About

I am a Lecturer in French Film at the University of Bristol.

Education

BA, French with Music (Royal Holloway, University of London)
MA by Research in French (Royal Holloway, University of London)
PhD in French (Royal Holloway, University of London)

Other Publications

‘Vocal Landscapes: Framing Mutable Stories in De l’autre côté (2002) and Une voix dans le désert (2002)’. in: Marion Schmid, Emma Wilson (eds) Chantal Akerman: Afterlives (Oxford: Legenda, 2019).  

Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard (London and New York: I.B.Tauris, 2018).

‘Looking at the Carpet from the Wrong Side: Albertine Fox on writing Godard and Sound (September 2017), published on ‘The Female Gaze’ blog by the US Alliance of Women Film Journalists (AWFJ).

‘Love and work differently: Anne-Marie Miéville’s cinema of companionship’ in Sight and Sound Magazine (2016).

‘EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1, 2015. Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/.

‘Performing Through Space: Overflow, Displacement, and the Voice in Keep Your Right Up (Jean-Luc Godard, 1987)’, in Tom Whittaker, Sarah Wright (eds) Locating the Voice in Film: Critical Approaches and Global Practices. Oxford University Press (USA), New York and London, pp. 279-294.

‘Constructing voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)’ in Studies in French Cinema, 14:1 (2014).

Memberships

Society for Cinema and Media Studies

British Association of Film, Television and Screen Studies

Modern Language Association MLA

The Higher Education Academy

Albertine Fox

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@albertine

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