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	<title>Knowledge Commons | Anna Nekola | Group Activity</title>
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	<description>Public group activity feed of which Anna Nekola is a member.</description>
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				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/cfp-2026-mla-convention-16/</link>
				<pubDate>Tue, 04 Feb 2025 22:48:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
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				<guid isPermaLink="false">e66c645b49b99ca26a968b8b3eea4b5d</guid>
				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1899092/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Much of today's research into the nature of musical pleasure can be divided into two distinct areas - the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899092"><a href="https://hcommons.org/activity/p/1899092/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6303fea6fbd2a06a17b4091d97340553</guid>
				<title>Gavin Herzig deposited Time Heals All Wounds: The Time Loop Beyond Groundhog Day, Disability, and Higurashi Gou and Sotsu (2020-21) in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1896641/</link>
				<pubDate>Sun, 18 Aug 2024 03:00:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Linear time is out of joint with and oppressive to alternate bodies, minds, and lives in a plethora of ways. In recent years, critical interventions such as Alison Kafer’s crip time and Elizabeth Freeman’s chrononormativity have revealed the oppressive force of time on marginalised groups. The time loop structure inherently complicates the lin&hellip;<span class="activity-read-more" id="activity-read-more-1896641"><a href="https://hcommons.org/activity/p/1896641/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cccb65ee978b8dc40aa6313c76b0ec3a</guid>
				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1896377/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896377"><a href="https://hcommons.org/activity/p/1896377/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c3b66849dde3b35c4b74490db101001b</guid>
				<title>Patrick Eisenlohr deposited Sonic atmospheres in Mauritian devotional Islam: Sensing transoceanic connections in a Creole society in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884700/</link>
				<pubDate>Wed, 01 May 2024 03:31:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Movement constitutes transoceanic spaces such as the Indian Ocean world. Sonic practices as atmospheres make such multilayered movements and connections palpable. The recitation of naʻt among Mauritian Muslims is an example of how sound and sonic practices can provide somatic evidence for transoceanic links in the Indian Ocean world. It is argued&hellip;<span class="activity-read-more" id="activity-read-more-1884700"><a href="https://hcommons.org/activity/p/1884700/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fd7198dab9e3df44922471ef354e76a9</guid>
				<title>Patrick Eisenlohr deposited Atmospheres: The multisensoriality of spatially extended emotions in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884697/</link>
				<pubDate>Wed, 01 May 2024 03:31:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I introduce an analytic of atmosphere as a way to bridge the gap between the phenomenology of the felt-body and the anthropology of the senses. This analytic of atmospheres as multisensoriality partially aligns with, but also differs from other anthropological approaches to multisensoriality or the anthropology of the senses.&hellip;<span class="activity-read-more" id="activity-read-more-1884697"><a href="https://hcommons.org/activity/p/1884697/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fd86ffaca9f3dd047290d7b65ff6f028</guid>
				<title>Patrick Eisenlohr deposited Sound, Voice, and the Felt Body in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884661/</link>
				<pubDate>Wed, 01 May 2024 03:28:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>As the meeting ground of language, the body, and subjectivity, voice has become a key con- cept in the humanities and social sciences. Nevertheless, analyses of the voice that do justice to all these three dimensions are rare. This also applies to linguistic anthropological work on the voice, whose main strength is investigating the interplay of&hellip;<span class="activity-read-more" id="activity-read-more-1884661"><a href="https://hcommons.org/activity/p/1884661/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">116ff10cd548994627fd53817cbe8df2</guid>
				<title>Patrick Eisenlohr deposited Sonic religion: The analysis of atmospheric half-things in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1884658/</link>
				<pubDate>Wed, 01 May 2024 03:27:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The chapter discusses work on sonic religion and the challenges it has encountered in coming to terms with sonic materiality. The study of material religion has so far been predominantly focused on objects, things, and images. The sonic, however, cannot be grasped by approaches suited to the latter phenomena. It is argued that its special kind of&hellip;<span class="activity-read-more" id="activity-read-more-1884658"><a href="https://hcommons.org/activity/p/1884658/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">116ff10cd548994627fd53817cbe8df2</guid>
				<title>Patrick Eisenlohr deposited Sonic religion: The analysis of atmospheric half-things in the group Historical Soundscape Studies</title>
				<link>https://hcommons.org/activity/p/1884657/</link>
				<pubDate>Wed, 01 May 2024 03:27:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The chapter discusses work on sonic religion and the challenges it has encountered in coming to terms with sonic materiality. The study of material religion has so far been predominantly focused on objects, things, and images. The sonic, however, cannot be grasped by approaches suited to the latter phenomena. It is argued that its special kind of&hellip;<span class="activity-read-more" id="activity-read-more-1884657"><a href="https://hcommons.org/activity/p/1884657/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3bfb2f941f3b6dffd31463153e1b783a</guid>
				<title>Claus Tieber deposited Screenwriting sound and music: Towards a new field of study in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1882924/</link>
				<pubDate>Fri, 12 Apr 2024 03:01:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Extensive research in film and media studies on film music and sound has delved into various aspects of their role in cinema, recognizing their significance. However, a crucial element in film production – the screenplay – has often been overlooked in the exploration of sound and music integration. Concurrently, studies on screenwriting have dis&hellip;<span class="activity-read-more" id="activity-read-more-1882924"><a href="https://hcommons.org/activity/p/1882924/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f3439958032d5265c64c286834629813</guid>
				<title>Joao Silva deposited Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal in the group Historical Soundscape Studies</title>
				<link>https://hcommons.org/activity/p/1879676/</link>
				<pubDate>Sat, 16 Mar 2024 03:00:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese p&hellip;<span class="activity-read-more" id="activity-read-more-1879676"><a href="https://hcommons.org/activity/p/1879676/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dc314049bc8d0b62b1b2a731882e91bf</guid>
				<title>Paulino Capdepon deposited CONMEMORACIONES DEL PRIMER CENTENARIO DE LUDWIG VAN BEETHOVEN EN MADRID (1927): LA ACTIVIDAD ORQUESTAL in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875795/</link>
				<pubDate>Sun, 11 Feb 2024 03:02:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 1927, Madrid experienced a great musical activity to celebrate the first anniversary of Beethoven's death. This chapter focuses on the activities organized by orchestras, societies, associations, etc., and their reflection in the press of that time. Critics from the main Madrid newspapers such as Adolfo Salazar, Juan José Mantecón, Víctor Es&hellip;<span class="activity-read-more" id="activity-read-more-1875795"><a href="https://hcommons.org/activity/p/1875795/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4c8203a222ffd963d0abeb97edb6ef81</guid>
				<title>Paulino Capdepon deposited EL ESTRENO DE LA NOVENA SINFONÍA EN RE MENOR OPUS 125 DE BEETHOVEN EN ESPAÑA (1882): HISTORIA Y RECEPCIÓN in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1875791/</link>
				<pubDate>Sun, 11 Feb 2024 03:01:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>The premiere in 1882 of the Ninth Symphony by the German composer Ludwig van Beethoven (1770-1827) at the Teatro Principal in Madrid marked a significant historical and musical milestone for the history of Spanish symphonic music. Until then, the reception of the great German composer in Spain had been limited since the 1840s to individual&hellip;<span class="activity-read-more" id="activity-read-more-1875791"><a href="https://hcommons.org/activity/p/1875791/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7c8c657a39d703b753c1ae2849503746</guid>
				<title>Eric Dienstfrey deposited "Introduction" from Making Stereo Fit: The History of a Disquieting Film Technology in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1863577/</link>
				<pubDate>Sat, 04 Nov 2023 03:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to&hellip;<span class="activity-read-more" id="activity-read-more-1863577"><a href="https://hcommons.org/activity/p/1863577/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a9358875e80710245073548c4944439b</guid>
				<title>Cristian Martinez Vega created the doc Database Report 2022 - International Society for Chilean Music (SIMUC) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1862284/</link>
				<pubDate>Sat, 21 Oct 2023 03:55:20 -0400</pubDate>

				
				
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				<guid isPermaLink="false">c0edb8d487b1b857c8d1a016c7d9907c</guid>
				<title>Bernd Brabec deposited Auditive Wissenskulturen: Wissen, Macht und die Welt der Klänge in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1856724/</link>
				<pubDate>Mon, 28 Aug 2023 01:11:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>In der Einleitung zum Sammelband Auditive Wissenskulturen – Das Wissen klanglicher Praxis stellen die Autoren zuerst die Diskrepanzen der jeweiligen Beziehungen des Visuellen und des Auditiven zu Wissen anhand einiger Beispiele vor. Sie exemplifzieren auch, wie sowohl auditive Praxis als auch die Hervorbringung und Vermittlung von Wissen in s&hellip;<span class="activity-read-more" id="activity-read-more-1856724"><a href="https://hcommons.org/activity/p/1856724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8211f9bad911e2a9703f1d3ea282096c</guid>
				<title>Naomi Lawson Jacobs deposited Speaking With Us, Not For Us: Neurodiversity, Theology and Justice in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1853077/</link>
				<pubDate>Sat, 29 Jul 2023 02:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>To belong in the Christian tradition, we must be able to contribute to it. Yet neurodivergent Christians have rarely been enabled to tell our own stories about ourselves as a vital part of God’s (neuro)diverse creation. In common with other autism research, academic theology is framed by pathologizing clinical paradigms of autism; neurodivergent p&hellip;<span class="activity-read-more" id="activity-read-more-1853077"><a href="https://hcommons.org/activity/p/1853077/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">44ed83c7c25f374a237bc134b88ba0e8</guid>
				<title>Eric Dienstfrey deposited Synch Holes and Patchwork in Early Feature-Film Scores in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852310/</link>
				<pubDate>Thu, 20 Jul 2023 02:25:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.</p>
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				<guid isPermaLink="false">f1463f2949ddd5c12d0ec8a428d29b0f</guid>
				<title>Eric Dienstfrey deposited Tape Recording Hollywood: The Inaudibility of New Film Sound Technology in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852307/</link>
				<pubDate>Thu, 20 Jul 2023 02:24:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f&hellip;<span class="activity-read-more" id="activity-read-more-1852307"><a href="https://hcommons.org/activity/p/1852307/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">915f3633dbc3d07b8a40b0f50f0abd26</guid>
				<title>Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852304/</link>
				<pubDate>Thu, 20 Jul 2023 02:24:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c&hellip;<span class="activity-read-more" id="activity-read-more-1852304"><a href="https://hcommons.org/activity/p/1852304/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8aab43c04ad59e42c274bb0993ec8ff5</guid>
				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852217/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852217"><a href="https://hcommons.org/activity/p/1852217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eaec9d0d9e5e74ff697a28daa4884424</guid>
				<title>Adrian Curtin started the topic CfP for online symposium: The Experimental Orchestra (December 13, 2023) in the discussion Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/cfp-for-online-symposium-the-experimental-orchestra-december-13-2023/</link>
				<pubDate>Tue, 18 Jul 2023 12:22:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Event date: December 13, 2023</p>
<p>Submission deadline: September 1, 2023</p>
<p>Orchestras around the world are conducting experiments related to performance, to the constitution of the orchestra, and to its operation. Professional classical music ensembles, like many other organisations and institutions in the cultural sector, face an existential&hellip;<span class="activity-read-more" id="activity-read-more-1852127"><a href="https://hcommons.org/groups/music/forum/topic/cfp-for-online-symposium-the-experimental-orchestra-december-13-2023/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c34146f5b33c25d77f5250a8d936f059</guid>
				<title>Joel Edelman deposited Clarifying Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1850890/</link>
				<pubDate>Sun, 02 Jul 2023 02:24:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance.  Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism.  Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1850890"><a href="https://hcommons.org/activity/p/1850890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota started the topic New Movie: Frankenstein (musical) based on Mary Shelley's novel in the discussion Music</title>
				<link>https://hcommons.org/groups/music/forum/topic/new-movie-frankenstein-musical-based-on-mary-shelleys-novel-3/</link>
				<pubDate>Sat, 27 May 2023 04:49:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>I'm excited to tell you that my musical, "Frankenstein" that played Off-Broadway in NY for 3 years, was adapted for screen, with an expanded score and orchestration.  It was just released this week and is available on <a href="https://www.StreamingMusicals.com/film/frankenstein/" rel="nofollow ugc">StreamingMusicals.com</a>  or from the website <a href="https://TheFrankensteinMusical.com" rel="nofollow ugc">https://TheFrankensteinMusical.com</a></p>
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				<guid isPermaLink="false">fca73e1b06cb814162ef807ff501f2b6</guid>
				<title>Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839775/</link>
				<pubDate>Wed, 05 Apr 2023 02:26:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I&hellip;<span class="activity-read-more" id="activity-read-more-1839775"><a href="https://hcommons.org/activity/p/1839775/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f44c2b608692388f0e3c01e27c453e39</guid>
				<title>Eric Dienstfrey deposited Under the Standard: MGM, AT&#38;T, and the Academy's Regulation of Power in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839772/</link>
				<pubDate>Wed, 05 Apr 2023 02:25:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow&hellip;<span class="activity-read-more" id="activity-read-more-1839772"><a href="https://hcommons.org/activity/p/1839772/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839763/</link>
				<pubDate>Wed, 05 Apr 2023 02:25:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I&hellip;<span class="activity-read-more" id="activity-read-more-1839763"><a href="https://hcommons.org/activity/p/1839763/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Dienstfrey deposited Under the Standard: MGM, AT&#38;T, and the Academy's Regulation of Power in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1839759/</link>
				<pubDate>Wed, 05 Apr 2023 02:24:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow&hellip;<span class="activity-read-more" id="activity-read-more-1839759"><a href="https://hcommons.org/activity/p/1839759/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1836479/</link>
				<pubDate>Mon, 06 Mar 2023 02:28:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive&hellip;<span class="activity-read-more" id="activity-read-more-1836479"><a href="https://hcommons.org/activity/p/1836479/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fb60be60ed031d7ebe9bdb974cabec3f</guid>
				<title>Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1836394/</link>
				<pubDate>Sun, 05 Mar 2023 02:27:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p&hellip;<span class="activity-read-more" id="activity-read-more-1836394"><a href="https://hcommons.org/activity/p/1836394/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1836014/</link>
				<pubDate>Fri, 03 Mar 2023 02:24:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines&hellip;<span class="activity-read-more" id="activity-read-more-1836014"><a href="https://hcommons.org/activity/p/1836014/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1c0d145c95f19ef3eb0348ecefd89135</guid>
				<title>Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834447/</link>
				<pubDate>Wed, 15 Feb 2023 02:28:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>The celebration of the "Beethoven Year" in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid's leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,&hellip;<span class="activity-read-more" id="activity-read-more-1834447"><a href="https://hcommons.org/activity/p/1834447/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c105a98ee3f016a98fad66cd0dbb7372</guid>
				<title>Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834441/</link>
				<pubDate>Wed, 15 Feb 2023 02:26:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.</p>
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				<title>Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834310/</link>
				<pubDate>Tue, 14 Feb 2023 02:33:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>Article about the biography and musical output of the Italian composer Doomenico Scarlatti</p>
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				<title>Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834299/</link>
				<pubDate>Tue, 14 Feb 2023 02:31:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is&hellip;<span class="activity-read-more" id="activity-read-more-1834299"><a href="https://hcommons.org/activity/p/1834299/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited Articles ‘Carreño, Teresa’, ‘Colbrán, Isabella’ y ‘Viardot Garcia, Pauline’, in Lexikon Musik und Gender in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834105/</link>
				<pubDate>Mon, 13 Feb 2023 02:29:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dictionary articles in Lexicon about women musicians</p>
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				<title>Patrick Eisenlohr deposited Atmospheric resonance: Sonic motion and the question of religious mediation in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1834093/</link>
				<pubDate>Mon, 13 Feb 2023 02:26:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Because of its material characteristics, the sonic poses a challenge to the influential paradigm of religion as mediation. This article makes a case for a neo-phenomenological analytic of atmospheres in order to do justice to the sonic in anthropological approaches to religion. Approaching the sonic as atmospheric half-things, I propose a&hellip;<span class="activity-read-more" id="activity-read-more-1834093"><a href="https://hcommons.org/activity/p/1834093/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paulino Capdepon deposited L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1833954/</link>
				<pubDate>Sun, 12 Feb 2023 02:28:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>Study about the construction of organs in North Spain by Cavaillé-Coll (19th century)</p>
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				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1832898/</link>
				<pubDate>Mon, 06 Feb 2023 02:24:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<guid isPermaLink="false">e240d24ec0f8f65223e0158bf1570a27</guid>
				<title>Christopher Griffin deposited Relationalities of Refusal: Neuroqueer Disidentification and Post-Normative Approaches to Narrative Recognition in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1829528/</link>
				<pubDate>Fri, 13 Jan 2023 02:26:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>The proliferation of work by autistic writers continues apace, defying a long and multidisciplinary tradition of constructing autistic people as lacking the capacity for narration. To study neurodivergent literature, then, is to witness the refusal of these exclusionary narrative conventions, and to register the ideological presuppositions that&hellip;<span class="activity-read-more" id="activity-read-more-1829528"><a href="https://hcommons.org/activity/p/1829528/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Griffin deposited On Relationalities: Politics, Narrative, Sociality (Call for Papers) in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1829521/</link>
				<pubDate>Fri, 13 Jan 2023 02:25:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>A one-day hybrid symposium to be hosted by the Centre for Applied Philosophy, Politics and Ethics (CAPPE) at the University of Brighton (UK). Date: Wednesday 5 April 2023. Location: University of Brighton, City Campus, M2, and online. Keynote speaker: Dr Leticia Sabsay (LSE). Deadline for abstracts: Friday 24 February 2023. Please see poster for&hellip;<span class="activity-read-more" id="activity-read-more-1829521"><a href="https://hcommons.org/activity/p/1829521/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Christopher Griffin started the topic CfP: On Relationalities: Politics, Narrative, Sociality in the discussion Critical Disability Studies</title>
				<link>https://hcommons.org/groups/critical-disability-studies/forum/topic/cfp-on-relationalities-politics-narrative-sociality-2/</link>
				<pubDate>Sun, 08 Jan 2023 21:40:46 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>On Relationalities: Politics, Narrative, Sociality</strong></p>
<p>A one-day hybrid symposium to be hosted by the Centre for Applied Philosophy, Politics and Ethics (CAPPE) at the University of Brighton (UK).</p>
<p>Date: Wednesday 5 April 2023</p>
<p>Location: University of Brighton, City Campus, M2, and online</p>
<p>Keynote speaker: Dr Leticia Sabsay (LSE)</p>
<p>Deadline&hellip;<span class="activity-read-more" id="activity-read-more-1828823"><a href="https://hcommons.org/groups/critical-disability-studies/forum/topic/cfp-on-relationalities-politics-narrative-sociality-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luís Henriques deposited A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII in the group Historical Soundscape Studies</title>
				<link>https://hcommons.org/activity/p/1825597/</link>
				<pubDate>Thu, 08 Dec 2022 02:23:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>A celebração de novenas, septenários e trezenas foi uma importante manifestação de devoção popular desde o século XVIII. O repertório musical composto para estas ocasiões desenvolveu-se por todas as camadas da sociedade com vários graus de complexidade, permeando a língua vernácula os textos latinos, sobretudo nos momentos das jaculatórias&hellip;<span class="activity-read-more" id="activity-read-more-1825597"><a href="https://hcommons.org/activity/p/1825597/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Melle Jan Kromhout deposited 'Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1822656/</link>
				<pubDate>Thu, 17 Nov 2022 02:24:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the revolutin in media within music based on Friedrich Kittler's work. It highlights Kittler's musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen&hellip;<span class="activity-read-more" id="activity-read-more-1822656"><a href="https://hcommons.org/activity/p/1822656/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1818819/</link>
				<pubDate>Thu, 27 Oct 2022 02:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>The age-old search for an understanding of "consonance" has been hobbled from the beginning by the expectation that a silver bullet can be found.  In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of&hellip;<span class="activity-read-more" id="activity-read-more-1818819"><a href="https://hcommons.org/activity/p/1818819/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ryan Lee Cartwright deposited Sissies, Loafers, and the Feebleminded in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1818412/</link>
				<pubDate>Sat, 22 Oct 2022 02:24:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focusing on rural white communities in the early twentieth century, this article examines how disability, queerness, and economic estrangement were intertwined in American eugenic assessments of the “unfit.” In doing so, it attends to the knotty relations of power by which such communities were simultaneously adjudged deviant and bestowed with the&hellip;<span class="activity-read-more" id="activity-read-more-1818412"><a href="https://hcommons.org/activity/p/1818412/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Tekla Babyak deposited Teaching Music and Disability Through Disclosure-Oriented Pedagogy in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1793077/</link>
				<pubDate>Wed, 07 Sep 2022 02:24:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this paper, presented at the 2022 H-Net Teaching Conference, I describe how I teach undergraduate students about disability in music through what I call disclosure-oriented pedagogy. This practice involves demonstrating cross-historical comparisons between my lived experiences of disability and the representations of disability in 19th-century&hellip;<span class="activity-read-more" id="activity-read-more-1793077"><a href="https://hcommons.org/activity/p/1793077/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7fe239c363b28895094bbbee989dac04</guid>
				<title>Amel Abbady deposited The Intersections of Masculinity and Disability in Khaled Hosseini᾿s A Thousand Splendid Suns and Leila Aboulela᾿s Lyrics Alley in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1789198/</link>
				<pubDate>Sun, 31 Jul 2022 03:48:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract of my full article published on disability and masculinity in the Global South.</p>
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				<title>Patrick Eisenlohr deposited Atmospheric citizenship: Sonic movement and public religion in Shi‘i Mumbai in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1776435/</link>
				<pubDate>Thu, 31 Mar 2022 02:25:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>In Mumbai the sonic dimensions of place‐making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban pla&hellip;<span class="activity-read-more" id="activity-read-more-1776435"><a href="https://hcommons.org/activity/p/1776435/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anita Z Goldschmied deposited Structuring your choices: the literature review road-map in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1769167/</link>
				<pubDate>Wed, 26 Jan 2022 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>The article is an example of a visual map of the literature review on a page. Such a road-map or concept map structures the literature and helps readers grasp the key threads and messages, including the theoretical positioning of your review. This review looked at the genealogy of hidden dis/ability based on Latour's and Baudrillard's work.</p>
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