity-read-more" id="activity-read-more-1865793"><a href="https://mla.hcommons.org/activity/p/1865793/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited as murder is to crow in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1863980/</link>
				<pubDate>Thu, 09 Nov 2023 03:00:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thomas à Kempis wrote that everyone desires peace but not the things that make for peace. Such a universal desire would be a hopeful sign, a foundation to build on as we contemplate (and, no doubt, debate) "the things that make for peace." I offer as murder is to crow as a record of "perchings" in my contemplation of things that make for peace.&hellip;<span class="activity-read-more" id="activity-read-more-1863980"><a href="https://mla.hcommons.org/activity/p/1863980/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jamie Callison deposited Modernism and Religion: Between Mysticism and Orthodoxy in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1860579/</link>
				<pubDate>Wed, 04 Oct 2023 04:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>'Modernism and Religion' argues that modernism participated in broader processes of religious change in the twentieth century. The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian&hellip;<span class="activity-read-more" id="activity-read-more-1860579"><a href="https://mla.hcommons.org/activity/p/1860579/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited How Memories Become Literature in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1858170/</link>
				<pubDate>Tue, 12 Sep 2023 01:21:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cognitive science can help literary scholars formulate specific questions to be answered by archival research. This essay takes as its starting point embedded mental states (that is, mental states about mental states) and their role in generating literary subjectivity. It then follows the transformation of embedded mental states throughout several&hellip;<span class="activity-read-more" id="activity-read-more-1858170"><a href="https://mla.hcommons.org/activity/p/1858170/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited Manipulating Metacognition in Witness for the Prosecution in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1857511/</link>
				<pubDate>Wed, 06 Sep 2023 01:29:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay exemplifies a cognitive approach to literary and film studies, with particular emphasis on fictional reimagining of legal institutions. It draws on research of cognitive scientists who study metacognition—specifically, the difference between reflective and intuitive beliefs—to suggest that courtroom dramas, such as Billy Wilder’s Witne&hellip;<span class="activity-read-more" id="activity-read-more-1857511"><a href="https://mla.hcommons.org/activity/p/1857511/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the epic opposite  &#124; poems and fragments, 2004-2013, volume ten in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854161/</link>
				<pubDate>Tue, 08 Aug 2023 01:13:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>the epic opposite is the tenth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is&hellip;<span class="activity-read-more" id="activity-read-more-1854161"><a href="https://mla.hcommons.org/activity/p/1854161/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited solitude is another matter &#124; poems and fragments, 2004-2013, volume nine in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854160/</link>
				<pubDate>Tue, 08 Aug 2023 01:10:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>solitude is another matter is the ninth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back,&hellip;<span class="activity-read-more" id="activity-read-more-1854160"><a href="https://mla.hcommons.org/activity/p/1854160/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited a composition of fractions &#124; poems and fragments, 2004-2013, volume eight in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1854159/</link>
				<pubDate>Tue, 08 Aug 2023 01:07:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>a composition of fractions is the eighth of a series of ten collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back,&hellip;<span class="activity-read-more" id="activity-read-more-1854159"><a href="https://mla.hcommons.org/activity/p/1854159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited how this city lies &#124; poems and fragments, 2004-2013, volume seven in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853857/</link>
				<pubDate>Fri, 04 Aug 2023 02:26:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>The seventh of ten notebooks, drafted between June 2008 and March 2009. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here.</p>
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				<title>Steven Schroeder deposited the fleeting possibility of otherwise &#124; poems and fragments, 2004-2013, volume six in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853856/</link>
				<pubDate>Fri, 04 Aug 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The sixth of ten notebooks, drafted between June 2007 and June 2008. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. Many of the poems in part two are included in a dim sum of the day before, published by Ink&hellip;<span class="activity-read-more" id="activity-read-more-1853856"><a href="https://mla.hcommons.org/activity/p/1853856/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited before the body was cold &#124; poems and fragments, 2004-2013, volume five in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853271/</link>
				<pubDate>Tue, 01 Aug 2023 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fifth of ten notebooks, drafted between April 2006 and June 2007. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. While particular places are referenced in the text of some of the poems in this volume, only&hellip;<span class="activity-read-more" id="activity-read-more-1853271"><a href="https://mla.hcommons.org/activity/p/1853271/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited an orchestration of silences &#124; poems and fragments, 2004-2013, volume four in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853086/</link>
				<pubDate>Sat, 29 Jul 2023 02:28:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fourth of ten notebooks, drafted between February and August 2006. Some of the material has appeared previously in poetry collections I have published since 2006, but I have gone back to the original drafts to rethink and reconfigure what appears here. This fourth volume differs from the first three in that all of the compositions are clearly&hellip;<span class="activity-read-more" id="activity-read-more-1853086"><a href="https://mla.hcommons.org/activity/p/1853086/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the fragility of gathering &#124; poems and fragments, 2004-2013, volume three in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1853085/</link>
				<pubDate>Sat, 29 Jul 2023 02:24:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>The third of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is what I found myself doing&hellip;<span class="activity-read-more" id="activity-read-more-1853085"><a href="https://mla.hcommons.org/activity/p/1853085/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited deep enough to hold a city &#124; poems and fragments, 2004-2013, volume two in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1852466/</link>
				<pubDate>Sat, 22 Jul 2023 02:23:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>The second of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is what I found myself doing&hellip;<span class="activity-read-more" id="activity-read-more-1852466"><a href="https://mla.hcommons.org/activity/p/1852466/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited a tiny circle tessellated &#124; poems and fragments, 2004-2013, volume one in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1852241/</link>
				<pubDate>Wed, 19 Jul 2023 02:28:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>a tiny circle tessellated is the first of a series of collections that draw on material from notebooks I kept between 2004 and 2013. I returned to that material in 2021 with Basho and haibun in mind, as well as the prosimetrum tradition that flourished in medieval Europe. Both play off a tension between poetry and prose, and, looking back, that is&hellip;<span class="activity-read-more" id="activity-read-more-1852241"><a href="https://mla.hcommons.org/activity/p/1852241/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bradley J. Fest deposited Isn’t It a Beautiful Day? An Interview with J. Hillis Miller in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1847390/</link>
				<pubDate>Sat, 27 May 2023 03:18:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with esteemed literary critic J. Hillis Miller was conducted via Skype on July 17, 2013. Miller speaks about a number of issues important to his life and work. Providing a number of emblematic parables, Miller discusses his early career, his work on the poetry of William Carlos Williams, and his famous essay “The Critic as H&hellip;<span class="activity-read-more" id="activity-read-more-1847390"><a href="https://mla.hcommons.org/activity/p/1847390/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bradley J. Fest deposited An Interview with Jonathan Arac in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1847385/</link>
				<pubDate>Sat, 27 May 2023 02:57:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with literary critic Jonathan Arac was conducted at the University of Pittsburgh on May 19, 2015. Arac, a member of the boundary 2 editorial collective since 1979, speaks at length about his life and work. Addressing the impact of theory on his career, he discusses how he came to be associated with the New Americanists, his project&hellip;<span class="activity-read-more" id="activity-read-more-1847385"><a href="https://mla.hcommons.org/activity/p/1847385/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini started the topic Rhythm, Speed, Path: Spatiotemporal Experiences in Narrative, Poetry, and Drama in the discussion GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/rhythm-speed-path-spatiotemporal-experiences-in-narrative-poetry-and-drama/</link>
				<pubDate>Mon, 27 Feb 2023 21:54:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear colleagues,</p>
<p>we've extended the deadline for submitting to ENN7, the European Narratology Network conference.</p>
<p>The new deadline is: 10th March 2023 (timezone: anywhere in the world).</p>
<p>This year’s conference is co-located with IGEL 2023, the conference of the International Society for the Empirical Study of Literature, and the common theme i&hellip;<span class="activity-read-more" id="activity-read-more-1835638"><a href="https://mla.hcommons.org/groups/poetry-and-poetics/forum/topic/rhythm-speed-path-spatiotemporal-experiences-in-narrative-poetry-and-drama/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited still in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1834088/</link>
				<pubDate>Mon, 13 Feb 2023 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>"Steven Schroeder's most recent collection of poems, Still, offers an amazing juxtaposition of imaginary elements and sensible phenomena that keeps the reader turning page after page in wonder. Poems of varied textures, from Zen-like shorts to lengthier narratives, offer shifts in perspective that surprise and delight, many with seasonal beauty or&hellip;<span class="activity-read-more" id="activity-read-more-1834088"><a href="https://mla.hcommons.org/activity/p/1834088/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited one well ordered collision among others in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1833987/</link>
				<pubDate>Sun, 12 Feb 2023 02:34:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>The title of this collection, taken from the poem with which the collection closes, calls to mind Helen Frankenthaler’s description of the places where colors converge on raw canvas in her “soak-stain” paintings. That closing poem is a meditation on her “Seven Forms of Ambiguity” in the “1940s to Now” section of the Crystal Bridges Museum in Ark&hellip;<span class="activity-read-more" id="activity-read-more-1833987"><a href="https://mla.hcommons.org/activity/p/1833987/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Darren J. Borg started the topic CFP: Speculative Fiction and Eternal Life in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-speculative-fiction-and-eternal-life/</link>
				<pubDate>Mon, 30 Jan 2023 23:50:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>What is a life worth living?Speculative Fiction and Eternal Life Despite numerous post-apocalyptic storylines, many science fiction texts are a celebration of life and seek ways of prolonging it, whether artificially or by providing warnings against our current behavior in order to preserve the life that already exists. The fact that death and&hellip;<span class="activity-read-more" id="activity-read-more-1831962"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-speculative-fiction-and-eternal-life/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited learning to see nothing: new and recent work on paper and canvas in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1830072/</link>
				<pubDate>Tue, 17 Jan 2023 02:31:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>Exhibition Catalog for "learning to see nothing: new and recent work on paper and canvas," by Steven Schroeder. Eleanor Hayes Art Gallery, Kinzer Performing Arts Center, Northern Oklahoma College, Tonkawa, Oklahoma, 4 September – 18 October 2018.</p>
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				<title>Steven Schroeder deposited in the path of totality in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1830069/</link>
				<pubDate>Tue, 17 Jan 2023 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>The forty poems in this collection have percolated through more than forty years of meditation on “city” that began when I was an undergraduate studying with Richard Luecke at Valparaiso University. The title, In the Path of Totality, references a phrase made familiar by media coverage leading up to the total solar eclipse that was visible acr&hellip;<span class="activity-read-more" id="activity-read-more-1830069"><a href="https://mla.hcommons.org/activity/p/1830069/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited fallen prose in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829953/</link>
				<pubDate>Mon, 16 Jan 2023 02:38:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>China is the occasion, not the subject or the object, of the forty-seven poems collected in Steven Schroeder's Fallen Prose – lyrical glimpses of the “new” city in Southern light. Most of the poems in the collection are set in Shenzhen, a few in Zhuhai, Macao, Guangzhou, and Hong Kong – and one or two a bit further west, in Kunming. All attend&hellip;<span class="activity-read-more" id="activity-read-more-1829953"><a href="https://mla.hcommons.org/activity/p/1829953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the imperfection of the eye in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829949/</link>
				<pubDate>Mon, 16 Jan 2023 02:31:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>There is an all at once quality to lyric poetry that makes it akin to mysticism. It knows there is more to vision than meets the eye. It takes the whole world in while knowing the whole of it is always known imperfectly, always here, always now. The here and now of the seventy-one poems in Steven Schroeder's new collection is most often Chicago,&hellip;<span class="activity-read-more" id="activity-read-more-1829949"><a href="https://mla.hcommons.org/activity/p/1829949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited turn in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1829946/</link>
				<pubDate>Mon, 16 Jan 2023 02:23:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the spirit of the old Shaker hymn, the poems in Steven Schroeder’s new collection turn and turn – from a question Laozi raises to Woody Guthrie’s holy ground, from Chicago to Texas to Shenzhen to Macao, in conversation with poets and philosophers from Euclid and Thoreau to Emily Dickinson, John Donne, Gertrude Stein, Buddy Holly, Lyle Lovet&hellip;<span class="activity-read-more" id="activity-read-more-1829946"><a href="https://mla.hcommons.org/activity/p/1829946/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Leigh A. Neithardt started the topic Membership Suggestions for 2023 Forum Delegate Election in the discussion LLC Japanese since 1900</title>
				<link>https://mla.hcommons.org/groups/japanese-since-1900/forum/topic/membership-suggestions-for-2023-forum-delegate-election-39/</link>
				<pubDate>Mon, 21 Nov 2022 20:08:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>The next election for this forum’s Delegate Assembly representative will be held in the fall of 2023, and the forum’s executive committee will take up the matter of nominations for this election when it meets in January 2023. Though the executive committee is responsible for making nominations, it is required to nominate at least one candidate who&hellip;<span class="activity-read-more" id="activity-read-more-1823411"><a href="https://mla.hcommons.org/groups/japanese-since-1900/forum/topic/membership-suggestions-for-2023-forum-delegate-election-39/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Brian Gregory Caraher deposited Ciaran Carson: A Memorial Tribute (10 October 2019) in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1817172/</link>
				<pubDate>Tue, 11 Oct 2022 02:30:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>This memorial tribute for the late Ciaran Carson (1948-2019), Irish creative writer extraordinaire, was commissioned three years ago for inclusion in a special number of "Reading Ireland" which has not yet materialised.  It is now archived in and by Humanities Common on the third anniversary of his funeral rites and burial in Belfast, Northern&hellip;<span class="activity-read-more" id="activity-read-more-1817172"><a href="https://mla.hcommons.org/activity/p/1817172/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jon Pitt started the topic CFP: International Symposium - Writers Who Have Seen Too Much: Earth, Kin, Care in the discussion LLC Japanese since 1900</title>
				<link>https://mla.hcommons.org/groups/japanese-since-1900/forum/topic/cfp-international-symposium-writers-who-have-seen-too-much-earth-kin-care/</link>
				<pubDate>Wed, 27 Apr 2022 23:29:40 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Proposals </strong></p>
<p>“Writers Who Have Seen Too Much: Earth, Kin, Care”</p>
<p>International Japanese Literature Symposium</p>
<p>30 September – 1 October 2022, In Person</p>
<p>University of California, Irvine</p>
<p>&nbsp;</p>
<p>This two-day conference gathers scholars who work on five writers: Chiri Yukie (1903-1922), Sakiyama Tami (1954- ), Tsushima Yuko (1947-2016), Ishimu&hellip;<span class="activity-read-more" id="activity-read-more-1780001"><a href="https://mla.hcommons.org/groups/japanese-since-1900/forum/topic/cfp-international-symposium-writers-who-have-seen-too-much-earth-kin-care/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited The Secret Life of Literature in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1777282/</link>
				<pubDate>Tue, 05 Apr 2022 02:28:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works.</p>
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				<title>Dustin Friedman deposited “The rarest, most complex &#38; most lately developed form of aestheticism”: Olive Schreiner, decadence, and the aesthetic education of the senses in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1769030/</link>
				<pubDate>Tue, 25 Jan 2022 03:56:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay focuses on Olive Schreiner’s personal correspondence and the allegories collected in Dreams (1890) to explore her complicated relationship to late-Victorian Decadence. I argue that Schreiner modified Decadent writers’ use of intersensoriality and synaesthesia to educate her readers into a new kind of common sense, one aligned with her&hellip;<span class="activity-read-more" id="activity-read-more-1769030"><a href="https://mla.hcommons.org/activity/p/1769030/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick McEvoy-Halston deposited Rollback: Leaving Women to Demons in Gene Wolfe's Fiction in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1755577/</link>
				<pubDate>Sat, 16 Oct 2021 03:57:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gene Wolfe, living though Severian, re-experiences via Thecla’s characterization of him as not being worth enough to value highly for being what he thought he could only amount to her when he first met her, that is, simply a boy at hand, his own once being lured into the attentions’ of his mother and then dismissed by her when she was done usi&hellip;<span class="activity-read-more" id="activity-read-more-1755577"><a href="https://mla.hcommons.org/activity/p/1755577/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nicholas T Rinehart deposited Lateral Reading Lyric Testimony; or, The Difficult Miracle of Black Poetry in the Americas in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1753049/</link>
				<pubDate>Tue, 28 Sep 2021 02:28:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Canon, tradition, and origin anchor developmental accounts of Black literary history, describing the forward movement from a singular beginning in terms of birth, maturation, and inheritance. This model delimits a specialized field of study, but also obscures texts, practices, and archives that do not cohere with it. In the study of slave&hellip;<span class="activity-read-more" id="activity-read-more-1753049"><a href="https://mla.hcommons.org/activity/p/1753049/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Samuel Baker deposited “The Forsaken Merman,” “The Little Mermaid,” and early modernism: Undersea imagery for the dissociation and dissolution of culture in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1750925/</link>
				<pubDate>Tue, 07 Sep 2021 02:25:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay shows how marine imagery mediates thought about culture, by exploring a series of imagined submarine visions across an intertextual network that extends from Matthew Arnold’s poem “The Forsaken Merman” back to Hans Christian Andersen’s fairy tale “The Little Mermaid,” across the Atlantic to William James’s writings, and thence to ess&hellip;<span class="activity-read-more" id="activity-read-more-1750925"><a href="https://mla.hcommons.org/activity/p/1750925/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Magdalena Ostas deposited Wordsworth, Wittgenstein, and the Reconstruction of the Everyday in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1745163/</link>
				<pubDate>Thu, 08 Jul 2021 04:06:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The connection between philosophy and real or everyday language belongs to Wordsworth’s early poetic vision. My interest in Wordsworth’s dialogue with philosophical thinking leads me to turn neither to studies tracing the varied philosophic influences on his poetics nor to those examining the influence of his collaborator Coleridge on his ear&hellip;<span class="activity-read-more" id="activity-read-more-1745163"><a href="https://mla.hcommons.org/activity/p/1745163/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2f3d123febd2cb622282fc78a3d2ca77</guid>
				<title>Magdalena Ostas deposited Interiority and Expression in Dickinson's Lyrics in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1745159/</link>
				<pubDate>Thu, 08 Jul 2021 03:52:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>The argument in this essay is that Dickinson’s poetics of inner life makes us see anew the long-standing philosophical problem of expression. Dickinson’s poetry invests itself in an understanding of subjectivity that rearranges the anchors we often turn to in thinking about how lives and identities take on shape in expressive forms. Poetry for&hellip;<span class="activity-read-more" id="activity-read-more-1745159"><a href="https://mla.hcommons.org/activity/p/1745159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Mazanec deposited Of Admonition and Address: Right-Hand Inscriptions (Zuoyouming) from Cui Yuan to Guanxiu in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1742498/</link>
				<pubDate>Sat, 19 Jun 2021 02:39:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay traces the development of the right-hand inscription (zuoyouming 座右銘) from its birth in the second century CE through its culmination as a complex literary subgenre in the tenth. Over the course of these eight centuries, right-hand inscriptions were used by some of the most prominent poets of their respective eras, including Cui Yuan&hellip;<span class="activity-read-more" id="activity-read-more-1742498"><a href="https://mla.hcommons.org/activity/p/1742498/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Mulholland deposited The Past and Future of Historical Poetics: Poetry and Empire in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1742216/</link>
				<pubDate>Fri, 18 Jun 2021 02:44:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay suggests that with the increasing prominence of “historical poetics” as a set of social collectives, methodologies, and debates (especially about literary analysis), now seems to be an ideal time to assess its history and consider its future. The first part of the essay offers a genealogy of historical poetics, accounting for some of&hellip;<span class="activity-read-more" id="activity-read-more-1742216"><a href="https://mla.hcommons.org/activity/p/1742216/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Will Fenton started the topic CFP: Library Company of Philadelphia 2021 Innovation Award in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award-24/</link>
				<pubDate>Fri, 07 May 2021 17:34:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Library Company of Philadelphia is delighted to welcome applications for its <a href="http://r20.rs6.net/tn.jsp?f=001zMkObEJScl8nZyoTVgTVqzVrJd3zHoL_RpXlHRdBbt2UyCi4ByGpXjEw5uQfVdx16wrwpXSZWjpyFd_2Tj9QKwnpdKVadk19NfxKq8OvSGEX7njkX3zoxK2zM6X9ZBDq3kVJFSxpHScmLnBJq3S2QBD10GAF7_zApgfv2-PKMgQBkg3gkUQIXQ==&amp;c=ncHPFwBgRwpWho4e3PkWla5_XNVGMcEhBGLOJfiq-VNLEuIlYr7CUg==&amp;ch=f8oQ4bQSB_CYNs-pPSH7v5v1lI4Vuv50EJf7U-CM1lfIbJ9v-ruMDw==" rel="nofollow ugc">2021 Innovation Award</a>. The Innovation Award will recognize a project-digital or analog-that critically and creatively expands the possibilities of humanistic scholarship.</p>
<p>Proposals will be evaluated by a committee of leaders in higher education, research libraries,&hellip;<span class="activity-read-more" id="activity-read-more-1737574"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award-24/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Will Fenton started the topic CFP: Library Company of Philadelphia 2021 Innovation Award in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award/</link>
				<pubDate>Fri, 07 May 2021 17:17:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Library Company of Philadelphia is delighted to welcome applications for its <a href="http://r20.rs6.net/tn.jsp?f=001zMkObEJScl8nZyoTVgTVqzVrJd3zHoL_RpXlHRdBbt2UyCi4ByGpXjEw5uQfVdx16wrwpXSZWjpyFd_2Tj9QKwnpdKVadk19NfxKq8OvSGEX7njkX3zoxK2zM6X9ZBDq3kVJFSxpHScmLnBJq3S2QBD10GAF7_zApgfv2-PKMgQBkg3gkUQIXQ==&amp;c=ncHPFwBgRwpWho4e3PkWla5_XNVGMcEhBGLOJfiq-VNLEuIlYr7CUg==&amp;ch=f8oQ4bQSB_CYNs-pPSH7v5v1lI4Vuv50EJf7U-CM1lfIbJ9v-ruMDw==" rel="nofollow ugc">2021 Innovation Award</a>. The Innovation Award will recognize a project-digital or analog-that critically and creatively expands the possibilities of humanistic scholarship.</p>
<p>Proposals will be evaluated by a committee of leaders in higher education, research libraries,&hellip;<span class="activity-read-more" id="activity-read-more-1737571"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award/" rel="nofollow ugc">[Read more]</a></span></p>
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