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	<title>Knowledge Commons | Visual Culture | Activity</title>
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				<title>Gustavo Racy deposited Of Cannibals and Witches: Monstrosity and Capitalism at the Onset of Colonial Visual Culture in the group Visual Culture</title>
				<link>https://hcommons.org/activity/p/1834287/</link>
				<pubDate>Tue, 14 Feb 2023 02:28:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served&hellip;<span class="activity-read-more" id="activity-read-more-1834287"><a href="https://hcommons.org/activity/p/1834287/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gustavo Racy deposited To Make See and to Let Die: photography and testimony in the group Visual Culture</title>
				<link>https://hcommons.org/activity/p/1834285/</link>
				<pubDate>Tue, 14 Feb 2023 02:28:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>The focus of this article is a speculative argument on the relation between photography and testimony as one that situates the viewer on a particularly powerless, but responsibility-laden position. Articulating Nilufër Demir’s viral 2015 photograph of Aylan Kurdi, and Walter Kleinfeldt’s 1918 photograph of an unknown fallen soldier, as images bear&hellip;<span class="activity-read-more" id="activity-read-more-1834285"><a href="https://hcommons.org/activity/p/1834285/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gustavo Racy created the group Visual Culture</title>
				<link>https://hcommons.org/activity/p/1833689/</link>
				<pubDate>Fri, 10 Feb 2023 13:44:34 -0500</pubDate>

				
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