The Society for Music Theory promotes the development of and engagement with music theory as a scholarly and pedagogical discipline. We construe this discipline broadly as embracing all approaches, from conceptual to practical, and all perspectives, including those of the scholar, listener, composer, performer, teacher, and student. The Society is committed to fostering diversity, inclusivity, and gender equity in the field.

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Use of Double Sharps

0 replies, 1 voice Last updated by  Clark Murray 10 months, 1 week ago
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  • #37580

    Clark Murray

    I\’m playing a piano arrangement in B Major which frequently uses this chord: B# dim7. The chord is spelled like this: B# D(#) F(#) An. I don\’t understand why the spelling shouldn\’t be with a G##. For example, another commonly used chord in this arrangement is B+. This chord is spelled as B D(#) F##. Note: Since I can\’t find the proper symbols to display here, I am using the following substitutions: () to show chords which are implied by the key signature. n for natural. ## for double sharps.

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