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	<title>Knowledge Commons | Beth Harpaz | Group Activity</title>
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	<description>Public group activity feed of which Beth Harpaz is a member.</description>
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				<title>Megan Lavengood posted an update in the group Society for Music Theory (SMT): We are working to create a new edition of Open Music Theory [&#133;]</title>
				<link>https://hcommons.org/activity/p/1918011/</link>
				<pubDate>Fri, 09 May 2025 17:34:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>We are working to create a new edition of Open Music Theory [Version 2]. As a part of this process, we’re gathering feedback from those using the current version about what doesn’t work and if anything is missing.<br />
While we welcome any feedback, we are especially hoping for feedback on: </p>
<p>The flow of the text<br />
Consistency across chapters<br />
Gaps in the&hellip;<span class="activity-read-more" id="activity-read-more-1918011"><a href="https://hcommons.org/activity/p/1918011/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1899093/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Much of today's research into the nature of musical pleasure can be divided into two distinct areas - the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899093"><a href="https://hcommons.org/activity/p/1899093/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1896378/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896378"><a href="https://hcommons.org/activity/p/1896378/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1875797/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875797"><a href="https://hcommons.org/activity/p/1875797/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1875792/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875792"><a href="https://hcommons.org/activity/p/1875792/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Peterson posted an update in the group Society for Music Theory (SMT): REMINDER that we are conducting research into the [&#133;]</title>
				<link>https://hcommons.org/activity/p/1868600/</link>
				<pubDate>Tue, 19 Dec 2023 14:38:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>REMINDER that we are conducting research into the demographic statistics of scholars who author articles published in varied music theory periodicals, and we need your help before January 1!</p>
<p>Please consider completing an online survey that will take approximately 5–20 minutes depending on the number of articles that you authored in the selected j&hellip;<span class="activity-read-more" id="activity-read-more-1868600"><a href="https://hcommons.org/activity/p/1868600/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Peterson posted an update in the group Society for Music Theory (SMT): We are conducting research into the demographic statistics [&#133;]</title>
				<link>https://hcommons.org/activity/p/1863236/</link>
				<pubDate>Tue, 31 Oct 2023 18:21:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>We are conducting research into the demographic statistics of scholars who author articles published in varied music theory periodicals, which will be reported to the music academic community to help the field better understand its publication representation.</p>
<p>If you published one or more articles in one or more of the following journals between&hellip;<span class="activity-read-more" id="activity-read-more-1863236"><a href="https://hcommons.org/activity/p/1863236/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1857424/</link>
				<pubDate>Tue, 05 Sep 2023 07:35:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain</p>
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				<title>Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1857419/</link>
				<pubDate>Tue, 05 Sep 2023 07:34:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain</p>
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				<title>Channan Willner posted an update in the group Society for Music Theory (SMT): Dear members of the list,
I just published my latest [&#133;]</title>
				<link>https://hcommons.org/activity/p/1852800/</link>
				<pubDate>Tue, 25 Jul 2023 20:25:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear members of the list,<br />
I just published my latest article, "The Split Anstieg: Initial Ascents Involving the Bass, and Their Consequences," on my website, at . The article contains thorough tonal analyses of the Passepied from J.S. Bach G major Partita for Clavier, BWV 829, and of two movements attributed to Handel, from the keyboard Suite in&hellip;<span class="activity-read-more" id="activity-read-more-1852800"><a href="https://hcommons.org/activity/p/1852800/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1852218/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852218"><a href="https://hcommons.org/activity/p/1852218/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1851145/</link>
				<pubDate>Thu, 06 Jul 2023 02:27:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu&hellip;<span class="activity-read-more" id="activity-read-more-1851145"><a href="https://hcommons.org/activity/p/1851145/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Brad Osborn deposited The Subdominant Tritone in Film and Television Music in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1851143/</link>
				<pubDate>Thu, 06 Jul 2023 02:26:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre&hellip;<span class="activity-read-more" id="activity-read-more-1851143"><a href="https://hcommons.org/activity/p/1851143/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1851137/</link>
				<pubDate>Thu, 06 Jul 2023 02:25:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.&hellip;<span class="activity-read-more" id="activity-read-more-1851137"><a href="https://hcommons.org/activity/p/1851137/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Channan Willner posted an update in the group Society for Music Theory (SMT): Dear members of the list, 
I recently completed the second [&#133;]</title>
				<link>https://hcommons.org/activity/p/1846117/</link>
				<pubDate>Mon, 15 May 2023 15:24:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear members of the list,<br />
I recently completed the second of two pairs of studies on my website, at . The first pair, "Mozart's Delayed Dominants," targets long-range dominants that arrive much later than the subordinate theme, near the end of the exposition: through exposition-long voice exchanges (part 1), and through delays in returning to the&hellip;<span class="activity-read-more" id="activity-read-more-1846117"><a href="https://hcommons.org/activity/p/1846117/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Isaacson posted an update in the group Society for Music Theory (SMT): I am pleased to announce the publication on May 2, 2023, of [&#133;]</title>
				<link>https://hcommons.org/activity/p/1843044/</link>
				<pubDate>Sun, 30 Apr 2023 14:35:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>I am pleased to announce the publication on May 2, 2023, of my book, Visualizing Music, which is about the art of communicating about music through images. Is it available in hard cover, paperback, and e-book/Kindle editions. Scholars at all experience levels should find it useful.  </p>
<blockquote class="wp-embedded-content" data-secret="EtpPi1NcOg"><p><a href="https://iupress.org/book/" rel="nofollow ugc">Book</a></p></blockquote>
<p><iframe loading="lazy" class="wp-embedded-content" sandbox="allow-scripts" security="restricted" style="position: absolute; visibility: hidden;" title="&#8220;Book&#8221; &#8212; Indiana University Press" src="https://iupress.org/book/embed/#?secret=4mjqgO6gOj#?secret=EtpPi1NcOg" data-secret="EtpPi1NcOg" width="500" height="282" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p>
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836481/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836481"><a href="https://hcommons.org/activity/p/1836481/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836476/</link>
				<pubDate>Mon, 06 Mar 2023 02:27:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord&hellip;<span class="activity-read-more" id="activity-read-more-1836476"><a href="https://hcommons.org/activity/p/1836476/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836471/</link>
				<pubDate>Mon, 06 Mar 2023 02:26:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church&hellip;<span class="activity-read-more" id="activity-read-more-1836471"><a href="https://hcommons.org/activity/p/1836471/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836466/</link>
				<pubDate>Mon, 06 Mar 2023 02:24:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>The publication of Cervantes' Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H&hellip;<span class="activity-read-more" id="activity-read-more-1836466"><a href="https://hcommons.org/activity/p/1836466/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836396/</link>
				<pubDate>Sun, 05 Mar 2023 02:27:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p&hellip;<span class="activity-read-more" id="activity-read-more-1836396"><a href="https://hcommons.org/activity/p/1836396/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836389/</link>
				<pubDate>Sun, 05 Mar 2023 02:26:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,&hellip;<span class="activity-read-more" id="activity-read-more-1836389"><a href="https://hcommons.org/activity/p/1836389/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1836384/</link>
				<pubDate>Sun, 05 Mar 2023 02:25:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>The music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th&hellip;<span class="activity-read-more" id="activity-read-more-1836384"><a href="https://hcommons.org/activity/p/1836384/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Brad Osborn deposited Triangulating Timbre in Sigur Rós's Iceland in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1835116/</link>
				<pubDate>Thu, 23 Feb 2023 02:24:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>Osborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.</p>
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				<title>Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834448/</link>
				<pubDate>Wed, 15 Feb 2023 02:28:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>The celebration of the "Beethoven Year" in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid's leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,&hellip;<span class="activity-read-more" id="activity-read-more-1834448"><a href="https://hcommons.org/activity/p/1834448/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e44e2477a4eda49f9f6df619a0851c18</guid>
				<title>Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834442/</link>
				<pubDate>Wed, 15 Feb 2023 02:27:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.</p>
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				<title>Paulino Capdepon deposited Josquin Des Prez: Un legado culminante del Renacimiento in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834316/</link>
				<pubDate>Tue, 14 Feb 2023 02:34:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>The biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,&hellip;<span class="activity-read-more" id="activity-read-more-1834316"><a href="https://hcommons.org/activity/p/1834316/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">63995b44cabd0c50a042fa9f0f2e5ce3</guid>
				<title>Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834311/</link>
				<pubDate>Tue, 14 Feb 2023 02:33:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Article about the biography and musical output of the Italian composer Doomenico Scarlatti</p>
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				<guid isPermaLink="false">b7860f916050fe4fbce8e10a02d1754e</guid>
				<title>Paulino Capdepon deposited Nuevos datos en torno al Compositor leridano José Cortasa Rives († 1796) [New information about the composer José Cortasa Rives († 1796)] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834305/</link>
				<pubDate>Tue, 14 Feb 2023 02:32:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Study on the personal and artistic career of the master from Lleida, José Cortasa Rives, chapel master of the Collegiate Church of Santa María la Mayor de Talaveta de la Reina.</p>
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				<title>Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834300/</link>
				<pubDate>Tue, 14 Feb 2023 02:31:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>The importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is&hellip;<span class="activity-read-more" id="activity-read-more-1834300"><a href="https://hcommons.org/activity/p/1834300/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Articles ‘Carreño, Teresa’, ‘Colbrán, Isabella’ y ‘Viardot Garcia, Pauline’, in Lexikon Musik und Gender in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834106/</link>
				<pubDate>Mon, 13 Feb 2023 02:29:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dictionary articles in Lexicon about women musicians</p>
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				<title>Paulino Capdepon deposited La música en Irún en el siglo XIX: La capilla de música de la Iglesia parroquial de Santa María del Junca in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834100/</link>
				<pubDate>Mon, 13 Feb 2023 02:28:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>This book was the result of the Prize 'X Premio-Beca Serapio Múgica', awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project 'La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal' (Music in Irún in the 19th century: The music chapel of the Church of Santa María&hellip;<span class="activity-read-more" id="activity-read-more-1834100"><a href="https://hcommons.org/activity/p/1834100/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">26d00faf2fa351a1ddbd233d4aa35993</guid>
				<title>Patrick Eisenlohr deposited Atmospheric resonance: Sonic motion and the question of religious mediation in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1834095/</link>
				<pubDate>Mon, 13 Feb 2023 02:27:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Because of its material characteristics, the sonic poses a challenge to the influential paradigm of religion as mediation. This article makes a case for a neo-phenomenological analytic of atmospheres in order to do justice to the sonic in anthropological approaches to religion. Approaching the sonic as atmospheric half-things, I propose a&hellip;<span class="activity-read-more" id="activity-read-more-1834095"><a href="https://hcommons.org/activity/p/1834095/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a48936df02c05a4c578fb1f9705fd667</guid>
				<title>Paulino Capdepon deposited Anton Bruckner y Constantin Floros in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833985/</link>
				<pubDate>Sun, 12 Feb 2023 02:34:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Research about Bruckner and the relation of Greek-German musicologist Constanton Floros and Anton Bruckner</p>
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				<guid isPermaLink="false">4c8708f4df5e91088bcb4992f8f417f4</guid>
				<title>Paulino Capdepon deposited Constantin Floros y Gustav Mahler in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833980/</link>
				<pubDate>Sun, 12 Feb 2023 02:33:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Chapter about the relation of Greek-german musicologist Constantn Floros and his output about Austrian composer Gustav Mahler</p>
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				<guid isPermaLink="false">0b168da6b9538a965811b7844e47a2a5</guid>
				<title>Paulino Capdepon deposited “Antonio Soler Ramos”. In Diccionario Biográfico Electrónico in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833975/</link>
				<pubDate>Sun, 12 Feb 2023 02:32:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dictionary Article about the 18th century Spanish composer Antonio Soler (1729-1783), chapel master of Escorial Monastery in Madrid</p>
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				<guid isPermaLink="false">293d978014a2a9ae2facf2e439d155f6</guid>
				<title>Paulino Capdepon deposited “Antonio Soler”. In Oxford Bibliographies of Music, Oxford-New York: Oxford University Press, 2017 in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833970/</link>
				<pubDate>Sun, 12 Feb 2023 02:31:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>Critical study about the musical bibliography of Antonio Soler</p>
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				<guid isPermaLink="false">b6cbc8775ab8f6d22b216ab9decae991</guid>
				<title>Paulino Capdepon deposited La capilla de música del monasterio de las Descalzas Reales de Madrid [The chapel music at the Descalzas Monastery in Madrid] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833966/</link>
				<pubDate>Sun, 12 Feb 2023 02:30:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Journal article about the organization of the music chapel at the royal monastery Descalzas in Madrid during the 18th century</p>
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				<guid isPermaLink="false">2b529408c097ee81a2ee630194d89a5d</guid>
				<title>Paulino Capdepon deposited Vibrationen, die die Ankunft Mozart ankündigen. Mozartrezeption im Spanien des 18. Jahrhunders in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833960/</link>
				<pubDate>Sun, 12 Feb 2023 02:29:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>Research about the first reception of Mozart's music in 18th century Spain</p>
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				<guid isPermaLink="false">65002eebe76bbf9f64ebd92bd404fe65</guid>
				<title>Paulino Capdepon deposited L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833955/</link>
				<pubDate>Sun, 12 Feb 2023 02:28:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>Study about the construction of organs in North Spain by Cavaillé-Coll (19th century)</p>
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				<guid isPermaLink="false">68c0e1a7742d83b8258277ad169c83e1</guid>
				<title>Paulino Capdepon deposited La capilla de música de la Catedral de Segorbe en el siglo XVII [The chapel music at the Segorbe Cathedral in 18th century] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833942/</link>
				<pubDate>Sun, 12 Feb 2023 02:26:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>Together with the cathedrals of Valencia and Orihuela and the Seminary of Corpus Christi in Valencia, the Cathedral of Segorbe is one of the main musical centres of the Valencian Community. This article is an introduction to the origin of the diocese, its difficulties in establishing itself and, finally, its administrative structure and the main&hellip;<span class="activity-read-more" id="activity-read-more-1833942"><a href="https://hcommons.org/activity/p/1833942/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">665c9cf44bddd5a5373a6ec04ca9cd6b</guid>
				<title>Paulino Capdepon deposited La Música en la época de Alfonso X el Sabio: las Cantigas de Santa María [Music in the time of Alfonso X: The Cantigas de Santa María] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1833937/</link>
				<pubDate>Sun, 12 Feb 2023 02:24:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Studiy about the role of music at the court of Alfonso X</p>
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				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832899/</link>
				<pubDate>Mon, 06 Feb 2023 02:24:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<title>Paulino Capdepon deposited Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832749/</link>
				<pubDate>Sun, 05 Feb 2023 02:24:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Research about the influence of the musicological outpput of relevant Researcher Constantin Floros</p>
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				<guid isPermaLink="false">0689fa9f30bc9dba50d2a394b20a44fe</guid>
				<title>Paulino Capdepon deposited Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851), in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832638/</link>
				<pubDate>Sat, 04 Feb 2023 02:32:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>The present study, carefully edited, already announces in its title a very precise description of its subject. It is preceded by another, published in 2012 (La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII), in which the same author revealed the existence, until then little or not known, of an i&hellip;<span class="activity-read-more" id="activity-read-more-1832638"><a href="https://hcommons.org/activity/p/1832638/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">05656a1a8a8940bfa59b42208cdb7329</guid>
				<title>Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832627/</link>
				<pubDate>Sat, 04 Feb 2023 02:31:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.<br />
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII.</p>
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				<title>Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832617/</link>
				<pubDate>Sat, 04 Feb 2023 02:30:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as 'maestro de música' for&hellip;<span class="activity-read-more" id="activity-read-more-1832617"><a href="https://hcommons.org/activity/p/1832617/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0ca9c9440addd4a7d48f4e14e1864195</guid>
				<title>Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832176/</link>
				<pubDate>Wed, 01 Feb 2023 02:24:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.</p>
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				<title>Megan Lavengood posted an update in the group Society for Music Theory (SMT): Please note the new posting guidelines for this group. All [&#133;]</title>
				<link>https://hcommons.org/activity/p/1827102/</link>
				<pubDate>Mon, 19 Dec 2022 18:10:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please note the new posting guidelines for this group. All posts must adhere to these guidelines. <a href="https://societymusictheory.org/administration/hc" rel="nofollow ugc">https://societymusictheory.org/administration/hc</a></p>
<p>1. All posts to the Society for Music Theory (SMT) group on Humanities Commons must adhere to the Humanities Commons Guidelines for Participation. Humanities Commons may remove any posting they&hellip;<span class="activity-read-more" id="activity-read-more-1827102"><a href="https://hcommons.org/activity/p/1827102/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kjell Andreas Oddekalv posted an update in the group Society for Music Theory (SMT): Five new positions (3 PhD, 2 Postdoc) announced at RITMO [&#133;]</title>
				<link>https://hcommons.org/activity/p/1826564/</link>
				<pubDate>Thu, 15 Dec 2022 08:49:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>Five new positions (3 PhD, 2 Postdoc) announced at RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo:</p>
<p><a href="https://www.uio.no/ritmo/english/about/working-at-ritmo/vacancies/index.html" rel="nofollow ugc">https://www.uio.no/ritmo/english/about/working-at-ritmo/vacancies/index.html</a></p>
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