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	<title>Knowledge Commons | Becky yatsuknenko | Group Activity</title>
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	<description>Public group activity feed of which Becky yatsuknenko is a member.</description>
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				<title>Seo-Young Chu deposited Describing DICTEE in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1896118/</link>
				<pubDate>Tue, 13 Aug 2024 03:05:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>The visual images in Dictee are famously captionless. They resist straightforward explanation. In writing image descriptions of the images in Dictee, I have tried to preserve the "captionlessness" of the original. The point here is not to explain the pictures—an image description is not identical to a caption—but to make Dictee more accessible to&hellip;<span class="activity-read-more" id="activity-read-more-1896118"><a href="https://hcommons.org/activity/p/1896118/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited The Icons of Alexander Ponekhalsky. Jertfa di la mine zugrău Alexa cel păcătos in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1895891/</link>
				<pubDate>Sat, 10 Aug 2024 03:01:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This editorial project capitalizes on a first sample of the religious art of Maramureș, carefully and meticulously inventoried by Alexandru Baboș alongside the study of the architecture of the wooden churches of Maramureș. Since they alone account for almost half of all preserved icons from Maramureș, Alexander Ponekhalskyi's icons have been sep&hellip;<span class="activity-read-more" id="activity-read-more-1895891"><a href="https://hcommons.org/activity/p/1895891/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rosanna Cantavella deposited Inventari dels rims acordants i diccionals en Jordi de Sant Jordi in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1889656/</link>
				<pubDate>Thu, 20 Jun 2024 03:01:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This .ods spreadsheet collects all acordant and diccional rhymes of the preserved poetry of Jordi de Sant Jordi. This inventory has been udertaken by Rosanna Cantavella (Universitat de València-Clare Hall University of Cambridge), and interpreted as a paper for the symposion "'Tots jorns aprench e desaprench ensemps': 600 anys de Jordi de Sant&hellip;<span class="activity-read-more" id="activity-read-more-1889656"><a href="https://hcommons.org/activity/p/1889656/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katrina Grant deposited Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1888684/</link>
				<pubDate>Sat, 08 Jun 2024 03:00:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>The COVID-19 pandemic created huge challenges for the galleries, libraries, archives and museum (GLAM) sector as institutions were shut and travel and tourism became almost non-existent. Globally, cultural institutions large and small suddenly had to rely almost entirely on digital platforms to engage their missing audiences. Digital&hellip;<span class="activity-read-more" id="activity-read-more-1888684"><a href="https://hcommons.org/activity/p/1888684/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Maurizio Brancaleoni deposited Three Poems from Amelia Rosselli’s “Appunti sparsi e persi”  (English Translation by Maurizio Brancaleoni) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1886469/</link>
				<pubDate>Sat, 18 May 2024 03:00:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Amelia Rosselli (1930-1996) is considered one of the most important Italian poets of the past century. Born in Paris, she had to flee to Switzerland and then to the U.S. after the murder of her father and her uncle at the hands of Fascist militias. Back in Italy in the late 40s, in 1950 she settled in Rome, where she would spend the rest of her&hellip;<span class="activity-read-more" id="activity-read-more-1886469"><a href="https://hcommons.org/activity/p/1886469/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Behnam M. Fomeshi deposited برابری‌خواهی جنسیتی در شعر پروین اعتصامی؟ in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1884561/</link>
				<pubDate>Wed, 01 May 2024 03:19:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>در بررسی شعر فمنیستی فارسی معمولاً به نام فروغ فرخزاد، سیمین بهبهانی، طاهره قره‌العین، زندخت شیرازی و اخیراً ژاله عالم‌تاج قائم‌‌مقامی برمی‌خوریم و نام پروین اعتصامی (1285-1320ش) در چنین مباحثی مطرح نمی‌شود. آنچه پژوهشگران تا به اکنون دربارۀ شعر او در کانون توجه قرار داده‌اند جنبه‌های اجتماعی اشعار این شاعر و تلاش وی برای به تصویر کشیدن&hellip;<span class="activity-read-more" id="activity-read-more-1884561"><a href="https://hcommons.org/activity/p/1884561/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited Intercultural and Visual Art Transfer in Central Europe and the Balkans. Ruthenian-Ukrainian and Romanian Art from the 15th to the Early 19th Century in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1881045/</link>
				<pubDate>Thu, 28 Mar 2024 03:00:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>The book is part of the ERC Consolidator Grant RICONTRANS editorial programme (grant agreement no. 818791) and contains 11 studies on cultural and artistic transfers between the former Polish-Lithuanian Community and the Romanian territories (Moldova, Muntenia and Transylvania).</p>
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				<title>Oscar Perea-Rodriguez deposited La poesía de protesta medieval a través del cine de Hollywood, de los Monty Python y de la serie Juego de Tronos in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1880568/</link>
				<pubDate>Mon, 25 Mar 2024 03:01:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>El presente trabajo articula varias reflexiones sobre la poesía de protesta en la Castilla medieval y su representación en la pequeña y en la gran pantalla a través de tres referencias audiovisuales: un filme clásico del cine histórico de Hollywood, 'El valle de las espadas' ( 'The Castillian’, 1963); uno de los grandes éxitos humoríst&hellip;<span class="activity-read-more" id="activity-read-more-1880568"><a href="https://hcommons.org/activity/p/1880568/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alicia Mihalic deposited Digitisation of Historical Dress and Textile Collections: Facilitating Platforms for Accessibility, Preservation, and Research of Material Culture in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1876757/</link>
				<pubDate>Fri, 16 Feb 2024 03:00:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>By adopting new museological functions, surviving artefacts open up the possibility of illuminating complex interrelations between the lifecycle of humans and objects. Imbued with a unique and intimate material memory, historical textiles encapsulate evidence surrounding their conceptualisation, production, and consumption, as well as their&hellip;<span class="activity-read-more" id="activity-read-more-1876757"><a href="https://hcommons.org/activity/p/1876757/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Behnam M. Fomeshi deposited Parvin Etesami in the literary and religious context of twentieth-century Iran: a female poet’s challenge to patriarchy            Parvin Etesami in the literary and religious context of twentieth-century Iran: a female poet’s challenge to patriarchy            , by Zhinia Noorian, Leiden, Leiden University Press, 2023, 284 pp. €117.00, ISBN 9789087284121 in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1873210/</link>
				<pubDate>Fri, 26 Jan 2024 03:01:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>The volume provides readers with close reading—a dimension that has been notably neglected in most analyses of Iʿtiṣāmī’s poetry. The significance of Noorian's approach extends beyond such meticulous close readings; she equally emphasizes the contextualization of Iʿtiṣāmī's career within the broader framework of modern Iran. In this manner, the v&hellip;<span class="activity-read-more" id="activity-read-more-1873210"><a href="https://hcommons.org/activity/p/1873210/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited El «Libro de los pensamientos variables» como ejemplo de utopía y disidencia en el siglo XV in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1871932/</link>
				<pubDate>Mon, 22 Jan 2024 03:00:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>El artículo analiza una curiosa obra titulada «Libro de los pensamientos variables», mezcla de prosa y verso y compuesta entre 1488 y 1492, que se conserva en un solo manuscrito de la Biblioteca Nacional de España (MSS/6442). Tras resumirse su contenido y sus principales inf luencias literarias, se intenta identificar a su posible autor como el&hellip;<span class="activity-read-more" id="activity-read-more-1871932"><a href="https://hcommons.org/activity/p/1871932/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Schroeder deposited the moon, not the finger, pointing in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1871041/</link>
				<pubDate>Mon, 15 Jan 2024 03:00:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>The moon, not the finger, pointing is a sort of memoir – a collection of 67 lyric poems that trace the course of a life from the Texas Panhandle through Chicago to China and back, with the window open “because everybody knows / by now there is a poem out there.” In Chicago, “a street musician / plays Vivaldi on violin not two blocks from / a kid s&hellip;<span class="activity-read-more" id="activity-read-more-1871041"><a href="https://hcommons.org/activity/p/1871041/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited Icoana Sfântului Ioan Botezătorul cu scene din viață de la Budești‑Josani in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1870885/</link>
				<pubDate>Sat, 13 Jan 2024 03:01:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part&hellip;<span class="activity-read-more" id="activity-read-more-1870885"><a href="https://hcommons.org/activity/p/1870885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited Le patriarche Sylvestre d’Antioche, son disciple spirituel Constantin César Dapóntes et l’histoire de leurs icônes in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1870881/</link>
				<pubDate>Sat, 13 Jan 2024 03:01:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat&hellip;<span class="activity-read-more" id="activity-read-more-1870881"><a href="https://hcommons.org/activity/p/1870881/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited The Chronology of the Murals in the Râmeț Monastic Church (Alba County, Romania) Based on a Reevaluation of the Dating of the Narthex Inscription in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1870876/</link>
				<pubDate>Sat, 13 Jan 2024 03:00:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),&hellip;<span class="activity-read-more" id="activity-read-more-1870876"><a href="https://hcommons.org/activity/p/1870876/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Behnam M. Fomeshi deposited The Persian Whitman: Beyond a Literary Reception (translated into Persian by Mostafa Hosseini) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1869837/</link>
				<pubDate>Fri, 05 Jan 2024 03:01:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>ویتمن ایرانی: فراتر از پذیرش ادبی ــ که به پذیرش والت ویتمن، شاعر نامدار آمریکایی، در یک دورۀ تقریباً صد ساله در ایران معاصر می‌پردازد ــ دارای نُه فصل، مقدمه، مؤخره و ضمیمه است. کتابِ حاضر تحقیقی بینارشته‌ای است: از سویی ادبیات تطبیقی (پذیرش ادبی، تأثیرپژوهی و تصویرشناسی) و نقد ادبی (تاریخ‌گرایی نو)، و از سوی دیگر مطالعات ترجمه (ترجمه و ای&hellip;<span class="activity-read-more" id="activity-read-more-1869837"><a href="https://hcommons.org/activity/p/1869837/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alicia Colson deposited NFTs, AI, Ethics, and Indigenous Peoples. in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1868542/</link>
				<pubDate>Tue, 19 Dec 2023 03:05:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>The article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)</p>
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				<title>Alicia Colson deposited Do not make snap decisions about what you are seeing: how digital analysis of the images from the Canadian Shield highlights the difficulties in classifying shapes in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1868538/</link>
				<pubDate>Tue, 19 Dec 2023 03:04:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>The act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An&hellip;<span class="activity-read-more" id="activity-read-more-1868538"><a href="https://hcommons.org/activity/p/1868538/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alicia Colson deposited AI generated images, photography and visual documentary evidence as sources: Thoughts on Boris Eldagsen's Image, well 'photograph'. in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1868534/</link>
				<pubDate>Tue, 19 Dec 2023 03:03:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>Some thoughts on Boris Eldagsen's Image, well 'photograph', an AI generated image.</p>
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				<title>Alicia Colson deposited WHAT DO THESE SYMBOLS MEAN? A CRITICAL REVIEW OF THE IMAGES FOUND ON THE ROCKS OF THE CANADIAN SHIELD WITH SPECIFIC REFERENCE TO THE PICTOGRAPHS OF THE LAKE OF THE WOODS in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1868530/</link>
				<pubDate>Tue, 19 Dec 2023 03:03:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.</p>
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				<title>Seo-Young Chu deposited Hypnotic Ratiocination in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1867168/</link>
				<pubDate>Fri, 08 Dec 2023 03:01:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>Mesmerism provided Edgar Allan Poe with a framework in which to reimagine logical and poetic rigor.</p>
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				<title>Seo-Young Chu deposited "Science Fiction and Lyric Poetry" in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1865942/</link>
				<pubDate>Mon, 27 Nov 2023 03:00:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This piece explores connections between science fiction and lyric poetry.</p>
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				<title>Seo-Young Chu deposited "Generation Hwabyung Telepathy” and “A Resume of Traumas" in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1865878/</link>
				<pubDate>Sun, 26 Nov 2023 03:00:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>In "Generation Hwabyung Telepathy” and “A Resume of Traumas," the Korean American lyric speaker struggles with the pain of generational trauma that she has inherited from her father and from the grandfather she has never met.</p>
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				<title>Seo-Young Chu deposited Acts of Postmemory Han in the Key of the Children I Will Never Have in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1865875/</link>
				<pubDate>Sun, 26 Nov 2023 03:00:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this prose poem, the Korean American lyric speaker meets the ghosts of her ancestors, explores generational trauma, and lets her ancestors speak to and through her.</p>
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				<title>Oscar Perea-Rodriguez deposited La panadera del "Libro de buen amor" y las otras panaderas de la poesía medieval castellana in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1863007/</link>
				<pubDate>Mon, 30 Oct 2023 03:00:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Desde que el hispanista francés Félix Lecoy llamase en 1938 la atención sobre las<br />
peculiaridades de los papeles atribuidos a las mujeres en la obra de Juan Ruiz, numerosos<br />
trabajos académicos se han dedicado a esclarecer en lo posible las coordenadas históricas<br />
y literarias de esta presencia femenina en el Libro de buen amor, sobre todo en lo r&hellip;<span class="activity-read-more" id="activity-read-more-1863007"><a href="https://hcommons.org/activity/p/1863007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ana Dumitran deposited Russian Icons from Transylvania. Exhibition Catalogue in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1862611/</link>
				<pubDate>Thu, 26 Oct 2023 03:00:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>This publication is part of the project “Ricontrans – Visual Culture, Piety and Propaganda. Transfer and Reception of Russian Religious Art in the Balkans and the Eastern Mediterranean (16th to Early 20th Century)”, funded from the European Research Council (erc) under the European Union’s Horizon 2020 research and innovation programme (grant&hellip;<span class="activity-read-more" id="activity-read-more-1862611"><a href="https://hcommons.org/activity/p/1862611/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Chris Alen Sula started the topic Cluster hire: Asst Professor, "Diverse Voices Creating Just Futures" (Pratt) in the discussion Digital Art History</title>
				<link>https://hcommons.org/groups/digital-art-history/forum/topic/cluster-hire-asst-professor-diverse-voices-creating-just-futures-pratt/</link>
				<pubDate>Thu, 05 Oct 2023 21:16:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>Please see below for details about a tenure-track position in digital humanities in the History of Art &amp; Design</p>
<p>*********</p>
<p>Pratt Institute invites applications for a cluster of five new tenure-track faculty positions at the level of Assistant Professor, focused on “Diverse Voices Creating Just Futures.” We seek applicants from a range of dis&hellip;<span class="activity-read-more" id="activity-read-more-1860834"><a href="https://hcommons.org/groups/digital-art-history/forum/topic/cluster-hire-asst-professor-diverse-voices-creating-just-futures-pratt/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juuso Tervo deposited Uncanny Poetics of Education in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1860264/</link>
				<pubDate>Sun, 01 Oct 2023 03:00:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper was presented at "Encounters with the Uncanny in Education" seminar organized by Antti Saari, Jan Varpanen, and Johanna Kallio at University of Tampere. The seminar was part of their EnAct – Researching Environmental Activism and Self-Cultivation research project.</p>
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				<title>Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1859637/</link>
				<pubDate>Mon, 25 Sep 2023 18:04:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l&hellip;<span class="activity-read-more" id="activity-read-more-1859637"><a href="https://hcommons.org/activity/p/1859637/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Behnam M. Fomeshi deposited Sohrab Sepehri entry (2023) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1853138/</link>
				<pubDate>Sun, 30 Jul 2023 02:24:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Sohrab Sepehri (1928-1980), a celebrated Iranian poet and painter, extensively explored various countries, engaging with diverse artistic traditions and philosophical ideologies. His deep immersion into the mystical elements of Eastern cultures profoundly influenced his artistic works. Notably, his poetry’s environmental ethics distinguish him n&hellip;<span class="activity-read-more" id="activity-read-more-1853138"><a href="https://hcommons.org/activity/p/1853138/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Propaganda ideológica pro-Trastámara en el «Cancionero de Baena» in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851987/</link>
				<pubDate>Mon, 17 Jul 2023 02:28:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>De entre las muchas y generosas lecciones que el maestro don Julio Valdeón ha brindado al medievalismo hispánico destacaremos aquella que fundamentará las páginas siguientes: la importancia de la propaganda ideológica favorable a la dinastía Trastámara durante la guerra civil castellana entre los años 1366 y 1371.  Este conflicto fratric&hellip;<span class="activity-read-more" id="activity-read-more-1851987"><a href="https://hcommons.org/activity/p/1851987/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Juan Álvarez Gato en la villa y corte literaria del Madrid tardomedieval in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851983/</link>
				<pubDate>Mon, 17 Jul 2023 02:28:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Aún en la actualidad, cinco siglos más tarde de que fuese escrito, todavía impresiona la honrada confesión con la que Juan Álvarez Gato cerraba su cancionero particular, rematando los folios en los que había recopilado todo su acervo lírico con una singular confidencia poética. A través de ella, el hombre maduro y el poeta veterano renegaba&hellip;<span class="activity-read-more" id="activity-read-more-1851983"><a href="https://hcommons.org/activity/p/1851983/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Francisco Hernández Coronel, poeta converso del «Cancionero general» in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851978/</link>
				<pubDate>Mon, 17 Jul 2023 02:27:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Quizá Don Eloy sea bastante ajeno a la admiración que despertaba entre los jóvenes estudiantes, allá por los años finales de la pasada centuria, uno de sus trabajos menores, entendiendo ‘menor’ no por lo que se refiere a su valía (que en absoluto es nimia), sino sólo para separarlo, en cuanto a extensión y objetivos, de su scripta maiora. Nos&hellip;<span class="activity-read-more" id="activity-read-more-1851978"><a href="https://hcommons.org/activity/p/1851978/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Una posible corte literaria del siglo XV: la de Beltrán de la Cueva, Duque de Alburquerque in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851974/</link>
				<pubDate>Mon, 17 Jul 2023 02:27:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>En uno de sus breves pero densos artículos, donde su siempre certera pluma se afilaba hasta el punto de transformarse con harta frecuencia en daga hiriente, Miguel de Unamuno realizaba una ácida declaración en contra de lo que él denominaba como «la plaga del literatismo», centrando sus críticas en las reuniones de literatos, bien fuese median&hellip;<span class="activity-read-more" id="activity-read-more-1851974"><a href="https://hcommons.org/activity/p/1851974/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Las rúbricas cancioneriles y la identificación de poetas de los siglos XV y XVI in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851967/</link>
				<pubDate>Mon, 17 Jul 2023 02:25:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>El estudio de las rúbricas de los cancioneros ha sido uno de los campos más fructíferos en los últimos años de la investigación sobre lírica cancioneril medieval y renacentista, de suerte que, en la actualidad, contamos con una amplia lista de trabajos destinados a este elemento paratextual, destacando de forma en especial su importancia para e&hellip;<span class="activity-read-more" id="activity-read-more-1851967"><a href="https://hcommons.org/activity/p/1851967/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Lírica anticonversa de los siglos XV y XVI: el Credo glosado contra los judíos, de Juan de Carvajal in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851951/</link>
				<pubDate>Mon, 17 Jul 2023 02:24:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Desde el pionero trabajo de Glaser sobre el contenido antisemita de la literatura española de los siglos XV y XVI,  que continuaba la abierta por las teorías de Américo Castro al respecto,  la comunidad académica ha dedicado parte de sus esfuerzos a incrementar el conocimiento de temas y obras relacionadas de alguna u otra forma con lo que, sig&hellip;<span class="activity-read-more" id="activity-read-more-1851951"><a href="https://hcommons.org/activity/p/1851951/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited De Castillo a Dutton: Cinco siglos de cancioneros in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851898/</link>
				<pubDate>Sun, 16 Jul 2023 02:26:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>La idea de este número monográfico nació en el I Seminario sobre poesía<br />
cancioneril que tuvo lugar en la Universidade da Coruña entre el 28 y el<br />
30 de mayo de 2008, al amparo de uno de los proyectos de investigación<br />
sobre el Cancionero de Palacio que desde allí se llevan a cabo.1 Desde el<br />
comité editorial de La corónica se consideró el interé&hellip;<span class="activity-read-more" id="activity-read-more-1851898"><a href="https://hcommons.org/activity/p/1851898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited "Quebrantar la jura de mis abuelos": Los conversos en los cancioneros castellanos del tardío medievo (1454-1504) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851894/</link>
				<pubDate>Sun, 16 Jul 2023 02:25:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>La consideración de la poesía de cancionero castellana de la Baja Edad Media como la lírica de los Trastámara se debe,  en principio, a la cuasi exacta coincidencia cronológica entre el esplendor de esta moda lírica con el casi siglo y medio en que los miembros de esta dinastía ciñeron las coronas de Castilla y de Aragón. Pero también participa&hellip;<span class="activity-read-more" id="activity-read-more-1851894"><a href="https://hcommons.org/activity/p/1851894/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Pesca y pescadores en los cancioneros medievales castellanos in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851889/</link>
				<pubDate>Sun, 16 Jul 2023 02:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>La presencia en la literatura medieval europea de la actividad de la pesca es de<br />
amplísimo calado, especialmente su uso como parábola enriquecida con un, asimismo,<br />
amplio espectro de significados. La sola presencia del enigmático Rey<br />
Pescador de las leyendas artúricas y sus profundas relaciones con el folclore céltico<br />
y la literatura grec&hellip;<span class="activity-read-more" id="activity-read-more-1851889"><a href="https://hcommons.org/activity/p/1851889/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Marina de Aragón, la Sin Ventura Princesa de Salerno, la más bella dama de los cancioneros castellanos in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851885/</link>
				<pubDate>Sun, 16 Jul 2023 02:24:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>En el tránsito entre los siglos XV y XVI, cuando el mundo de la diplomacia, tal como hoy lo entendemos, comenzaba a dar sus primeros pasos, las cartas que se esgrimían entre los reinos y territorios europeos para firmar tratados, alianzas y treguas eran de muy diverso calado. Una de las líneas de acción principales en esta política dipl&hellip;<span class="activity-read-more" id="activity-read-more-1851885"><a href="https://hcommons.org/activity/p/1851885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Francisco Vidal de Noya, obispo de Cefalú: clérigo, humanista y poeta al servicio del Rey Católico in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851846/</link>
				<pubDate>Sat, 15 Jul 2023 02:29:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Uno de los tópicos más habitualmente manejados alrededor de la figura del joven Fernando II de Aragón es la ausencia de una educación esmerada en el campo de las artes y las letras, la habitual en su época, junto a las inherentes lecciones militares, para todos los miembros del estamento regio. Se puede hablar de Lucio Marineo Sículo, el conoc&hellip;<span class="activity-read-more" id="activity-read-more-1851846"><a href="https://hcommons.org/activity/p/1851846/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited El «Cancionero de Baena» como fuente historiográfica de la Baja Edad Media castellana: el ejemplo de Ruy López Dávalos in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851841/</link>
				<pubDate>Sat, 15 Jul 2023 02:28:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>A pesar de que se trate de una tremenda obviedad, es obligado comenzar estas líneas destacando la forma totalmente distinta en que los historiadores se aproximan a una fuente escrita, los cancioneros castellanos, que, en principio, está destinada a ser campo de trabajo para el filólogo. Por encima del texto, por encima de la indudable riqueza fi&hellip;<span class="activity-read-more" id="activity-read-more-1851841"><a href="https://hcommons.org/activity/p/1851841/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited «Quebrantar la jura de mis abuelos»: los conversos en los primeros cancioneros castellanos medievales (1396-1454) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851830/</link>
				<pubDate>Sat, 15 Jul 2023 02:27:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>No por ser una cita conocida, casi canónica, hay que dejar de mencionar que en la descripción inicial realizada por Miguel de Cervantes de su ingenioso protagonista, buena parte de la cualidad de hidalguía que adornaba al bueno de Alonso Quijano viene precisamente implícita en un régimen dietético que constaba de una olla de algo más vaca que ca&hellip;<span class="activity-read-more" id="activity-read-more-1851830"><a href="https://hcommons.org/activity/p/1851830/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Las ‘invenciones y letras’ de Luis de Torres, poeta giennense del «Cancionero general» in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851825/</link>
				<pubDate>Sat, 15 Jul 2023 02:26:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>En el bien conocido Romance de Durandarte (ID 0882, 11CG-465 fol. 137r: “Durandarte, Durandarte”)2, una de las más famosas y bien estudiadas piezas de nuestro romancero medieval (Dumanoir), su anónimo autor se atrevió a poner una amarga queja en boca de la dama declamante de los versos. Antes servida y amada mas ahora despechada, nuestra quejum&hellip;<span class="activity-read-more" id="activity-read-more-1851825"><a href="https://hcommons.org/activity/p/1851825/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Poetas portugueses en el Cancionero general (1511) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851814/</link>
				<pubDate>Sat, 15 Jul 2023 02:25:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>El maestro Brian Dutton, en su Cancionero castellano del Siglo XV,  incluyó también el Cancioneiro geral portugués (1516)  recopilado por el polígrafo García de Resende. Las muchas composiciones del Cancioneiro geral compuestas en castellano, así como la existencia de cierta similitud cultural en el espacio común de la Península Ibérica, hacen po&hellip;<span class="activity-read-more" id="activity-read-more-1851814"><a href="https://hcommons.org/activity/p/1851814/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Sobre la datación cronológica de las «Obras de burlas» del Cancionero general in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851810/</link>
				<pubDate>Sat, 15 Jul 2023 02:24:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>De todas las divisiones mediante las que Hernando del Castillo organizó su cancionero, la de Obras de burlas provocantes a risa es una de las más peculiares por varios motivos que sería largo describir. Dejaremos conscientemente al margen todas las aportaciones que tienen que ver con el papel de esta sección en el diseño de la tipología canci&hellip;<span class="activity-read-more" id="activity-read-more-1851810"><a href="https://hcommons.org/activity/p/1851810/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Behnam M. Fomeshi deposited ادبیات تطبیقی و مطالعات ترجمه: از تقابل تا تعامل in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851312/</link>
				<pubDate>Sat, 08 Jul 2023 02:23:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comparative Literature and Translation Studies have so far expanded the frontiers of their own disciplines beyond their traditional conventional sense. Individually or in cooperation with the other, either discipline can lead to a more comprehensive understanding of literatures and cultures. The synergy between the two disciplines through bringing&hellip;<span class="activity-read-more" id="activity-read-more-1851312"><a href="https://hcommons.org/activity/p/1851312/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Enrique IV de Castilla en la poesía de cancionero: algún afán ignorado entre las mil congoxas conocidas in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1851012/</link>
				<pubDate>Tue, 04 Jul 2023 02:25:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Uno de los muchos manuscritos de la Crónica de Enrique IV de Enríquez<br />
del Castillo,1 en concreto el que hoy reposa en la Biblioteca de El Escorial<br />
(X.II.15), se abre con unos curiosos versos seguramente redactados por el<br />
anónimo amanuense autor de esta copia, fechada en la primera mitad del<br />
siglo XVI.2 El poemita, que creo es inédito (algo lóg&hellip;<span class="activity-read-more" id="activity-read-more-1851012"><a href="https://hcommons.org/activity/p/1851012/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Oscar Perea-Rodriguez deposited Censo de ejemplares de las ediciones del Cancionero general 2.0 in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1850735/</link>
				<pubDate>Fri, 30 Jun 2023 02:24:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Versión actualizada de la anterior versión (2014) del censo de ejemplares del 'Cancionero general' de Hernando del Castillo, con la incorporación de seis copias más de las dos ediciones impresas en Amberes por Martín Nucio en los años 1557 y 1573.</p>
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				<title>Oscar Perea-Rodriguez deposited Jews and Conversos in Spanish Cancioneros and Portuguese Cancioneiros (c. 1350-1520) in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1850561/</link>
				<pubDate>Thu, 29 Jun 2023 02:25:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter presents the significance of both Spanish cancioneros and Portuguese cancioneiros for the scholarly examination of medieval Jewish history and literature on the Iberian Peninsula. Through a close integration of historiographical and literary analysis, all major cancioneros are examined and contextualized based on exemplary&hellip;<span class="activity-read-more" id="activity-read-more-1850561"><a href="https://hcommons.org/activity/p/1850561/" rel="nofollow ugc">[Read more]</a></span></p>
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