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	<title>Knowledge Commons | Anastasia Salter | Activity</title>
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	<description>Activity feed for Anastasia Salter.</description>
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				<title>Anastasia Salter deposited Syllabus: Critical Making for Humanist Scholarship in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1747898/</link>
				<pubDate>Fri, 30 Jul 2021 02:25:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Fall 2021, fully online, asynchronous course: Critical making is a practice of making as scholarship, grounded in the humanities, that interweaves design, function, and theory towards born-digital scholarly practice. Engaging in scholarly communication through digital platforms demands attention to code, software, and hardware. This course&hellip;<span class="activity-read-more" id="activity-read-more-1747898"><a href="https://mla.hcommons.org/activity/p/1747898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Critical Making for Humanist Scholarship in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1747897/</link>
				<pubDate>Fri, 30 Jul 2021 02:25:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Fall 2021, fully online, asynchronous course: Critical making is a practice of making as scholarship, grounded in the humanities, that interweaves design, function, and theory towards born-digital scholarly practice. Engaging in scholarly communication through digital platforms demands attention to code, software, and hardware. This course&hellip;<span class="activity-read-more" id="activity-read-more-1747897"><a href="https://mla.hcommons.org/activity/p/1747897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Critical Making for Humanist Scholarship</title>
				<link>https://hcommons.org/activity/p/1747879/</link>
				<pubDate>Thu, 29 Jul 2021 18:06:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Fall 2021, fully online, asynchronous course: Critical making is a practice of making as scholarship, grounded in the humanities, that interweaves design, function, and theory towards born-digital scholarly practice. Engaging in scholarly communication through digital platforms demands attention to code, software, and hardware. This course&hellip;<span class="activity-read-more" id="activity-read-more-1747879"><a href="https://hcommons.org/activity/p/1747879/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Comics and ImageText in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1733370/</link>
				<pubDate>Wed, 31 Mar 2021 02:25:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Graduate seminar syllabus: In this seminar, we will explore the contemporary comic, considering literary and cultural works across a range of platforms and markets. Comics are still frequently (and historically) associated with popular culture, and linked to children's literature and mass media, even as they loom large through big and small screen&hellip;<span class="activity-read-more" id="activity-read-more-1733370"><a href="https://mla.hcommons.org/activity/p/1733370/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Comics and ImageText in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1733369/</link>
				<pubDate>Wed, 31 Mar 2021 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Graduate seminar syllabus: In this seminar, we will explore the contemporary comic, considering literary and cultural works across a range of platforms and markets. Comics are still frequently (and historically) associated with popular culture, and linked to children's literature and mass media, even as they loom large through big and small screen&hellip;<span class="activity-read-more" id="activity-read-more-1733369"><a href="https://mla.hcommons.org/activity/p/1733369/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Comics and ImageText</title>
				<link>https://hcommons.org/activity/p/1733279/</link>
				<pubDate>Tue, 30 Mar 2021 14:30:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Graduate seminar syllabus: In this seminar, we will explore the contemporary comic, considering literary and cultural works across a range of platforms and markets. Comics are still frequently (and historically) associated with popular culture, and linked to children's literature and mass media, even as they loom large through big and small screen&hellip;<span class="activity-read-more" id="activity-read-more-1733279"><a href="https://hcommons.org/activity/p/1733279/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Texts &#38; Technology in History Syllabus in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721603/</link>
				<pubDate>Tue, 05 Jan 2021 02:30:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the syllabus for the Spring 2021 section of Texts &amp; Technology in History, which will be taught synchronously via Zoom at UCF as part of the PhD in T&amp;T. This iteration of the course particularly considers whose texts are archived, who shapes our technologies, and which histories are preserved and retold.</p>
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				<title>Anastasia Salter deposited Texts &#38; Technology in History Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721602/</link>
				<pubDate>Tue, 05 Jan 2021 02:30:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the syllabus for the Spring 2021 section of Texts &amp; Technology in History, which will be taught synchronously via Zoom at UCF as part of the PhD in T&amp;T. This iteration of the course particularly considers whose texts are archived, who shapes our technologies, and which histories are preserved and retold.</p>
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				<title>Anastasia Salter deposited Theory &#38; Practice of Interactive Storytelling: Online Course Syllabus in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721589/</link>
				<pubDate>Tue, 05 Jan 2021 02:25:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the Spring 2021 asynchronous online course "Theory &amp; Practice of Interactive Storytelling," which includes both critical and creative projects, and uses Twine, Inform 7, and Ren'Py.</p>
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				<title>Anastasia Salter deposited Theory &#38; Practice of Interactive Storytelling: Online Course Syllabus in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1721588/</link>
				<pubDate>Tue, 05 Jan 2021 02:25:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the Spring 2021 asynchronous online course "Theory &amp; Practice of Interactive Storytelling," which includes both critical and creative projects, and uses Twine, Inform 7, and Ren'Py.</p>
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				<title>Anastasia Salter deposited Theory &#38; Practice of Interactive Storytelling: Online Course Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721587/</link>
				<pubDate>Tue, 05 Jan 2021 02:24:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the Spring 2021 asynchronous online course "Theory &amp; Practice of Interactive Storytelling," which includes both critical and creative projects, and uses Twine, Inform 7, and Ren'Py.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
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				<guid isPermaLink="false">1ae3fa20009a8003142f9c52f6ede21c</guid>
				<title>Anastasia Salter deposited Texts &#38; Technology in History Syllabus</title>
				<link>https://hcommons.org/activity/p/1721500/</link>
				<pubDate>Mon, 04 Jan 2021 18:50:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the syllabus for the Spring 2021 section of Texts &amp; Technology in History, which will be taught synchronously via Zoom at UCF as part of the PhD in T&amp;T. This iteration of the course particularly considers whose texts are archived, who shapes our technologies, and which histories are preserved and retold.</p>
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				<guid isPermaLink="false">7d7f4282d6a210a0f8198ded95b5c9fd</guid>
				<title>Anastasia Salter deposited Theory &#38; Practice of Interactive Storytelling: Online Course Syllabus</title>
				<link>https://hcommons.org/activity/p/1721490/</link>
				<pubDate>Mon, 04 Jan 2021 17:50:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the Spring 2021 asynchronous online course "Theory &amp; Practice of Interactive Storytelling," which includes both critical and creative projects, and uses Twine, Inform 7, and Ren'Py.</p>
]]></content:encoded>
				
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				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1717058/</link>
				<pubDate>Tue, 17 Nov 2020 02:25:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game's narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1717058"><a href="https://mla.hcommons.org/activity/p/1717058/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7da14452e56a5daa4e768a007b6ee821</guid>
				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1717057/</link>
				<pubDate>Tue, 17 Nov 2020 02:25:09 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game's narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1717057"><a href="https://mla.hcommons.org/activity/p/1717057/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d64ef741f0b30c0f10bfcd3c0f68a230</guid>
				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1717056/</link>
				<pubDate>Tue, 17 Nov 2020 02:24:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game's narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1717056"><a href="https://mla.hcommons.org/activity/p/1717056/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9a8274699738217c123b7abbf1f7f1ff</guid>
				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor</title>
				<link>https://hcommons.org/activity/p/1716970/</link>
				<pubDate>Mon, 16 Nov 2020 17:45:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game's narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1716970"><a href="https://hcommons.org/activity/p/1716970/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7c221c7a765d535ed44f4877db289006</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research in the group NEH Understanding Digital Culture</title>
				<link>https://hcommons.org/activity/p/1705324/</link>
				<pubDate>Fri, 14 Aug 2020 02:27:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705324"><a href="https://hcommons.org/activity/p/1705324/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4f683e7c7efc8b8d10e57ee869dcf1e6</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1705323/</link>
				<pubDate>Fri, 14 Aug 2020 02:24:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705323"><a href="https://mla.hcommons.org/activity/p/1705323/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3929171462e508940c775825b3897162</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1705322/</link>
				<pubDate>Fri, 14 Aug 2020 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705322"><a href="https://mla.hcommons.org/activity/p/1705322/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d4c1a89933902471bde29834c7eaebb8</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research</title>
				<link>https://hcommons.org/activity/p/1705250/</link>
				<pubDate>Thu, 13 Aug 2020 15:26:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705250"><a href="https://hcommons.org/activity/p/1705250/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Intro to Texts &#38; Technology in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1704605/</link>
				<pubDate>Fri, 07 Aug 2020 02:25:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the introductory course in the core sequence for PhD students in Texts &amp; Technology at the University of Central Florida, with an emphasis on introducing interdisciplinary humanist scholarship along with academic writing practices and web platform fundamentals. This iteration was redesigned to be taught via Zoom, using a mix of&hellip;<span class="activity-read-more" id="activity-read-more-1704605"><a href="https://mla.hcommons.org/activity/p/1704605/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7946567ee9ba195913e95cba5a956eae</guid>
				<title>Anastasia Salter deposited Syllabus: Intro to Texts &#38; Technology in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1704604/</link>
				<pubDate>Fri, 07 Aug 2020 02:25:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the introductory course in the core sequence for PhD students in Texts &amp; Technology at the University of Central Florida, with an emphasis on introducing interdisciplinary humanist scholarship along with academic writing practices and web platform fundamentals. This iteration was redesigned to be taught via Zoom, using a mix of&hellip;<span class="activity-read-more" id="activity-read-more-1704604"><a href="https://mla.hcommons.org/activity/p/1704604/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bf8bde6ede085df9f940be6d051a62e4</guid>
				<title>Anastasia Salter deposited Syllabus: Intro to Texts &#38; Technology in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1704603/</link>
				<pubDate>Fri, 07 Aug 2020 02:25:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the introductory course in the core sequence for PhD students in Texts &amp; Technology at the University of Central Florida, with an emphasis on introducing interdisciplinary humanist scholarship along with academic writing practices and web platform fundamentals. This iteration was redesigned to be taught via Zoom, using a mix of&hellip;<span class="activity-read-more" id="activity-read-more-1704603"><a href="https://mla.hcommons.org/activity/p/1704603/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">07d89f34c7f1d47db474d6be3c3a9723</guid>
				<title>Anastasia Salter deposited Syllabus: Intro to Texts &#38; Technology</title>
				<link>https://hcommons.org/activity/p/1704536/</link>
				<pubDate>Thu, 06 Aug 2020 18:14:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the introductory course in the core sequence for PhD students in Texts &amp; Technology at the University of Central Florida, with an emphasis on introducing interdisciplinary humanist scholarship along with academic writing practices and web platform fundamentals. This iteration was redesigned to be taught via Zoom, using a mix of&hellip;<span class="activity-read-more" id="activity-read-more-1704536"><a href="https://hcommons.org/activity/p/1704536/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d15b542458253025854a928042332df4</guid>
				<title>Anastasia Salter&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1704300/</link>
				<pubDate>Tue, 04 Aug 2020 15:20:49 -0400</pubDate>

				
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				<guid isPermaLink="false">334c743fd1129413008cfa0e1cecec31</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1673666/</link>
				<pubDate>Sun, 29 Dec 2019 16:27:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we'll engage with the making and critique of interactive works ranging from "Choose Your Own Adventure" comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray's Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673666"><a href="https://mla.hcommons.org/activity/p/1673666/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ad1fe20f0528b1e1d1996a552c1e0f34</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1673665/</link>
				<pubDate>Sun, 29 Dec 2019 16:25:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we'll engage with the making and critique of interactive works ranging from "Choose Your Own Adventure" comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray's Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673665"><a href="https://mla.hcommons.org/activity/p/1673665/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
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				<guid isPermaLink="false">5447effcdf88264ecb1a93e63bb777cb</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1673664/</link>
				<pubDate>Sun, 29 Dec 2019 16:25:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we'll engage with the making and critique of interactive works ranging from "Choose Your Own Adventure" comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray's Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673664"><a href="https://mla.hcommons.org/activity/p/1673664/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">7f81fe1c0b52355c4ca4ac29beb597dd</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1673663/</link>
				<pubDate>Sun, 29 Dec 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we'll engage with the making and critique of interactive works ranging from "Choose Your Own Adventure" comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray's Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673663"><a href="https://mla.hcommons.org/activity/p/1673663/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">82a3d88f08a3a05fc4feaa2765626c28</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus</title>
				<link>https://hcommons.org/activity/p/1673579/</link>
				<pubDate>Sat, 28 Dec 2019 18:18:13 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we'll engage with the making and critique of interactive works ranging from "Choose Your Own Adventure" comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray's Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673579"><a href="https://hcommons.org/activity/p/1673579/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Anastasia Salter uploaded the file: Teaching Philosophy to Academic Job Market Support Network</title>
				<link>https://hcommons.org/activity/p/1663569/</link>
				<pubDate>Mon, 16 Sep 2019 19:16:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>For a Digital Media / Interdisciplinary position</p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">df9d2e5b02c6f4255a94735c4b6536cd</guid>
				<title>Anastasia Salter uploaded the file: Research Statement to Academic Job Market Support Network</title>
				<link>https://hcommons.org/activity/p/1663568/</link>
				<pubDate>Mon, 16 Sep 2019 19:15:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>For a Digital Media / Interdisciplinary position</p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">ae8b6532d73784ff5c3baa2546a83de5</guid>
				<title>Anastasia Salter uploaded the file: Cover Letter to Academic Job Market Support Network</title>
				<link>https://hcommons.org/activity/p/1663567/</link>
				<pubDate>Mon, 16 Sep 2019 19:15:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>For a Digital Media / Interdisciplinary position</p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">8deee1a233bdc1d568855a2a81574511</guid>
				<title>Anastasia Salter deposited But Does Pikachu Love You? Reproductive Labor in Casual and Hardcore Games in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1662006/</link>
				<pubDate>Fri, 30 Aug 2019 16:26:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the ﬁrst Pokémon game launched in Japan in 1996, the series has been a balancing act between casual and hardcore gaming. While the ﬁrst iteration and “core” series has emphasized a modiﬁed, accessible version of traditional JRPG mechanics, other titles have frequently emphasized so-called casual play; most recently, Pokémon Go lured in a&hellip;<span class="activity-read-more" id="activity-read-more-1662006"><a href="https://mla.hcommons.org/activity/p/1662006/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">e1d2fa57d7e41d0e3dd5bc9299ad3905</guid>
				<title>Anastasia Salter deposited But Does Pikachu Love You? Reproductive Labor in Casual and Hardcore Games in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1662005/</link>
				<pubDate>Fri, 30 Aug 2019 16:25:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the ﬁrst Pokémon game launched in Japan in 1996, the series has been a balancing act between casual and hardcore gaming. While the ﬁrst iteration and “core” series has emphasized a modiﬁed, accessible version of traditional JRPG mechanics, other titles have frequently emphasized so-called casual play; most recently, Pokémon Go lured in a&hellip;<span class="activity-read-more" id="activity-read-more-1662005"><a href="https://mla.hcommons.org/activity/p/1662005/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">a7fcf99d000234ff90dfe30eae18231e</guid>
				<title>Anastasia Salter deposited But Does Pikachu Love You? Reproductive Labor in Casual and Hardcore Games</title>
				<link>https://hcommons.org/activity/p/1661928/</link>
				<pubDate>Thu, 29 Aug 2019 20:13:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the ﬁrst Pokémon game launched in Japan in 1996, the series has been a balancing act between casual and hardcore gaming. While the ﬁrst iteration and “core” series has emphasized a modiﬁed, accessible version of traditional JRPG mechanics, other titles have frequently emphasized so-called casual play; most recently, Pokémon Go lured in a&hellip;<span class="activity-read-more" id="activity-read-more-1661928"><a href="https://hcommons.org/activity/p/1661928/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">56a02e6c46e723c2bdd456c0bdea7a23</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1660264/</link>
				<pubDate>Wed, 14 Aug 2019 16:27:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF's Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
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				<guid isPermaLink="false">56a02e6c46e723c2bdd456c0bdea7a23</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1660263/</link>
				<pubDate>Wed, 14 Aug 2019 16:27:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF's Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">72b33ed7a95261fcb2a60c8196a86ed2</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1660262/</link>
				<pubDate>Wed, 14 Aug 2019 16:27:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF's Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
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				<guid isPermaLink="false">aabf9875d24594a12378e00aadec6ac8</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology in the group Computer Studies in Language and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1660261/</link>
				<pubDate>Wed, 14 Aug 2019 16:25:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF's Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
]]></content:encoded>
				
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				<guid isPermaLink="false">edbb50dcb0c7d7ae7033b6d9bdab2ed1</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology</title>
				<link>https://hcommons.org/activity/p/1660198/</link>
				<pubDate>Tue, 13 Aug 2019 17:02:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF's Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
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				<guid isPermaLink="false">3f6c5159e43628c196fa42f39da827a5</guid>
				<title>Anastasia Salter deposited Building Interactive Stories in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1657403/</link>
				<pubDate>Thu, 11 Jul 2019 16:26:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>The integration of interactive stories into digital humanities practice has taken several forms. Interactive stories are certainly an object of study, and the intersection of digital humanities with media and games studies (as well as communities dedicated to making and studying interactive stories, such as the Electronic Literature Organization,&hellip;<span class="activity-read-more" id="activity-read-more-1657403"><a href="https://mla.hcommons.org/activity/p/1657403/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">cc104f9a47c24f4467ca7d41a23329f5</guid>
				<title>Anastasia Salter deposited Building Interactive Stories in the group Electronic Literature</title>
				<link>https://mla.hcommons.org/activity/p/1657402/</link>
				<pubDate>Thu, 11 Jul 2019 16:26:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The integration of interactive stories into digital humanities practice has taken several forms. Interactive stories are certainly an object of study, and the intersection of digital humanities with media and games studies (as well as communities dedicated to making and studying interactive stories, such as the Electronic Literature Organization,&hellip;<span class="activity-read-more" id="activity-read-more-1657402"><a href="https://mla.hcommons.org/activity/p/1657402/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5a69fc9300673bb81459eab415eef269</guid>
				<title>Anastasia Salter deposited Building Interactive Stories in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1657401/</link>
				<pubDate>Thu, 11 Jul 2019 16:25:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>The integration of interactive stories into digital humanities practice has taken several forms. Interactive stories are certainly an object of study, and the intersection of digital humanities with media and games studies (as well as communities dedicated to making and studying interactive stories, such as the Electronic Literature Organization,&hellip;<span class="activity-read-more" id="activity-read-more-1657401"><a href="https://mla.hcommons.org/activity/p/1657401/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">ec63ed1cf892e65eef075f65d1b04c89</guid>
				<title>Anastasia Salter deposited Building Interactive Stories</title>
				<link>https://hcommons.org/activity/p/1657349/</link>
				<pubDate>Thu, 11 Jul 2019 08:29:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The integration of interactive stories into digital humanities practice has taken several forms. Interactive stories are certainly an object of study, and the intersection of digital humanities with media and games studies (as well as communities dedicated to making and studying interactive stories, such as the Electronic Literature Organization,&hellip;<span class="activity-read-more" id="activity-read-more-1657349"><a href="https://hcommons.org/activity/p/1657349/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">22ee909226a4cd1f44c1630405106208</guid>
				<title>Anastasia Salter deposited Theories of Text and Technology Syllabus in the group TC Women’s and Gender Studies</title>
				<link>https://mla.hcommons.org/activity/p/1593568/</link>
				<pubDate>Wed, 27 Dec 2017 05:46:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for a graduate-level course with the following overview: "We will examine how theoretical discourse has evolved through shifting technological platforms, with particular attention to the challenges software, code, and networks present to our understanding of texts. We will engage with examples of complex procedural works ranging from&hellip;<span class="activity-read-more" id="activity-read-more-1593568"><a href="https://mla.hcommons.org/activity/p/1593568/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fb86a02a0f532de5b384a9691badfa85</guid>
				<title>Anastasia Salter deposited Theories of Text and Technology Syllabus in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1593567/</link>
				<pubDate>Wed, 27 Dec 2017 05:39:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for a graduate-level course with the following overview: "We will examine how theoretical discourse has evolved through shifting technological platforms, with particular attention to the challenges software, code, and networks present to our understanding of texts. We will engage with examples of complex procedural works ranging from&hellip;<span class="activity-read-more" id="activity-read-more-1593567"><a href="https://mla.hcommons.org/activity/p/1593567/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">8f21fec3770758e9ab84fc9af22a6fc0</guid>
				<title>Anastasia Salter deposited Theories of Text and Technology Syllabus in the group ProfHacker</title>
				<link>https://mla.hcommons.org/activity/p/1593566/</link>
				<pubDate>Wed, 27 Dec 2017 05:39:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for a graduate-level course with the following overview: "We will examine how theoretical discourse has evolved through shifting technological platforms, with particular attention to the challenges software, code, and networks present to our understanding of texts. We will engage with examples of complex procedural works ranging from&hellip;<span class="activity-read-more" id="activity-read-more-1593566"><a href="https://mla.hcommons.org/activity/p/1593566/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">39b4b73b4441841fb4461af45cb0bbab</guid>
				<title>Anastasia Salter deposited Theories of Text and Technology Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1593565/</link>
				<pubDate>Wed, 27 Dec 2017 05:38:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for a graduate-level course with the following overview: "We will examine how theoretical discourse has evolved through shifting technological platforms, with particular attention to the challenges software, code, and networks present to our understanding of texts. We will engage with examples of complex procedural works ranging from&hellip;<span class="activity-read-more" id="activity-read-more-1593565"><a href="https://mla.hcommons.org/activity/p/1593565/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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