This group is a place for music scholars, performers, students, and librarians to discuss all things related to open access and music.
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group
Open Music on Humanities Commons 4 months agoThis chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Matthew Franke started the topic analysis of open-access music journals in the discussion
Open Music on Humanities Commons 1 year, 3 months agoMy new article, “Open-Access Music Journals and the Possibility of Global Dialogue,” has just been published in College Music Symposium. Hope it’s useful–
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lisa Hooper deposited Katrina Works: A Bibliography of Musical Works Composed in Response to Hurricane Katrina in the group
Open Music on Humanities Commons 2 years, 6 months agoA bibliography of art music composed in response to Hurricane Katrina from 2005-2015.
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Tiffany Ng deposited Annotated Bibliography of African American Carillon Music in the group
Open Music on Humanities Commons 2 years, 10 months agoThis is the 2020 update of a comprehensive open-access annotated bibliography listing carillon scores by African American composers and/or based on African American music. While most of the items are published, a few are unpublished but in informal circulation, or are pending publication. Carillonists are invited to use this resource to identify…[Read more]
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Tiffany Ng deposited International Bibliography of Carillon Music by Women, Transgender, and Nonbinary Composers in the group
Open Music on Humanities Commons 2 years, 10 months agoThis open-access international bibliography lists published and unpublished original carillon works by over a hundred women, transgender, and nonbinary composers. The composers’ birth years range from 1858 to the twenty-first century, the musical styles range from lyrical to avant-garde, and the formats range from solo to ensemble to e…[Read more]
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Matthew Franke started the topic Updated list of open-access music journals in the discussion
Open Music on Humanities Commons 3 years, 5 months agoHere is the new, updated List of Open-Access Music Journals; it has 149 entries and is now a searchable database. Please let me know if you spot errors or omissions.
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Júlia Azevedo deposited Luigi Dallapiccola – Fragmentos de uma vida em benefício de uma obra pianística in the group
Open Music on Humanities Commons 3 years, 10 months agoProposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]
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Ferran Escriva-Llorca deposited CFP: The Mediterranean: Migrant Sounds in the group
Open Music on Humanities Commons 3 years, 11 months agoOn June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]
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Tiffany Ng deposited Mending Bells and Closing Belfries with Faust in the group
Open Music on Humanities Commons 3 years, 11 months agoFinite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]
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Kathleen DeLaurenti started the topic Notice of new rule making for the Music Modernization Act in the discussion
Open Music on Humanities Commons 4 years, 1 month agoHi all –
The copyright office issued their proposed rule for the new 1401(c) section of the copyright law. This part of the new MMA addresses non-commercial use of orphaned/abandoned sound recordings.https://www.federalregister.<wbr />gov/documents/2019/02/05/2019-<wbr />00873/noncommercial-use-of-<wbr />pre-1972-sound-recordings-<wbr… -
Kathleen DeLaurenti started the topic Controlled ebook lending for libraries in the discussion
Open Music on Humanities Commons 4 years, 1 month agoHi all –
There has been some very lively conversation about digital lending of ebooks by libraries happening. In case you missed it, Kyle Courtney and Dave Hansen released a white paper about digitizing ebooks and controlled lending (a la what many public libraries have with overdrive/adobe digital…[Read more]
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Matthew Franke started the topic Open-Access Music Journals in the discussion
Open Music on Humanities Commons 4 years, 1 month agoI have updated my List of Open-Access Music Journals, the most comprehensive such list online. It now has over 140 entries in a variety of languages. Please be in touch if you know of a journal that should be added to the list!List of Open-Access Music Journals
(cross-posted in case there are people here who aren’t in the American Musicological…[Read more]
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Anna E. Kijas deposited “What does the data tell us?: Representation, Canon, and Music Encoding” in the group
Open Music on Humanities Commons 4 years, 2 months agoIn this keynote, Kijas explores issues embedded in musicological traditions of canonicity and discusses the need for recovery of underrepresented composers in order to build a more inclusive digital canon.
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Kathleen DeLaurenti deposited Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia in the group
Open Music on Humanities Commons 4 years, 11 months agoThe interdisciplinary course Pink Noise: Women Making Electronic Music explores the hands-on creation of electronic music through the lens of feminist critical frameworks, activism, and collective action. Techniques and topics include composing with Texts, Activist Sound, Live Sampling and Delay, Turntablism, Soundscape Composition, the Occult…[Read more]
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Anna E. Kijas deposited Engaging in Small Data Rescue in the group
Open Music on Humanities Commons 5 years, 1 month agoIn late January 2017 conversations began on the Music Library Association (MLA) listserv about data rescue. These conversations were primarily inquiries to see if anyone on the MLA-L was aware of data archiving or rescue efforts underway for vulnerable performing arts and music data on government websites. As a digital scholarship librarian whose…[Read more]
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Anna E. Kijas deposited (MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College in the group
Open Music on Humanities Commons 5 years, 1 month agoIn this presentation, we provide an overview of the contents and development of The Séamus Connolly Collection of Irish Music, a recently-launched open access collection of over 330 tunes and songs. The audio, sheet music, stories, and essays can be viewed and/or listened to on mobile devices, tablets, and computers. Through Omeka and SoundCloud,…[Read more]
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Kathleen DeLaurenti deposited Framework for Evaluating Copyright Issues in Digital Scholarship in the group
Open Music on Humanities Commons 5 years, 1 month agoThis handout was presented as a take away for a workshop at MLA TechCamp 2018. This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or…[Read more]
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Kathleen DeLaurenti deposited Copyright & Digital Scholarship in the group
Open Music on Humanities Commons 5 years, 1 month agoThis workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or born-digital content. It will include suggestions for checklist and analysis tools that…[Read more]
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Stephen Thomson Moore deposited [Conversando con…] Jorge Villavicencio Grossmann in the group
Open Music on Humanities Commons 5 years, 3 months agoJorge Villavicencio Grossmann (nacido en 1973) es un compositor peruano/brasileño/estadounidense que estudió composición en São Paulo en la Faculdade Santa Marcelina y en los Estados Unidos en la Universidad Internacional de Florida y la Universidad de Boston. Su cuarteto de cuerdas no. 3 apareció en un disco reciente de cuartetos de cuerda lati…[Read more]
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Kathleen DeLaurenti started the topic What does open music mean to you? in the discussion
Open Music on Humanities Commons 5 years, 4 months ago2017 marks the 10th year that there has been a global celebration of open during Open Access Week.
Organized by the Scholarly Publishing and Academic Resources Coalition (SPARC), OA Week celebrates:
“Open Access to information – the free, immediate, online access to the results of scholarly research, and the right to use and re-use those r…[Read more]
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