AboutCurrently working on a PhD looking at the 14th century Inchcolm Antiphoner, analysing musical sources, re-composition, and textual formation. Interested in many things termed ‘Early Music’.
EducationMMus (R) 2017. University of Glasgow
Work Shared in CORE
‘Diasporic music and musicians: Scottish national music in later eighteenth-century London
.’ (2021), Journal of the Northern Renaissance, Issue 11
‘“Am I Not a Woman Like Thyself?” – The Transvestite Male Rapist Narratives of Óðinn and Rindr, and Ewen and Thaney’
‘The Adaptation of Saint’s Lives in Medieval Chant: Remembrance and Request’
(2018) in Dom Birch, Kelly Clarke, and Katie Haworth (eds.) Imitation and Innovation: Uses of the Past in the Medieval and Early Modern World. Proceedings of the 2017 MEMSA Student Conference,
The Conductus of W1: an investigation into their history and rhythm. (2017). MMus(R) thesis, University of Glasgow.
‘Inferring the placement of a bardic school in 13th to 15th century Lennox, Scotland, through harp wood types
’ (2016) Fellowship of Makers and Researchers of Historical Instruments Quarterly
. Issue 134, pp. 24-27.
– Funded by the Scottish Graduate School for the Arts and Humanities’ Scottish University Research Collections Associate Scheme. A project exploring the often-overlooked music found in the margins and images of manuscripts, stored at the Universities of Glasgow and St Andrews.
MembershipsRoyal Musical Association