The Society for Music Theory’s Autographs and Archival Documents Interest Group promotes scholarship that relies on sketches and other archival documents for analysis. We also support the creation of courses on this topic. This interest group was inaugurated at the 2016 Annual Meeting of the Society for Music Theory in Vancouver. Patricia Hall was the founding chair. The current co-chairs of the group are Laura Emmery and Áine Heneghan.
https://societymusictheory.org/societies/interest/autographs_and_archives
https://www.facebook.com/groups/324496747965910/
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Jeannie Ma. Guerrero, PhD deposited Non-white and/or non-Protestant Lyricists of the Women’s Suffrage Movement in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 2 months, 3 weeks agoResponding to the near-exclusive representation of white, Anglo-Saxon, Protestant women as identifiable figures in the Women’s Suffrage Movement, I sought to discover why Suffrage-song lyricists from other backgrounds were not well known. This document presents research on a study to (re-)discover non-white and/or non-Protestant song lyricists…[Read more]
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J. Daniel Jenkins started the topic Listening to the Archive: Artistic Uses of Sonic Remnants in the discussion
Society for Music Theory—Autographs and Archival Documents Interest Group on Humanities Commons 2 months, 4 weeks agoRevue Filigrane, issue 29 (2024)
Listening to the Archive: Artistic Uses of Sonic Remnants
Edited by Christine Esclapez and Luis Velasco-PufleauThe special issue “Listening to the Archive: Artistic Use of Sonic Remnants” seeks to explore the creative potential of sound archives, often neglected by those institutions responsible for the…[Read more]
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Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months agoThis article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,…[Read more]
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J. Daniel Jenkins started the topic MAS Music and Philosophy Study Group to focus on Archives in Denver in the discussion
Society for Music Theory—Autographs and Archival Documents Interest Group on Humanities Commons 3 months, 1 week agoThis CFP from the AMS Music and Philosophy Study Group may be of interest!
Archives and archival work hold a contested position within music studies, especially given recent attempts to redress the forms of exclusion that have traditionally structured the field’s intellectual commitments. As much as they have functioned as the guarantors of s…[Read more]
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Paulino Capdepon deposited Nuevos datos en torno al Compositor leridano José Cortasa Rives († 1796) [New information about the composer José Cortasa Rives († 1796)] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoStudy on the personal and artistic career of the master from Lleida, José Cortasa Rives, chapel master of the Collegiate Church of Santa María la Mayor de Talaveta de la Reina.
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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Paulino Capdepon deposited La música en la Catedral de Segorbe (Siglo XVIII) [Music at the Segorbe Cathedral in 18th century] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoThis is the first monographic work to be published on one of the most important musical centres and chapels in the Valencian Community: the cathedral of Segorbe, which until now had not been researched. Thanks to the work carried out in the archives of the cathedral on the chapter minutes, factory books and other unpublished documentation, it has…[Read more]
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Paulino Capdepon deposited La música en Irún en el siglo XIX: La capilla de música de la Iglesia parroquial de Santa María del Junca in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoThis book was the result of the Prize ‘X Premio-Beca Serapio Múgica’, awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project ‘La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal’ (Music in Irún in the 19th century: The music chapel of the Church of Santa María…[Read more]
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Paulino Capdepon deposited Anton Bruckner y Constantin Floros in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoResearch about Bruckner and the relation of Greek-German musicologist Constanton Floros and Anton Bruckner
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Paulino Capdepon deposited Constantin Floros y Gustav Mahler in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoChapter about the relation of Greek-german musicologist Constantn Floros and his output about Austrian composer Gustav Mahler
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Paulino Capdepon deposited “Antonio Soler Ramos”. In Diccionario Biográfico Electrónico in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoDictionary Article about the 18th century Spanish composer Antonio Soler (1729-1783), chapel master of Escorial Monastery in Madrid
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Paulino Capdepon deposited “Antonio Soler”. In Oxford Bibliographies of Music, Oxford-New York: Oxford University Press, 2017 in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoCritical study about the musical bibliography of Antonio Soler
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Paulino Capdepon deposited Vibrationen, die die Ankunft Mozart ankündigen. Mozartrezeption im Spanien des 18. Jahrhunders in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoResearch about the first reception of Mozart’s music in 18th century Spain
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Paulino Capdepon deposited L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoStudy about the construction of organs in North Spain by Cavaillé-Coll (19th century)
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Paulino Capdepon deposited La capilla de música de la Catedral de Segorbe en el siglo XVII [The chapel music at the Segorbe Cathedral in 18th century] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoTogether with the cathedrals of Valencia and Orihuela and the Seminary of Corpus Christi in Valencia, the Cathedral of Segorbe is one of the main musical centres of the Valencian Community. This article is an introduction to the origin of the diocese, its difficulties in establishing itself and, finally, its administrative structure and the main…[Read more]
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Paulino Capdepon deposited La Música en la época de Alfonso X el Sabio: las Cantigas de Santa María [Music in the time of Alfonso X: The Cantigas de Santa María] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 months, 3 weeks agoStudiy about the role of music at the court of Alfonso X
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Paulino Capdepon deposited Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 4 months agoResearch about the influence of the musicological outpput of relevant Researcher Constantin Floros
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Paulino Capdepon deposited Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851), in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 4 months agoThe present study, carefully edited, already announces in its title a very precise description of its subject. It is preceded by another, published in 2012 (La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII), in which the same author revealed the existence, until then little or not known, of an i…[Read more]
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Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 4 months agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 4 months agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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