• Birk Weiberg deposited The Paradigm of Streaming in Contemporary Arts in the group Group logo of Digital Art HistoryDigital Art History on Humanities Commons 6 years, 8 months ago

    Live video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical and aesthetical format and in my paper I will discuss in what regard this might be symptomatic and relevant for contemporary art.