<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Knowledge Commons | Andrea Puentes-Blanco | Group Activity</title>
	<link>https://hcommons.org/members/andreapuentes01/activity/groups/</link>
	<atom:link href="https://hcommons.org/members/andreapuentes01/activity/groups/feed/" rel="self" type="application/rss+xml" />
	<description>Public group activity feed of which Andrea Puentes-Blanco is a member.</description>
	<lastBuildDate>Sat, 04 Apr 2026 11:10:43 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">70281c5b0406436eee6caaac67571e67</guid>
				<title>Vivien Jiaqian Zhu started the topic CFP 2026 MLA Convention in the forum Music Encoding Initiative</title>
				<link>https://hcommons.org/groups/music-encoding-initiative/forum/topic/cfp-2026-mla-convention-10/</link>
				<pubDate>Tue, 04 Feb 2025 22:43:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>&nbsp;</p>
<p>I’m pleased to share with you the Call for Paper for the Working Group/Seminar session for the upcoming MLA Convention in Toronto. See <a href="https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html" rel="nofollow ugc">https://mla.confex.com/mla/2026/webprogrampreliminary/Paper29934.html</a>.</p>
<p>&nbsp;</p>
<p>Best wishes,</p>
<p>Vivien Jiaqian Zhu</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">755f68bd3e726844652587e2f54e2b55</guid>
				<title>Anna E. Kijas deposited MEI Basic Workshop in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901603/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a5425d53c13917dd61d12fa20c7fd10b</guid>
				<title>Anna E. Kijas deposited Towards a standardization of lead sheet encoding: an experience in OMR in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901602/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">eacebaa4cbc002fc8ab2a399c76fb390</guid>
				<title>Anna E. Kijas deposited Musical Instrument Encoding Matters in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901601/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c53b02de2025b6b768e3cf2a4f6e9036</guid>
				<title>Anna E. Kijas deposited GagakuXML: Markup for Hichiriki Scores and Enhancing Efficiency in Traditional Japanese Music Encoding in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901600/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4c0d27db7dfa96493f706d7c84b621fd</guid>
				<title>Anna E. Kijas deposited Critical Semantic Properties of Music Notation Datasets in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901599/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">37989a800b5442596c4b26cde3d58a2f</guid>
				<title>Anna E. Kijas deposited Modelling Performance – Conceptual Realities vs. Practical Limitations in MEI in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901598/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fddecbf8055d428ffe384537a966210a</guid>
				<title>Anna E. Kijas deposited Beyond the Standard Model in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901597/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6e523655bad2bf890f9d5f7151bd70d0</guid>
				<title>Anna E. Kijas deposited Works of other authors and composers as templates – approaches to capture template research in digital music editions. A case study in the context of the Reger-Werkausgabe. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901596/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a1de7daff1cb880500aa260656b6d2bf</guid>
				<title>Anna E. Kijas deposited Issues of FRBR systematics in indexing sources that represent different versions of works. The example of Franz Liszt. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901595/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d5ce22760240a07a1656bf7de8217a17</guid>
				<title>Anna E. Kijas deposited Simplifying MEI for Searching Applications in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901594/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2e9e0e37d376f3263d443d20854d8b3f</guid>
				<title>Anna E. Kijas deposited MEI-Basic support in MuseScore 4.2 in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901593/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e70db161172ffeb687a6a7ef81cb923b</guid>
				<title>Anna E. Kijas deposited Indexing Hymnody: Comparative Analysis and Opportunities for Interoperability in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901592/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3bbfef8d4816e6c26fbf542625050c10</guid>
				<title>Anna E. Kijas deposited Encoding and Analysis of Early Music: Aquitanian and Square Music Scripts in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901591/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">76ccf335e39080c5ba91c90f235bd19c</guid>
				<title>Anna E. Kijas deposited The “Clausula Archive of the Notre Dame Repertory”: End-to-end OMR, encoding, and analysis of medieval polyphony in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901590/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a9e566e690df3c8c578d054db8b0910b</guid>
				<title>Anna E. Kijas deposited Modelling Multi-domain Voicing in the Goldberg Variations in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1901588/</link>
				<pubDate>Mon, 14 Oct 2024 03:00:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Final abstract</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bd50d5e71e25ff5f630b4819c4948375</guid>
				<title>Oleksii Sapov-Erlinger deposited The Diff Concept of the Digital Interactive Mozart Edition in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1884617/</link>
				<pubDate>Wed, 01 May 2024 03:24:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Digital Interactive Mozart Edition (<a href="https://dme.mozarteum.at/en/music/edition/" rel="nofollow ugc">https://dme.mozarteum.at/en/music/edition/</a>) provides two types of editions: Reference Texts (the musical text of the Neue Mozart Ausgabe encoded in the Music Encoding Initiative format) and Alternative Texts (entirely new MEI-based editions of selected works). To illustrate the distinctions between editions&hellip;<span class="activity-read-more" id="activity-read-more-1884617"><a href="https://hcommons.org/activity/p/1884617/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">03d229cf37db65aeabf488bb2924616f</guid>
				<title>Raffaele Viglianti deposited Introduction to publishing XML with static site and front-end technologies. in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1859045/</link>
				<pubDate>Wed, 20 Sep 2023 01:07:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Workshop material. This half-day workshop introduced strategies for handling XML when publishing with static site generators and front-end technologies. The workshop focused on isomorphic approaches to publishing XML data on the web or, in other words, publishing XML data with little or no transformation, or with a structure-preserving mapping&hellip;<span class="activity-read-more" id="activity-read-more-1859045"><a href="https://hcommons.org/activity/p/1859045/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">30dd4a0a2375f8e82800727e05ca4746</guid>
				<title>Oleksii Sapov-Erlinger deposited Encoding Orchestral Parts that Share a Staff in MEI: Guidelines and a Parts Extraction Tool in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1858680/</link>
				<pubDate>Sat, 16 Sep 2023 01:18:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these&hellip;<span class="activity-read-more" id="activity-read-more-1858680"><a href="https://hcommons.org/activity/p/1858680/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0ca1fb337ad6727a49e85675d54cf6a8</guid>
				<title>Anna E. Kijas deposited Pedagogical Approaches to Encoding in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1858163/</link>
				<pubDate>Tue, 12 Sep 2023 01:08:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig&hellip;<span class="activity-read-more" id="activity-read-more-1858163"><a href="https://hcommons.org/activity/p/1858163/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a48abc36c4a6a2e15037a793ca16ce1f</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Front matter in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857945/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Front matter for the Proceedings of the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d8f62e63e6a8d9688df15886142a596a</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Table of Contents in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857944/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Table of Contents for the Proceedings of the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c69f8068905be3ffaf9330051a5fe9cd</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Foreword in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857943/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>Foreword for the Proceedings of the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">363c2ec1ee603e3f7aa90d6cb9852a5f</guid>
				<title>David M. Weigl deposited Singing another Tune: Open/Digital/Minimal Scholarly Edition of Castilian and Galician-Portuguese Lyric Poetry in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857942/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Opening keynote of the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">318b8ddaa8a88643871e2b60693166ab</guid>
				<title>David M. Weigl deposited Optical Music Recognition Workflow for Neume Notation and its Encoding &#38; The Art of Teaching Computers in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857941/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Closing keynote of the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0aaa5078185a35904c558ce511298a05</guid>
				<title>David M. Weigl deposited Mysterium: A Corpus of Alexander Scriabin's Music for Solo Piano in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857940/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>A new digital encoding of 207 works by Alexander Scriabin is reported. The corpus includes all of Scriabin’s works for solo piano with an opus number. Each work is in the **kern format, having first been encoded into Finale, exported to a MusicXML file, and then converted using the musicxml2hum command. The corpus’s content and method of enc&hellip;<span class="activity-read-more" id="activity-read-more-1857940"><a href="https://hcommons.org/activity/p/1857940/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">33eb200847485f71466a04b97bc67b36</guid>
				<title>David M. Weigl deposited Partitura: A Python Package for Symbolic Music Processing in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857939/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Partitura is a lightweight Python package for handling symbolic musical information. It provides easy access to features commonly used in music information retrieval tasks, like note arrays (lists of timed pitched events) and 2D piano roll matrices, as well as other score elements such as time and key signatures, performance directives, and repeat&hellip;<span class="activity-read-more" id="activity-read-more-1857939"><a href="https://hcommons.org/activity/p/1857939/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a081f4c0280e2a7d31c398062cf29b05</guid>
				<title>David M. Weigl deposited Challenging the MEI Neumes Module: Encoding Armenian Neumes in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857938/</link>
				<pubDate>Sat, 09 Sep 2023 01:14:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>Chant notations are found across a large geographical area encompassing Europe and part of the Middle East (including the Levant and the historical Armenian lands). The Neumes Module represents a collective endeavour on the part of the MEI Community to capture in a machine- readable format the meaning of chant notations. In recent years intensive&hellip;<span class="activity-read-more" id="activity-read-more-1857938"><a href="https://hcommons.org/activity/p/1857938/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a6c5df84f25dc0e8ae5d69c8793aaa95</guid>
				<title>David M. Weigl deposited MuseReduce: A Generic Framework for Hierarchical Music Analysis in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857937/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal representations—typically a combination of music notation, graphic notation, and natural l&hellip;<span class="activity-read-more" id="activity-read-more-1857937"><a href="https://hcommons.org/activity/p/1857937/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f1929f3166af6b8afa5b752f66127049</guid>
				<title>David M. Weigl deposited The Match File Format: Encoding Alignments Between Scores and Performances in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857936/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper presents the specifications of match: a file format that extends a MIDI human performance with note-, beat-, and downbeat-level alignments to a corresponding musical score. This enables advanced analyses of the performance that are relevant for various tasks, such as expressive performance modelling, score following, music&hellip;<span class="activity-read-more" id="activity-read-more-1857936"><a href="https://hcommons.org/activity/p/1857936/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3db698216046db40ec942957a3fee29a</guid>
				<title>David M. Weigl deposited Modelling and Editing Cross-Modal Synchronization on a Label Web Canvas in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857935/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>We present how the open-source web framework Dezrann enables users to hear, study, and annotate music by interacting with synchronized views such as image scores, rendered scores, videos, and representations of audio as waveforms or spectrograms. We encode as unit conversions the cross-modal synchronization between these music representations.&hellip;<span class="activity-read-more" id="activity-read-more-1857935"><a href="https://hcommons.org/activity/p/1857935/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e934f02ed502c8dc8069bf207ea98aa1</guid>
				<title>David M. Weigl deposited Community-Centered Sustainability: A Case Study of the Music Encoding Initiative in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857934/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Lacking institutional support, the vast majority of digital humanities communities and their respective projects confront the pervasive challenge of sustainability. Shifts in technologies, resources, and communities over time present systemic barriers to the long-term viability of digital projects. The “Communities sustaining digital c&hellip;<span class="activity-read-more" id="activity-read-more-1857934"><a href="https://hcommons.org/activity/p/1857934/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4de6f548ac4e165da932d914bdacde8f</guid>
				<title>David M. Weigl deposited Watermarks and Where to Find Them: Digitisation, Recognition, and Automated Clustering of Watermarks in the Music Manuscripts of Franz Schubert in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857933/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Our project focuses on watermarks found in the music manuscripts of Franz Schubert. The endeavour incorporates thermography, machine learning and signal processing to produce digitized watermarks for databases and manuscript descriptions as well as to curtail the approximate dating of some undated autographs. By applying fingerprint recognition&hellip;<span class="activity-read-more" id="activity-read-more-1857933"><a href="https://hcommons.org/activity/p/1857933/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">066b6ffa68104d51e4435c56a1686eaa</guid>
				<title>David M. Weigl deposited Musicologists and Data Scientists Pull out all the Stops: Defining Renaissance Cadences Systematically in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857932/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital tools offer many ways to find musical patterns with machines. But the task of formulating digital-musical queries systematically, interpreting the results, and refining our methods to yield intelligent insights about musical practice is far more difficult. In this presentation, a team of musicologists and data scientists will share our&hellip;<span class="activity-read-more" id="activity-read-more-1857932"><a href="https://hcommons.org/activity/p/1857932/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">85c0eeefe59b3138036137fe58bbebdd</guid>
				<title>David M. Weigl deposited Towards the Digitization of Middle Byzantine Notation: A Formal Model and Knowledge Representation in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857931/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Middle Byzantine notation, which is the most widely used musical notation of Byzantine music, has been used to notate Byzantine music between the mid-twelfth century and the early nineteenth century. Since its rules were never explicitly written down and enforced, but were instead informally interpreted, cantors, theorists and researchers do not&hellip;<span class="activity-read-more" id="activity-read-more-1857931"><a href="https://hcommons.org/activity/p/1857931/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1fe67ccf3563fb9ce04b8eef9bbad0fd</guid>
				<title>David M. Weigl deposited »Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857930/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Capturing the personnel needed to perform a musical work in MEI metadata is straightforward with standard ensemble configurations, such as string quartets. In contrast, it can be highly complex for extensive orchestral settings, stage music, or, e.g., twentieth-century ‘Neue Musik.’ Especially in the latter case, the degree of possible var&hellip;<span class="activity-read-more" id="activity-read-more-1857930"><a href="https://hcommons.org/activity/p/1857930/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">93330d7a4398e40c7482a1603d0eeece</guid>
				<title>David M. Weigl deposited Developing a Measure Image and Applying It to Deep Learning in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857929/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The use of intelligent systems linked to musical tasks such as automatic composition, classification, and Music Information Retrieval has increasingly shown itself to be a promising field of study, not only from a computational, but also from a musical point of view. This paper aims to develop an innovative method capable of producing a coded&hellip;<span class="activity-read-more" id="activity-read-more-1857929"><a href="https://hcommons.org/activity/p/1857929/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8159e727c0a88c9e56eb82753a085abe</guid>
				<title>David M. Weigl deposited A Notation-Free Approach to Encoding Commatic Drifts in Just Intonation in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857928/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Musics in just intonation pose a wide number of challenges to encoding but perhaps none more imposing than their potential to freely drift through rational pitch space by minute intervals. Though such commatic drifts—whether Pythagorean, syntonic, septimal, or otherwise—are all too often framed as ‘problems’ inherent to rational tuning systems&hellip;<span class="activity-read-more" id="activity-read-more-1857928"><a href="https://hcommons.org/activity/p/1857928/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6d2f15de5c17a0b7dfda32d14aa69a3e</guid>
				<title>David M. Weigl deposited Joseph Haydn Werke Metadata: MEI Way in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857927/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>The work of the Joseph Haydn Institute has been well-known in eighteenth-century studies and beyond since publishing the first four volumes of the Joseph Haydn Werke in 1958. As with any Gesamtausgabe undertaking, sources occupy a central role, and with them come massive amounts of data. Naturally, compilation and organization of the metadata&hellip;<span class="activity-read-more" id="activity-read-more-1857927"><a href="https://hcommons.org/activity/p/1857927/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">50e3fb3b6267dc3c972b07e932374f09</guid>
				<title>David M. Weigl deposited Encoding and Analyzing the Timbre in Popular Songs (TiPS) Corpus in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857926/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Timbre and texture are important and perceptually salient stylistic and structural parameters in popular music, yet their specific functional roles in this repertoire have not been theorized. This report describes the construction and encoding of a new popular-music corpus, Timbre in Popular Song (TiPS). The corpus comprises 400 songs, including&hellip;<span class="activity-read-more" id="activity-read-more-1857926"><a href="https://hcommons.org/activity/p/1857926/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">60683c0926029c80648b846f6e19a597</guid>
				<title>David M. Weigl deposited A New Conceptual Model for Musical Sources and Musicological Studies in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857925/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>We present a new multi-layered, conceptual model for associating musical source materials to musicological arguments. We describe our proposal for operationalizing these concepts through a framework for musical annotation which we have implemented using RDF. Briefly stated, this model shows how portions of digitized data in various files and&hellip;<span class="activity-read-more" id="activity-read-more-1857925"><a href="https://hcommons.org/activity/p/1857925/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">589ad2d288c2ebaed6f96e7f55677974</guid>
				<title>David M. Weigl deposited Towards MerMEId 2.0 in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857924/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>The “Metadata Editor and Repository for MEI Data” (MerMEId) is a web-based tool to capture and enrich data in the MEI header. This tool was originally developed by Axel Teich Geertinger and Sigfrid Lundberg at the “Danish Centre for Music Editing”, under an open-source license. This poster describes the transfer of this project to communi&hellip;<span class="activity-read-more" id="activity-read-more-1857924"><a href="https://hcommons.org/activity/p/1857924/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">dd5e50dee57509756e3d001055a71875</guid>
				<title>David M. Weigl deposited Sharing MEI: common semantics in diverse musics? in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857923/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this panel, we consider the role of MEI in providing common structures and meanings for heterogeneous musical practices and notations and, to a lesser extent, uses. Drawing on direct experience of working with particular cultural or historical material, we consider the robustness of the fundamental modelling of MEI, and its challenges and&hellip;<span class="activity-read-more" id="activity-read-more-1857923"><a href="https://hcommons.org/activity/p/1857923/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">786d053fbcf534cd4916dd68cf67c893</guid>
				<title>David M. Weigl deposited Encoding Liturgical Chant Notations and Meta-Data in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857922/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Summary of an invited panel discussion at the Music Encoding Conference 2022.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">38d045bd9a95ac91cb28c1e07f9db931</guid>
				<title>David M. Weigl deposited Encoding Musical Performances in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857921/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>The musical performance of a score is a domain rarely addressed in a reasonable level of detail by current digital music editions. A main reason for this may be a lack of suitable data formats that are capable of encoding more than ambiguous performance symbols or rather technical measurement series. The Music Performance Markup format is a recent&hellip;<span class="activity-read-more" id="activity-read-more-1857921"><a href="https://hcommons.org/activity/p/1857921/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7749b213b0b23b7e9d177dd3cc254c27</guid>
				<title>David M. Weigl deposited Jazz Standards: From the Manuscript to Multiple Possibilities through Computation in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857920/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Over the last few years, OMR has been developed and studied. New perspectives have been provided that include handwritten music. Nonetheless, most of the research produced focuses on neumatic, mensural and cultured music. Barely any examples of non-canonical and modern music can be found. This paper is a statement of intention of a larger research&hellip;<span class="activity-read-more" id="activity-read-more-1857920"><a href="https://hcommons.org/activity/p/1857920/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a991070c0ff7102f582409088270b111</guid>
				<title>David M. Weigl deposited The mei-friend Web Application: Editing MEI in the Browser in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857919/</link>
				<pubDate>Sat, 09 Sep 2023 01:13:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>mei-friend is a ‘last mile’ editor for MEI-encodings intended to alleviate the common task of cleaning up encodings generated via optical music recognition, or via conversion from other formats. The open-source tool, building on the earlier mei-tools-atom codebase, was first presented to the MEI community at MEC ‘21, and has received more than&hellip;<span class="activity-read-more" id="activity-read-more-1857919"><a href="https://hcommons.org/activity/p/1857919/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c330d514dc5ad8897974d2aff3b71c10</guid>
				<title>David M. Weigl deposited Proposal to Adopt MEI for Encoding Traditional Japanese Music Scores in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857918/</link>
				<pubDate>Sat, 09 Sep 2023 01:12:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Encoding of western music notation is being standardized as a result of the dedicated work of the MEI and MusicXML communities. However, there is no machine-readable format for encoding traditional Japanese musical notation. This short paper discusses the use of MEI to encode traditional Japanese musical notation.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">24f51b43ff6d6b3e55cadb4d425eb9d9</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Appendix - Full conference schedule in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857917/</link>
				<pubDate>Sat, 09 Sep 2023 01:12:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Full conference schedule, provided as the Appendix of the 2022 Music Encoding Conference Proceedings.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e6e3cc35ad72287a8185c6a4d4caba23</guid>
				<title>David M. Weigl deposited Music Encoding Conference Proceedings 2022 - Full volume in the group Music Encoding Initiative</title>
				<link>https://hcommons.org/activity/p/1857916/</link>
				<pubDate>Sat, 09 Sep 2023 01:12:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>2022 Music Encoding Conference Proceedings - Full volume.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>