Musicology Australia is the scholarly journal of the Musicological Society of Australia. Since its inception in 1963, the journal has published articles on all aspects of music research, including historical musicology, ethnomusicology, popular music, indigenous music practices, jazz, music theory, music analysis, organology, performance practice, contemporary music and psychology of music. All submissions are double-blind peer reviewed.
Musicology Australia is open to new submissions at any time. Contributors are not required to write on Australian music or be Australian-based musicologists. For further information and instructions for authors, please see: https://www.tandfonline.com/journals/rmus20. Informal enquiries may be directed to the Editor, Denis Collins (denis.collins –at- uq.edu.au), or to the Associate Editor, Sarah Kirby (kirby.c -at- unimelb.edu.au).
Christopher Coady – ‘Exiled from the Musical Activities of His Homeland’: Dean Dixon in the Australian and African American Press During the Era of Immigration Reform
Anthea Skinner – Women in World War II RAAF Bands: An Untold Story
Anna McMichael & Judith Healy – Classical Musicians in Australia during the 1850s Gold Rush: The Colonial Tour of Miska Hauser, Virtuoso Violinist
Michael Ewans – Nature in Berg’s Wozzeck
Breandán Seosaimh Ó Luain & Anne-Marie Forbes – Sounds from Foreign Shores: Non-Traditional String Instruments and the Irish Folk Music Movement 1960–1979
Alex Chilvers – Foreign Models, Familiar Themes: The Aesthetic Function of Folklore in Works by Szymanowski and Górecki
Adam Pinto – Morceau de Concours (2007): Recycling, Transcription and the Concert-Paraphrase in the Music of Roger Smalley (1943–2015)
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A discussion and announcement platform for music researchers sponsored by the Musicological Society of Australia