This paper is dedicated to the question of relationships between Ecclesiastes Rabbah and two medieval anthologies Midrash Hagadol and Sefer Maasiot. The paper also deals with relationships of the last two to each other, claiming that Midrash Hagadol used Sefer Maasiot

This paper is a long version of my English paper from 2012, “Body of the Whore, Body of the Story and Metaphor of the Body,” Introduction to Seder Qodashim. A Feminist Commentary on the Babylonian Talmud V. , Tal Ilan, Monika Brockhaus and Tanja Hidde (eds.), Tübingen: Mohr Siebeck, 305-319 . Some discussions where omitted, though some new find…[Read more]

As Kashmir faces new challenges, our forms of allyship must also evolve. Perhaps we can learn some lessons from its kitchens.

The Fairy Tale as Secular Scripture begins from the premise that fairy tales are a battleground in twenty-first century American culture. Hundreds of fairy tales enter the cultural space each year and are met with both acclaim and censure. Fairy tales are censured even as we consume them, but these cultural moments have been underexamined in…[Read more]

This essay ruminates the ethics of a co-implicated, bounded dependence between objects (human and otherwise) that are always in some sense withdrawing from each other but also always together in a some-place labeled “here”: the world (where no Absolute or Outside vantage point is possible or habitable). This essay also considers the possibility,…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

Spanish abstract: ‘Samuel Beckett y la Narración Reflexiva’ es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogía novelística ‘Molloy,’ ‘Malone Dies,’ and ‘The Unnamable,’ desde la perspectiva de la narratología estructuralista y las teorías estructuralistas sobre la enunciación. El segundo capít…[Read more]

An interpretation of the rock art appearing in The Shaft at Lascaux and a discussion of Aurignacian Rites of Passage

An interpretation of the Red Mammoth Panel in Chauvet linking Chauvet to Lascaux in a single ritual landscape

Bibliography for One Godz – A Peoples History of the Upper Paleolithic

The Index of Deities and Demons is the heart of One Godz. This Index presents almost all Deities and Demons represented on the cave walls of Chauvet and Lascaux along with their defining Basis Points drawn from Hesiod and the Homeric Hymns. This chapter demonstrates the actual process of attaching meaning to symbolism while mediating subjectivity.

This Primer provides a methodology for mitigating subjectivity when attaching meaning to preholocene rock art. It provides an introduction to basic syntax, grammar, and some vocabulary. It identifies four non-verbal languages of the Upper Paleo.

Why are academic and policy discourses on child soldiers relatively silent on sexual violence against boys in armed groups? Drawing from the experiences of boys forcibly conscripted into the Lord’s Resistance Army (LRA), this Chapter seeks to transcend the gendered language of sexual slavery, concubines, forced pregnancy and rape. Most sexual a…[Read more]

In the 16th century most of Russia is still a terra incognita with a highly dubious and mostly mythologized geography, anthropology, and sociology. In this article we look at some texts of the Early Modern period – Sir Thomas Smithes Voiage and Entertainment in Rushia (1605), Peter Mundy’s Travel Writings of 1640–1641, and The Voiages and Trave…[Read more]

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Este capítulo presenta de modo sucinto una introducción a la narratología estructuralista clásica, que seguidamente se aplica al estudio de la narrativa experimental de Beckett en el libro “Samuel Beckett y la narración reflexiva”. Se presentan los conceptos básicos de la estructura narrativa (tiempo, aspecto, voz, status, modo) definidos en relac…[Read more]

‘Samuel Beckett y la narración reflexiva’ es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogía novelística ‘Molloy’, ‘Malone muere’ y ‘El Innombrable’, desde la perspectiva de la narratología estructuralista y las teorías estructuralistas sobre la enunciación. La introducción esboza un contexto estilí…[Read more]

In his fiction, journalism and letters, Dostoevsky recurrently mentions ethnicity of his protagonists. Russians, Poles, Englishmen, Germans, Turks, Greeks etc. never act as individuals with their personal life but rather as ‘carriers’ of some national idea. Amidst the nations represented in Dostoevsky’s oeuvre, there are some Jews. The fashi…[Read more]

Este artículo clasifica algunos de los elementos metaficcionales más corrientes desde una perspectiva narratológica, según pertenezcan al nivel de la acción, del relato, de la narración, o del discurso del autor. _________________________________________________________________________________

This paper classifies some of the more commo…[Read more]

The Line of Control arbitrarily bifurcates Neelum valley, Kashmir into Pakistan and India. While the border attempts to constrain and categorize, the daily movements and flows of human and more-than-human bodies via “unofficial” routes and routines generate an understanding of Kashmir that is not dependent on geopolitics. Neelum as sculpted and…[Read more]