Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]

از رویکردهای تازه در حوزۀ نقد ادبی رویکرد بوم­نقد است که به بررسی رابطۀ میان انسان و طبیعت در ادبیات می­ پردازد. هرچند تعداد قابل توجهی از آثار نظری و کاربردی در حوزۀ بوم‌نقد منتشر شده ­است، اما تاکنون توجه چندانی به پژوهش بوم­نقد تطبیقی نشده­ است. پژوهش پیش­رو تلاشی است برای گشودن باب چنین پژوهش ­هایی به زبان فارسی در فضای دانشگاهی ایران. شا…[Read more]

Nimā Yushij (1897-1960), the first major modern Persian poet, developed a poetic form later called New Poetry, Free Poetry or Nimāic Poetry to remove the restrictions of traditional rhyme and meter. Although he was not the only or even the first trying to modernize Persian poetry, he was the one on whom was bestowed the title “the father of mod…[Read more]

بخشی از مطالعات ادبی بینارشته‌ای شامل بررسی ارتباط میان ادبیات و تصویر می‌شود. در این زمینه ارتباط میان ادبیات و سینما شناخته‌شده‌ترین حوزۀ پژوهشی است که تعداد چشمگیری اثر پژوهشی، اعم از رساله و مقاله، در این حوزه نگاشته شده‌ است. در همین زمینه می‌توان به ارتباط میان ادبیات و نقاشی اشاره کرد که در سال‌های اخیر شاهد تعداد انگشت‌شماری اثر تحقیق…[Read more]

If Fernando Pessoa’s Portuguese works contain a coterie of heteronyms, his English poetry also displays an array of fictitious authors: besides Pessoa himself, one finds Charles Robert Anon, Alexander Search and—with his poems compiled here for the first time in print—Frederick Wyatt. After Alexander Search’s presence, which dominated the English…[Read more]

Though Fernando Pessoa is not widely known as a political poet, we may be familiar with the political commentary explicit in some of his works. In four political sonnets dating from 1905 (but only fully published in 1995), the poet criticizes the mockery of Russia by British journalists, calls the colonization of Ireland and the Transvaal “a s…[Read more]

O livro Fernando Pessoa—The Poet With Many Faces, de autoria de Hubert D. Jennings, é a primeira biografia pessoana em Inglês. Originalmente escrito na década de 1970, o livro deveria ter sido impresso em 1974, mas a Revolução dos Cravos interrompeu os planos editoriais. O dactiloscrito, encontrado numa garagem em Joanesburgo, na África do Sul,…[Read more]

A period of six months (Dec. 2017 to Jun. 2018) saw the launch of three digital platforms dedicated to the works of Fernando Pessoa, raising the number of such projects to seven published in a decade. Considering this virtual proliferation as a milestone for Pessoan studies, this article aims to reconstruct, at least as a sketch, the history of…[Read more]

Book Review Literary Translation in Modern Iran: A Sociological Study by Esmaeil Haddadian-Moghaddam, Amsterdam: John Benjamins Publishing Company, 2014, ISBN 978 90 272 5854 0 (hbk), 236 pp

In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]

Em 1958, Cleonice Berardinelli apresentou sua tese de livre-docência Poesia e Poética de Fernando Pessoa, que permanece inédita. Trata-se da primeira tese escrita sobre Fernando Pessoa no Brasil, e a segunda no mundo. Em 1958, a obra de Fernando Pessoa conhecida limitava-se aos textos que o poeta tinha publicado em vida e aos volumes ed…[Read more]

Da obra genial de Fernando Pessoa, centenas de páginas permanecem desconhecidas. Ao investigar o espólio pessoano, Carlos Pittella e Jerónimo Pizarro resgatam da obscuridade textos (poemas, cartas, anotações, listas, artigos de imprensa) e desenhos (esquemas, caricaturas, cartas astrológicas) que dão testemunho de como a literatura pode mudar…[Read more]

Quem é Fausto? O que é o Fausto de Fernando Pessoa? Porque é que o Fausto de Pessoa existe, se já havia outros, como as obras‑primas de Christopher Marlowe e de Johann Wolfgang von Goethe? Por‑que merece a versão pessoana ser lida ou relida? E como deve ser lida: como peça em cinco actos, ou como constelação de centenas de fragmentos? Se entendid…[Read more]

“Fernando Pessoa is not easy to get to know. Even during his lifetime, his friends remarked on a certain quicksilver quality about him that made it appear as though he was always slipping through their hands […]. We join him in his search for self-identity. Perhaps because we feel it is a search for our own self-identity. Or it may be a game. Or…[Read more]

O presente trabalho apresenta o ensaio fotográfico Pessoas com Relações com Pessoa, através de 12 dos 42 retratos de recitadores de sonetos pessoanos que constituem o corpo de uma futura exposição. As fotos são organizadas em quatro trípticos fotográficos, cada um deles sendo precedido do soneto respectivo em edição crítica.…[Read more]

En la más reciente edición y estudio de la Carajicomedia, su editor llama la atención sobre un aspecto determinado de esta obra, y por extensión, a todas las sátiras a mitad de camino entre lo burlesco y lo erótico: se establece la necesidad de explorar «more fully the political complexity of the period; the reasons that its authors may have h…[Read more]

If Fernando Pessoa was undeniably influenced by Goethe to recreate the legend of Faust, here we argue that a series of other poets and prose writers did also impact, positively and negatively, to a greater or lesser degree, the development of Pessoa’s ‘Faust’. This article intends, thus, to reconstruct these influences, based on evidence found i…[Read more]

A review of: PORTELA, Manuel; SILVA, António Rito [orgs.] (2017). LdoD Archive / Arquivo LdoD / Archivo LdoD [a collaborative digital archive of the Book of Disquiet by Fernando Pessoa]. Centre for Portuguese Literature at the University of Coimbra.

We present here thirteen previously unpublished letters from the Hubert Jennings Papers, including twelve letters signed by members of Fernando Pessoa’s extended family, plus one letter drafted by Hubert Jennings himself. This correspondence covers a period of time of almost three years, dating from 10 February 1967 to 15 January 1970. C…[Read more]

This dossier groups, for the first time, ten poems of Fernando Pessoa attributed to the project “Juliano em Antochia”: two of them being previously unpublished, two others not included in the critical edition, and four presenting new readings in the fixation of the text. Found in three different archives, the texts reveal that, between 1916 and…[Read more]