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	<title>Knowledge Commons | Monsters and Monstrosity | Activity</title>
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	<description>Activity feed for the group, Monsters and Monstrosity.</description>
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				<title>Lloyd Graham deposited Rainbow serpents, dragons and dragon-slayers: Global traits, ancient Egyptian particulars, and alchemical echoes in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1895889/</link>
				<pubDate>Sat, 10 Aug 2024 03:00:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Robert Blust has recently established that – globally – dragons evolved from rainbow serpents, which in turn represent a prehistoric understanding of rainbows. The present paper explores the “dragon-scape” of ancient Egypt in search of traits that may have survived from these earlier stages. The cryptic pD.tyw Sw and Iaau of Coffin Text 698 mig&hellip;<span class="activity-read-more" id="activity-read-more-1895889"><a href="https://hcommons.org/activity/p/1895889/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lloyd Graham deposited “Nessie”: An uncannily apt name for a serpentine water-monster in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1878839/</link>
				<pubDate>Thu, 07 Mar 2024 03:01:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>The fabled water-monster of Loch Ness has been designated a member of the putative genus Nessiteras and is referred to affectionately in media reports by the feminine diminutive “Nessie.” This paper points out that, by pure serendipity, such Nessi- appellations recall the name of the Slavic nežit of eastern and central Europe and the Latin ness&hellip;<span class="activity-read-more" id="activity-read-more-1878839"><a href="https://hcommons.org/activity/p/1878839/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lloyd Graham deposited Patriarchal Blood Rituals and the Vampire Archetype in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1869561/</link>
				<pubDate>Tue, 02 Jan 2024 03:00:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>Correspondences can be identified between (on the one hand) androcentric cosmogonies, ancestral misogyny and tribal blood rituals, and (on the other) the classical paradigm of vampirism, especially in its literary and on-screen flowering. Specifically, the initiatory culture-hero and the archetypal vampire both confer a haematologically-mediated&hellip;<span class="activity-read-more" id="activity-read-more-1869561"><a href="https://hcommons.org/activity/p/1869561/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota started the topic New Movie: Frankenstein (musical) based on Mary Shelley's novel in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/new-movie-frankenstein-musical-based-on-mary-shelleys-novel/</link>
				<pubDate>Sat, 27 May 2023 04:49:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>I'm excited to tell you that my musical, "Frankenstein" that played Off-Broadway in NY for 3 years, was adapted for screen, with an expanded score and orchestration.  It was just released this week and is available on <a href="https://www.StreamingMusicals.com/film/frankenstein/" rel="nofollow ugc">StreamingMusicals.com</a>  or from the website <a href="https://TheFrankensteinMusical.com" rel="nofollow ugc">https://TheFrankensteinMusical.com</a></p>
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				<title>Pruritus Migrans deposited Before coffee in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1830087/</link>
				<pubDate>Tue, 17 Jan 2023 02:36:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Before coffee * QRt by PRURITUS MIGRANS * CC: BY-NC-SA</p>
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				<title>Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1766629/</link>
				<pubDate>Sun, 16 Jan 2022 02:24:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline&hellip;<span class="activity-read-more" id="activity-read-more-1766629"><a href="https://hcommons.org/activity/p/1766629/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1713762/</link>
				<pubDate>Tue, 20 Oct 2020 02:23:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>This collection examines the intersection of the discourses of “disability” and “monstrosity” in a timely and necessary intervention in the scholarly fields of Disability Studies and Monster Studies. Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history&hellip;<span class="activity-read-more" id="activity-read-more-1713762"><a href="https://hcommons.org/activity/p/1713762/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited MEARCSTAPA: TEN YEARS OF TERATOLOGY in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1688301/</link>
				<pubDate>Sat, 23 May 2020 16:25:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Ten years ago, back in 2008, a group of scholars interested in a diverse range of cultural figures at that point in time typically marginalized as subjects for seri ous critical study-werewolves, ghosts and revenants, giants, fairies and elves, vampires, the monsters on medieval mappa mundi, in medieval texts, in man uscript marginalia, and in&hellip;<span class="activity-read-more" id="activity-read-more-1688301"><a href="https://hcommons.org/activity/p/1688301/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota started the topic Streaming version of Off-Broadway musical based on Mary Shelley's Frankenstein in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/streaming-version-of-off-broadway-musical-based-on-mary-shelleys-frankenstein-3/</link>
				<pubDate>Thu, 14 May 2020 13:43:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>My musical based on Mary Shelley's Frankenstein has been playing Off-Broadway in NYC for over 2-1/2 years (up until the pause caused by the health crisis).  It has had a great deal of interest from college and high school classes studying the novel, with groups attending the performances.<br />
<a href="https://TheFrankensteinMusical.com" rel="nofollow ugc">TheFrankensteinMusical.com</a></p>
<p>Even before covid, we had&hellip;<span class="activity-read-more" id="activity-read-more-1687304"><a href="https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/streaming-version-of-off-broadway-musical-based-on-mary-shelleys-frankenstein-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1671230/</link>
				<pubDate>Mon, 02 Dec 2019 16:26:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112</p>
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				<title>Asa Simon Mittman deposited "Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript," with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1671227/</link>
				<pubDate>Mon, 02 Dec 2019 16:26:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>"Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript," with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008)</p>
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				<title>Asa Simon Mittman deposited “The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1671223/</link>
				<pubDate>Mon, 02 Dec 2019 16:26:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>“The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008)</p>
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				<title>Asa Simon Mittman deposited "Ungefraegelicu deor: Monsters and Truth in the Wonders of the East," Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1671214/</link>
				<pubDate>Mon, 02 Dec 2019 16:25:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>"Ungefraegelicu deor: Monsters and Truth in the Wonders of the East," Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim</p>
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				<title>Asa Simon Mittman deposited Asa Simon Mittman and Susan M. Kim, Monsters and the Exotic in Early Medieval England, Literature Compass 6/2 (2009): 332–348 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1671210/</link>
				<pubDate>Mon, 02 Dec 2019 16:25:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>The dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and mon- sters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the mon- strous occurs not&hellip;<span class="activity-read-more" id="activity-read-more-1671210"><a href="https://hcommons.org/activity/p/1671210/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited "Monsters and the Exotic in Early Medieval England," The Oxford Handbook of Medieval Literature in English, ed. Elaine Treharne and Greg Walker (Oxford University Press, March 2010) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670694/</link>
				<pubDate>Thu, 21 Nov 2019 16:34:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>The dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and monsters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the monstrous occurs not onl&hellip;<span class="activity-read-more" id="activity-read-more-1670694"><a href="https://hcommons.org/activity/p/1670694/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited “Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670687/</link>
				<pubDate>Thu, 21 Nov 2019 16:33:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>“Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012)</p>
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				<title>Asa Simon Mittman deposited “Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670679/</link>
				<pubDate>Thu, 21 Nov 2019 16:32:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>“Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14</p>
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				<title>Asa Simon Mittman deposited "Navigating Myriad Distant Worlds," Lo Sguardo, N. 9 (II): “Spazi del Mostruoso; Luoghi Filosofici della Monstruosià,” (2012): 35-46 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670672/</link>
				<pubDate>Thu, 21 Nov 2019 16:31:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract: This essay attempts to draw connections between medieval maps and their<br />
many monsters, digital cartographical interfaces, and modern experiences of the world.<br />
Each impacts our understandings of the others. The medieval notion of speculum – the<br />
metaphorical mirror that allows us to see our worlds and ourselves more clearly – dra&hellip;<span class="activity-read-more" id="activity-read-more-1670672"><a href="https://hcommons.org/activity/p/1670672/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited "Are the ‘monstrous races’ races?" postmedieval 6:1 (Spring 2015): 36–51 in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670501/</link>
				<pubDate>Tue, 19 Nov 2019 16:26:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the use of the modern term ‘monstrous races’ to describe the wondrous beings found in Herodotus, Pliny, The Wonders of the East, world maps and elsewhere. Considering the etymology and history of the word ‘race,’ a series of modern definitions are tested out on figures found in the images and texts of the British Library&hellip;<span class="activity-read-more" id="activity-read-more-1670501"><a href="https://hcommons.org/activity/p/1670501/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Asa Simon Mittman, "In Those Days: Giants And The Giant Moses In The Old English Illustrated Hexateuch," Imagining the Jew: Jewishness in Anglo-Saxon Literature and Culture, ed. Samantha Zacher (Ithaca: Cornell University Press, 2016) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670446/</link>
				<pubDate>Mon, 18 Nov 2019 16:26:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The eleventh-century Old English Illustrated Hexateuch, probably produced in the second quarter of the eleventh century, in or near St. Augustine’s Abbey, Canterbury, houses a wealth of imagery, including several images of giants that appear throughout the manuscript’s approximately 400 images and 156 folios. These giants form a primary point of&hellip;<span class="activity-read-more" id="activity-read-more-1670446"><a href="https://hcommons.org/activity/p/1670446/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited “Monstrous Iconography,” with Susan M. Kim, Companion to Medieval Iconography, ed. Colum Hourihane (New York: Routledge, 2017) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670442/</link>
				<pubDate>Mon, 18 Nov 2019 16:26:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>Monstrous iconography was a major, even central, element of the visual arts throughout the entire medieval period, Early Christian through late Gothic, east and west, north and south. There are few—if any—medieval cultural traditions that do not rely on monstrous imagery for vital cultural functions. Within this catchall category, often def&hellip;<span class="activity-read-more" id="activity-read-more-1670442"><a href="https://hcommons.org/activity/p/1670442/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited "Giants of Old" in Tiny Book of Mammoth Molars in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670427/</link>
				<pubDate>Mon, 18 Nov 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>A short introduction to an artist book on history and ecology and loss.</p>
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				<title>Asa Simon Mittman deposited Bryant and Mittman, Travels of the Blemmye-Folke, LISTENING 52.3.pdf in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670323/</link>
				<pubDate>Sun, 17 Nov 2019 16:35:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, we bring to light a text that foregrounds listening to the monster, in this case the Blemmyes, by making available to scholarly readers a previously unknown Middle English poem of great historical and literary significance. Our discovery was made possible through the generous funding of the NEPS (National Endowment for the&hellip;<span class="activity-read-more" id="activity-read-more-1670323"><a href="https://hcommons.org/activity/p/1670323/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Asa Simon Mittman and Sherry C.M. Lindquist, "Here There Be Dragons,” Antiques (May/June 2018) in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670316/</link>
				<pubDate>Sun, 17 Nov 2019 16:34:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>"Here there be Dragons"</p>
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				<title>Asa Simon Mittman deposited Monsters and Monstrosity in Jewish History From the Middle Ages to Modernity in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1670002/</link>
				<pubDate>Wed, 13 Nov 2019 16:31:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>The line “Enge anpaðas uncuð gelad” [narrow path, unknown way] appears twice in the Old English corpus: once in the Old English Exodus (a tale from Old Testament narrative poetry that tells us a story of the Israelites fleeing the Egyptians) and once in Beowulf (an epic story of masculine bravado, intense alienation and Otherness, and time past&hellip;<span class="activity-read-more" id="activity-read-more-1670002"><a href="https://hcommons.org/activity/p/1670002/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1669996/</link>
				<pubDate>Wed, 13 Nov 2019 16:31:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain's location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world's holy center, the geographic margins were considered monstrous. Medieval geography,&hellip;<span class="activity-read-more" id="activity-read-more-1669996"><a href="https://hcommons.org/activity/p/1669996/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Research Companion to Monsters and the Monstrous in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1669991/</link>
				<pubDate>Wed, 13 Nov 2019 16:30:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art&hellip;<span class="activity-read-more" id="activity-read-more-1669991"><a href="https://hcommons.org/activity/p/1669991/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Inconceivable Beasts: The ‘Wonders of the East’ in the Beowulf Manuscript in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1669639/</link>
				<pubDate>Sat, 09 Nov 2019 16:25:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Bound with Beowulf, the Old English Wonders of the East, a catalogue of marvelous beings, describes the very creatures it depicts as ungefrægelicu (unheard of, inconceivable). Insistently, these representations, both visual and textual, provoke questions about the nature and possibility of representation itself. In doing so, they also destabilize&hellip;<span class="activity-read-more" id="activity-read-more-1669639"><a href="https://hcommons.org/activity/p/1669639/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Classic Readings on Monsters and the Monstrous Primary Sources on Monsters in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1669637/</link>
				<pubDate>Sat, 09 Nov 2019 16:25:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>University courses on monsters are becoming widespread as many disciplines use monsters to think about what it means to be human. To date no source collection on the literature of the monstrous exists, and this volume offers the key primary readings on monsters from ancient times to the present day. Each work is preceded by a critical&hellip;<span class="activity-read-more" id="activity-read-more-1669637"><a href="https://hcommons.org/activity/p/1669637/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Asa Simon Mittman deposited Sea Monsters, edited by Thea Tomaini and Asa Simon Mittman in the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1669634/</link>
				<pubDate>Sat, 09 Nov 2019 16:25:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>BEACHES GIVE AND TAKE, bringing unexpected surprises to society, and pulling essentials away from it. The ocean offers monsters— whales and whirlpools—but when a massive creature is pushed into human proximity by the ocean’s wide shoulders, the waves deposit and erode human assumptions about itself and its environment: words, sounds, breath, water&hellip;<span class="activity-read-more" id="activity-read-more-1669634"><a href="https://hcommons.org/activity/p/1669634/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota started the topic Frankenstein (musical) Off-Broadway, Still plating in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/frankenstein-musical-off-broadway-still-plating-2/</link>
				<pubDate>Mon, 08 Jul 2019 19:48:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>My musical, FRANKENSTEIN, based on Mary Shelley's novel, is still playing Off-Broadway, having been extended again through its 2nd complete year!<br />
It now plays on Tuesday evenings at 7 PM, at St. Luke's Theatre (W. 46 &amp; 8th Ave.)<br />
TheFrankensteinMusical.com<br />
(contact me for discount code!)</p>
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				<title>Eric Sirota posted an update in the group Monsters and Monstrosity: I wrote a musical based on Mary Shelley’s Frankenstein, w [&#133;]</title>
				<link>https://hcommons.org/activity/p/1602386/</link>
				<pubDate>Fri, 02 Mar 2018 15:44:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>I wrote a musical based on Mary Shelley’s Frankenstein, which is playing in NY.  It is entering its 6th month as an open-ended Off-Broadway production at St. Luke’s Theatre in the heart of the theatre district.   <a href="http://www.TheFrankensteinMusical.com" rel="nofollow ugc">http://www.TheFrankensteinMusical.com</a><br />
“Frankenstein” plays on Monday nights at 7 PM.“..it is a success of a show that should be considere&hellip;<span class="activity-read-more" id="activity-read-more-1602386"><a href="https://hcommons.org/activity/p/1602386/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eric Sirota posted an update in the group Monsters and Monstrosity: I wrote a musical based on Mary Shelley's Frankenstein, [&#133;]</title>
				<link>https://hcommons.org/activity/p/1594791/</link>
				<pubDate>Fri, 05 Jan 2018 00:54:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>I wrote a musical based on Mary Shelley's Frankenstein, which is playing in NY. It is having an open-ended Off-Broadway production at St. Luke's Theatre in the heart of the theatre district.<br />
"Frankenstein" plays on Monday nights at 7 PM.<br />
While an adaptation, I try to honor the source material.</p>
<p>Info is here: <a href="http://www.TheFrankensteinMusical.com" rel="nofollow ugc">http://www.TheFrankensteinMusical.com</a></p>
<p>(This&hellip;<span class="activity-read-more" id="activity-read-more-1594791"><a href="https://hcommons.org/activity/p/1594791/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>John Robert Ziegler replied to the topic Introductions in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/#post-7540</link>
				<pubDate>Tue, 15 Aug 2017 16:52:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>I divide my research between early modern English literature, especially drama (the focus of my doctoral research), and contemporary pop culture, with a concentration on the pop-culture side on monsters/the supernatural/sci-fi that has increased over time. Currently, I am working on an article about shapeshifting and subjectivity in the video game&hellip;<span class="activity-read-more" id="activity-read-more-1578864"><a href="https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/#post-7540" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fiona Mitchell replied to the topic Introductions in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/#post-7429</link>
				<pubDate>Thu, 10 Aug 2017 16:03:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Excellent idea, Caitlin. Thanks for getting it started.</p>
<p>I work in ancient Greek literature and myth primarily, although I'm interested in the way that Greek texts and narratives interact with those from other cultures. At the moment I'm working on the connections between ancient Greek and Indian creation narratives, including the monstrous&hellip;<span class="activity-read-more" id="activity-read-more-1578402"><a href="https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/#post-7429" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caitlin Duffy started the topic Introductions in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/</link>
				<pubDate>Tue, 18 Jul 2017 20:43:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since we're all approaching monsters from different disciplines, perhaps it might be helpful to briefly introduce yourself and explain how you use monsters/monstrosity in your work here.</p>
<p>I'll start:</p>
<p>I'm an English Lit. Ph.D. student at Stony Brook University. As of this Fall, I will be in my second year of the program. My research interests focu&hellip;<span class="activity-read-more" id="activity-read-more-1576083"><a href="https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/introductions-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fiona Mitchell started the topic Welcome! in the discussion Monsters and Monstrosity</title>
				<link>https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/welcome-9/</link>
				<pubDate>Mon, 05 Jun 2017 09:42:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hi everyone,</p>
<p>It's looking a bit bare around here, but hopefully we can do something about that!</p>
<p>I wanted to start this group so that there was another place that people working on monstrosity in different disciplines could talk to one another.</p>
<p>So, if you have seen/organised a relevant event, have read something interesting on the topic, have p&hellip;<span class="activity-read-more" id="activity-read-more-1573219"><a href="https://hcommons.org/groups/monsters-and-monstrosity/forum/topic/welcome-9/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fiona Mitchell created the group Monsters and Monstrosity</title>
				<link>https://hcommons.org/activity/p/1570530/</link>
				<pubDate>Mon, 15 May 2017 16:10:22 -0400</pubDate>

				
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