Knowledge Commons | Networked Art | Activity https://hcommons.org/groups/networked-art/ Activity feed for the group, Networked Art. Sat, 04 Apr 2026 16:42:26 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 5d84df828a179a7e698f09090b58f041 Pruritus Migrans deposited Mockumentary! in the group Networked Art https://hcommons.org/activity/p/1776428/ Thu, 31 Mar 2022 02:24:51 -0400 Mockumentary! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 20bc45b28a1d7cb7337d1fcc2bff1f11 Pruritus Migrans deposited ZombieZ in the group Networked Art https://hcommons.org/activity/p/1776423/ Thu, 31 Mar 2022 02:24:23 -0400 ZombieZ * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 e042c38c2e02c4996a9aa8d6e74e5ffa Pruritus Migrans deposited EVILution! in the group Networked Art https://hcommons.org/activity/p/1775714/ Thu, 24 Mar 2022 02:33:05 -0400 EVILution! * QRt by PRURITUS MIGRANS * CC-BY-ND

]]> 0 f72ca7267454583ae4e267811f2dc944 Pruritus Migrans deposited BREXIT BREAKS IT ! in the group Networked Art https://hcommons.org/activity/p/1775393/ Tue, 22 Mar 2022 02:25:43 -0400 BREXIT BREAKS IT ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 f954c1009c810d88dbcac12bc4bead18 Pruritus Migrans deposited LABELS in the group Networked Art https://hcommons.org/activity/p/1773105/ Fri, 25 Feb 2022 02:26:05 -0500 LABELS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 3648baab022aa5051cc23827adea5cd3 Pruritus Migrans deposited Mother Russia 2.1 in the group Networked Art https://hcommons.org/activity/p/1773100/ Fri, 25 Feb 2022 02:25:37 -0500 Mother Russia 2.1 * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 55c87eb89862d2a701468da810f6fd45 Pruritus Migrans deposited oppre$$!on in the group Networked Art https://hcommons.org/activity/p/1771401/ Fri, 11 Feb 2022 02:27:08 -0500 oppre$$!on * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 369232d9fbfb45db1fa4f788e28eac3d Pruritus Migrans deposited QRt is digital pop ARt! in the group Networked Art https://hcommons.org/activity/p/1763586/ Wed, 22 Dec 2021 02:24:41 -0500 QRt is digital pop ARt! * PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 37160f3219e9395166a07f188cb718f6 Pruritus Migrans deposited WARNING! in the group Networked Art https://hcommons.org/activity/p/1762125/ Tue, 21 Dec 2021 02:24:22 -0500 WARNING! * PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 3e883bcd2345e6746cb866bde65056f3 Pruritus Migrans deposited Silent Bells! in the group Networked Art https://hcommons.org/activity/p/1761760/ Fri, 17 Dec 2021 02:24:59 -0500 Silent Bells! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 4339ac8cd44908ed3fbe9944406dc351 Pruritus Migrans deposited little GREEN men in the group Networked Art https://hcommons.org/activity/p/1760793/ Tue, 07 Dec 2021 02:25:24 -0500 little GREEN men * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 94b77b533ef780c38ad4e7edc5d58aef Pruritus Migrans deposited OPPRESS!ON in the group Networked Art https://hcommons.org/activity/p/1760774/ Tue, 07 Dec 2021 02:24:23 -0500 OPPRESS!ON * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 1486ac02a40ca6bdaf8b950ae3ac96a4 Pruritus Migrans deposited BLACK AND WHITE in the group Networked Art https://hcommons.org/activity/p/1760043/ Tue, 30 Nov 2021 02:24:50 -0500 BLACK AND WHITE * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 26919af56f7777d4c76fa59da824acfb Pruritus Migrans deposited H!PS in the group Networked Art https://hcommons.org/activity/p/1760039/ Tue, 30 Nov 2021 02:24:32 -0500 H!PS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 a8469fae31e0dd60bb4371551cd61ad2 Alvin Alagao deposited The Future Historiography of AI Art in the group Networked Art https://hcommons.org/activity/p/1741453/ Tue, 15 Jun 2021 02:26:41 -0400 More and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]

]]> 0 7e73f9d91bf4c301a4fb45acfabae354 Pruritus Migrans deposited Lady Liberty! in the group Networked Art https://hcommons.org/activity/p/1740281/ Wed, 02 Jun 2021 02:25:09 -0400 Lady Liberty! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 7544bbce1c1f1a518e0dc54993829076 Gary Hall deposited Postdigital Politics: or, How To Be An Anti-Bourgeois Theorist in the group Networked Art https://hcommons.org/activity/p/1735856/ Fri, 23 Apr 2021 02:24:14 -0400 In ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which mov…[Read more]

]]> 0 b8a29111e292e76bc741d13a5d816f7b Pruritus Migrans deposited HELLcome to ameriKKKa! in the group Networked Art https://hcommons.org/activity/p/1730315/ Sat, 06 Mar 2021 02:24:19 -0500 HELLcome to ameriKKKa! * QRt by PRURITUS MIGRANS * CC: BY-NC-ND

]]> 0 bead51b347912b9000c3b07ad0c2c51e Garrett Lynch (IRL) deposited A Haunting of Haunts in the group Networked Art https://hcommons.org/activity/p/1729104/ Fri, 26 Feb 2021 02:23:54 -0500 A Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.

]]> 0 373fe7dbdae64c73aaf4dffb613510e3 Garrett Lynch (IRL) deposited I’m Garrett Lynch (IRL) in the group Networked Art https://hcommons.org/activity/p/1728889/ Thu, 25 Feb 2021 02:23:54 -0500 This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed 'virtual' and 'real' spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]

]]> 0 5f15cbf061c53ab5849fe91b2ffd127d Pruritus Migrans deposited BIS REPETITA PLACENT! in the group Networked Art https://hcommons.org/activity/p/1726396/ Fri, 05 Feb 2021 02:27:39 -0500 BIS REPETITA PLACENT! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 bc278a6455bc76015bcc4d5c1acbbed4 Pruritus Migrans deposited CORVIDS in the group Networked Art https://hcommons.org/activity/p/1724413/ Fri, 22 Jan 2021 02:24:00 -0500 CORVIDS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

]]> 0 959cc265d4c7a8a7bac31df16c20b0e6 Pruritus Migrans deposited QRt is the new pop ARt! in the group Networked Art https://hcommons.org/activity/p/1723564/ Mon, 18 Jan 2021 02:24:08 -0500 QRt is the new pop ARt! - by PRURITUS MIGRANS - CC-BY-NC-ND

]]> 0 8def0265d9bf998149fc616e7ceec382 Pruritus Migrans deposited Enjoy Caustic Humour! in the group Networked Art https://hcommons.org/activity/p/1722129/ Fri, 08 Jan 2021 02:24:27 -0500 Enjoy Caustic Humour! * Caustic Humour by PRURITUS MIGRANS * CC-BY-NC-SA

]]> 0 630e9186cfd9d11e412248ac215597a9 Garrett Lynch (IRL) deposited The transformative nature of networks within contemporary art practice in the group Networked Art https://hcommons.org/activity/p/1639453/ Thu, 02 May 2019 16:26:06 -0400 Since the introduction of the World Wide Web in 1991, it has had a significant impact on contemporary art. As a consequence, however, networks are almost exclusively considered as technologically determined, art produced is digital, refers to the internet and is more often than not specifically web-based. This research redefines the role of…[Read more]

]]> 0 a4d42105d28edab75265ea0c70b6a02f Garrett Lynch deposited Trav—erse in the group Networked Art https://hcommons.org/activity/p/1634000/ Mon, 04 Mar 2019 16:29:41 -0500 The software used in the performance (RE:corder) allows the performer to explore, select and use radio frequencies creating a live composition made from noise, sounds, words, voices and far away songs, corroded by distortion. The trip across the space of frequencies becomes a voyage in physical and geographical spaces in search of those people,…[Read more]

]]> 0 d55a4fa3e6c9c023fe620b74c159ef7d Gary Hall deposited Cities of InfraRed in the group Networked Art https://hcommons.org/activity/p/1631540/ Sat, 09 Feb 2019 16:38:34 -0500 Cities of InfraRed is an abstract for my proposed contribution to a book that is being put together by Cornelia Sollfrank, Shuhsa Niederberger and Felix Stalder. The book has the working title of Aesthetics of the Commons, and arises out of the Creating Commons research project at the Zurich University of the Arts.

A version of Cities of…[Read more]

]]> 0 0fc12474ebeee10e9f2a7f8b3d001217 Garrett Lynch deposited Exploring the networked image in 'post' art practices in the group Networked Art https://hcommons.org/activity/p/1627555/ Tue, 01 Jan 2019 16:25:22 -0500 This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]

]]> 0 730cae0fea367a636fd7449c9164cb36 John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group Networked Art https://hcommons.org/activity/p/1627402/ Sat, 29 Dec 2018 16:25:28 -0500 Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]

]]> 0 eda849b15a10a95a94426aec3c59e1cc Garrett Lynch deposited Auction action – commission an artwork in the group Networked Art https://hcommons.org/activity/p/1615134/ Fri, 10 Aug 2018 15:14:31 -0400 Auction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]

]]> 0 7b3c2d7bf8643491dc94b4d155a1bf58 Garrett Lynch deposited Remote Encounters: a report about networking practitioners in the group Networked Art https://hcommons.org/activity/p/1610792/ Thu, 14 Jun 2018 04:14:03 -0400 A short article titled Remote Encounters: a report about networking practitioners on the Remote Encounters conference and Liminalities journal special issue published on Digicult.it. The report specifically addresses my own objectives as both organiser of the conference and journal issue and artist/researcher.

]]> 0 085a2c1f8463f3fbe2ad49e508aa3887 Garrett Lynch deposited Google and Art: A commercial / cultural new media art economy? in the group Networked Art https://hcommons.org/activity/p/1610791/ Thu, 14 Jun 2018 04:14:02 -0400 Why is it important to know about the developments of Google and its influences on society? What bearing has this on new media art? To date new media art has been an information based art form, but not necessarily an informed one. Information has been used in various ways, background noise, continuously flowing content, as a trigger to indicate a…[Read more]

]]> 0 81ae123269e00e823029cc57c28a7ab6 Garrett Lynch deposited Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance in the group Networked Art https://hcommons.org/activity/p/1610790/ Thu, 14 Jun 2018 04:14:01 -0400 Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance was a two-day international conference with performance evening organised and chaired by myself at the University of South Wales on the 11th and 12th of April 2013. Its purpose was to explore the use of networks as a means to enhance or create a…[Read more]

]]> 0 1a190d695698a6632994edfc842c7022 Garrett Lynch deposited HFT The Gardener: A Network of Financial Trading, Drugs and Botany in the group Networked Art https://hcommons.org/activity/p/1610789/ Thu, 14 Jun 2018 04:14:01 -0400 A review of HFT The Gardener, the exhibition by Susan Treister at Annely Juda Fine Art, London (22/09/2016 - 29/10/2016) published at Furtherfield.org (http://furtherfield.org/features/reviews/hft-gardener-network-financial-trading-drugs-and-botany). This review relates Treister's work to the artistic visualisation of networks and the links…[Read more]

]]> 0 7cc0f76e917985e8304107ecfa718b3d Garrett Lynch deposited Exploring the networked image in ‘post’ art practices in the group Networked Art https://hcommons.org/activity/p/1610779/ Thu, 14 Jun 2018 04:13:59 -0400 This paper for the Journal of Media Practice / MeCCSA Practice Network Symposium titled Post-Screen Cultures/Practices on the 10/06/2016, presented four networked art practice works undertaken since 2014. The works included: - This is Real Virtuality (2014), a networked photographic and text-based performance in weblog form consisting of a first…[Read more]

]]> 0 c30cc5af4e752e0d45423f878e1ffbe1 Garrett Lynch deposited The Art of Networks and Networks as Art in the group Networked Art https://hcommons.org/activity/p/1610777/ Thu, 14 Jun 2018 04:13:58 -0400 The Art of Networks and Networks as Art is the title of a performance/presentation given at the 12th Annual Subtle Technologies Festival on the theme of Networks. The performance/presentation focused on the development of my work over the last five years and the role of networks within artistic practice. This was detailed in its most obvious sense…[Read more]

]]> 0 2f4d66875c1795a65b5180f58506a67f Garrett Lynch deposited Net.art: beyond the browser to a world of things in the group Networked Art https://hcommons.org/activity/p/1610775/ Thu, 14 Jun 2018 04:13:58 -0400 In under a decade and a half, net.art has developed from an obscure to a hyped form, gaining acceptance in the institution and being absorbed into popular culture. Why net.art has become associated with the web and not networks in general is evident within the form itself. The advantages the web embodies as an arena to conceive, create and present…[Read more]

]]> 0 88ab6894b6212c55992ca01eb87b57bf Garrett Lynch deposited Performance systems: making vs. exploiting in the group Networked Art https://hcommons.org/activity/p/1610773/ Thu, 14 Jun 2018 04:13:57 -0400 On the second and final day of the conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance proceedings closed with a roundtable discussion entitled Performance Systems: Making vs. Exploiting. The purpose of the roundtable was to explore performance systems used by artists and to…[Read more]

]]> 0 2e09d605e2c3ddb6c4ddfaedcef008dd Garrett Lynch deposited Body, Space and Time in Networked Performance in the group Networked Art https://hcommons.org/activity/p/1610771/ Thu, 14 Jun 2018 04:13:56 -0400 This special issue of Liminalities has been compiled from the outcomes of the conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance held at the University of South Wales on the 11th and 12th of April 2013. By providing an overview of contributions to the issue this editorial aims to both…[Read more]

]]> 0 c746c172ba224e0f9ea1333db0b3e0eb Garrett Lynch deposited A Metaverse Art Residency: 'Garrett Lynch Yoshikaze "Up-in-the-air" Second Life Residency' in the group Networked Art https://hcommons.org/activity/p/1610769/ Thu, 14 Jun 2018 04:13:56 -0400 This article discusses the artist Garrett Lynch’s residency in Second Life® at Yoshikaze ‘Up-in-the-air’, HUMLab, Umeå University in Sweden. The artist’s mixed-reality live performance and installation work in the ‘virtual’ world, part of a wider artistic practice on networks, focuses on the identity and role of the artist within an environment m…[Read more]

]]> 0 4aba4a521e74030701960e8a2e634283 Garrett Lynch deposited On audience attitude in participative and interactive forms in the group Networked Art https://hcommons.org/activity/p/1610314/ Fri, 08 Jun 2018 04:15:26 -0400 Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

]]> 0 c3f457ccf9704288f6faa3b1e2210472 Garrett Lynch IRL created the group Networked Art https://hcommons.org/activity/p/1609759/ Sat, 02 Jun 2018 14:17:36 -0400 0