Other Publications
Refereed journal articles:
‘“Through a glass darkly”: reflection, representation, and mortality in ‘Eternity’ (Angel 1.17)’,
Slayage: The Journal of Whedon Studies, 17.2 [50] (Summer / Fall, 2019).
‘“A devout but nearly silent listener”: dialogue, sociability, and Promethean individualism in Mary Shelley’s Frankenstein (1816)’,
The Irish Journal for Gothic Studies, no. 16 (2017)
‘Jane Austen’s Conversational Pragmatics: Rational Evaluation and Strategic Concealment in Sense and Sensibility’,
Persuasions: The Jane Austen Journal On-Line, 32.2 (Summer 2012),
http://www.jasna.org/persuasions/on-line/vol32no2/hughes.html.
‘Intertextuality and the Semantic Web: Jane Eyre as a Test Case for Modelling Literary Relationships with Linked Data’ (with Sarah Bartlett, Talis Ltd),
Serials, 24.2 (July 2011), 160-65,
https://serials.uksg.org/articles/10.1629/24160/ Chapters in edited collections:
Introduction (with Sam George) to
In the Company of Wolves: Wolves, Werewolves and Wild Children, ed. by Sam George and Bill Hughes (Manchester: Manchester University Press, 2020), pp. 1‒17.
‘“The price of flesh is love”: Commodification, corporeality and paranormal romance in Angela Carter’s Beast Tales’, in
In the Company of Wolves: Wolves, Werewolves and Wild Children, pp. 147‒62.
‘“But by blood no wolf am I”: language and agency, instinct and essence – transcending an-tinomies in Maggie Stiefvater’s
Shiver trilogy’, in
Werewolves, Wolves and the Gothic, ed. by Robert McKay and John Miller (Cardiff: University of Wales Press, 2017), pp. 227‒49.
Introduction (with Sam George) to
‘Open Graves, Open Minds’: Representations of Vampires and the Undead from the Enlightenment to the Present Day, ed. by Sam George and Bill Hughes (Manchester: Manchester University Press, 2013).
‘“Legally recognised undead”: Essence, Difference, and Assimilation in Daniel Waters’s
Generation Dead’, in
‘Open Graves, Open Minds’: Representations of Vampires and the Undead from the Enlightenment to the Present Day.
‘Literate Sociology: Richard Hoggart’s Dialectic of the Particular and the General’, in
Richard Hoggart: Culture and Critique, ed. by Michael Bailey and Mary Eagleton (Nottingham: Critical, Cultural and Communications Press, 2011), pp. 212-25.
‘The Uses and Values of Literacy: Richard Hoggart, Aesthetic Standards, and the Commodifi-cation of Working-class Culture’, in
Richard Hoggart and Cultural Studies, ed. by Sue Owen (Basingstoke: Palgrave, 2008), pp. 213-26.
Other:
Gothic Studies, In the company of wolves: werewolves, animality, and humanity special issue, ed. by Sam George and Bill Hughes, 21.1 (Spring 2019)
Gothic Studies, Open Graves, Open Minds: Vampires and the Undead in Modern Culture special issue, ed. by Sam George and Bill Hughes, 15.1 (May 2013).
‘Talking Books: Conversational Life in the Eighteenth-Century Printed Dialogue’,
Exit 9: The Rutgers Journal of Comparative Literature, ‘Dialogues’ special issue, 7 (2005), 29-40.
Review of
The Eighteenth-Century Novel. Vol. v, ed. by Albert J. Rivero, George Justice, and Margo Collins, for
Journal of Eighteenth-Century Studies, 34.1 (March 2011).
Review of Michael McKeon,
The Origins of the English Novel, 1600–1740, 15th Anniversary Edition, with a New Introduction by the Author, for
British Journal of Eighteenth-Century Studies, 29.2 (2006).
In press/submitted:
Refereed journal articles:
‘“A devout but nearly silent listener”: dialogue, sociability, and Promethean individualism in Mary Shelley’s Frankenstein (1816)’,
The Wordsworth Circle, forthcoming special issue, ed. by Angela Wright and Madeleine Callaghan (Winter 2017).
Chapters in edited collections:
‘“But by Blood No Wolf Am I”: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Steifvater’s Shiver Trilogy’, in
Werewolves, Wolves and the Gothic, ed. by Robert McKay and John Miller (University of Wales Press, forthcoming 2017).
‘Mandeville’s Dialogic Unveiling: Rational Autonomy and Domestic Tyranny in The Virgin Unmask’d’, in
Domestic Violence in the Long Eighteenth Century, forthcoming collection, ed. by Judith Broome (Lewisburg, PA: Bucknell University Press, forthcoming 2017).
In preparation:
Books and chapters:
The Eighteenth-Century Dialogue and Communicative Reason in the Formation of the English Novel: The Commerce of Light (monograph; forthcoming, 2018).
‘Anon., The Heir of Montague’, entry in
The Cambridge Guide to the Eighteenth-Century Novel, 1660–1820, ed. by April London (Cambridge University Press, forthcoming).
‘“The price of flesh is love”: Commodification, corporeality, and paranormal romance in An-gela Carter’s The Bloody Chamber’, in
The Company of Wolves: Sociality, Animality, and Subjectivity in Narratives of Werewolves, Shapeshifters, and Feral Humans, ed. by Sam George and Bill Hughes (forthcoming, 2017).
The Company of Wolves: Sociality, Animality, and Subjectivity in Narratives of Werewolves, Shapeshifters, and Feral Humans, ed. by Sam George and Bill Hughes (forthcoming, 2017).
Journal articles and others:
Gothic Studies, The Company of Wolves: Werewolves, animality, and humanity special issue, ed. by Sam George and Bill Hughes (forthcoming 2017).