About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]

An overview of the “state of the field” of critical posthumanist studies that also argues for the important intervention of premodern studies into contemporary critical posthumanism studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio…[Read more]

What can be said about the “style” of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we “subjects” of style? And what is the relationship between style and theory? Is style an object,…[Read more]

This Prelude to L.O. Aranye Fradenburg’s book STAYING ALIVE makes the case for Fradenburg’s career as comprising a critically important dossier relative to the relationship(s) between desire, enjoyment, groupification, signification, and disciplinarity, especially with regard to techniques of living, the care of the self (and others), and the…[Read more]

My poetic Preface to Kathleen Biddick’s book, “Make and Let Die: Untimely Sovereignties” (punctum books, 2016), which is indebted to and adapted from Adrienne Rich’s poem “Diving into the Wreck,” which sketches out the exploratory soundings of a sea-wreck of forgotten histories that bears uncanny resonances with Kathleen Biddick’s own acediou…[Read more]

This essay argues for the consideration of energy and an energy-based humanities model in the study of water in the Middle Ages. It also proposes that ‘energy’, when discussed in the context of the Middle Ages, is in fact a study of ‘energies’, derived from technology, material culture, and intellectual culture in equal measure. It propose…[Read more]

The introduction to a special issue of the Journal of Narrative Theory, edited by Eileen Joy and Christine Neufeld, on “Premodern to Modern Humanisms: The BABEL Project.” This essay sketches out a blueprint for pursuing new “critical humanisms” in a post/human age.

This special issue of the “Journal of Narrative Theory” represents one of the BABEL Working Group’s first forays into a collaborative and “baggy” humanistic scholarship between medieval studies, more contemporary humanistic studies, and the sciences, with the objective of interrogating together the open terms, “human,” “humanity,” “humanism,”…[Read more]

This essay considers Emmanuel Levinas’s philosophy of hospitality in relation to the “isolated and heroic being that the state produces by its virile virtues,” through an analysis of female Chechen suicide terrorists in contemporary Russia and the figure of Grendel in the Old English poem “Beowulf,” in order to raise some questions about the relat…[Read more]

In a talk he gave in 1995 at a conference at Georgetown University, “Cultural Frictions: Medieval Cultural Studies in Post-Modern Contexts,” Paul Strohm asserted that “postmodernism is preoccupied with history, endlessly obsessed with history, and with the nature of the claims the past exerts upon us; it might almost be called a way of thinking…[Read more]

The essays collected in this volume demonstrate that, when certain medieval and contemporary cultural texts are placed alongside each other — such as a fourteenth-century penitential handbook and the reality television show “Survivor,” or early fifteenth-century Lancastrian statecraft (Henry IV) and the stagecraft of George W. Bush’s presidential…[Read more]

Although widely beloved for its playfulness and comic sensibility, Chaucer’s poetry is also subtly shot through with dark moments that open into obscure and irresolvably haunting vistas, passages into which one might fall head-first and never reach the abyssal bottom, scenes and events where everything could possibly go horribly wrong or where e…[Read more]

This essay offers a consideration of Levinas’s philosophy of hospitality in relation to the terroristic figure of Grendel in the Old English poem “Beowulf,” in order to raise some questions about the vexed connections between ethics, violence and sovereignty, as well as between ethics and politics, both in the early Middle Ages and in our own t…[Read more]

Proceedings from the two Speculative Medievalisms symposia, held at King’s College London (Jan. 2011) and The Graduate Center, City University of New York (Sep. 2011), and organized by The Petropunk Collective (Eileen Joy, Anna Klosowska, Nicola Masciandaro, and Michael O’Rourke). These interdisciplinary events were dedicated to dialogue and cro…[Read more]

This essay argues that literary narratives can serve as ideal sites through which to explore the emergence of time’s dissonant conjunctions and surprising forks, arising as they do from minds that are both transhistorical and rooted in particular times and places, and because literary texts are also objects that, as Jonathan Gil Harris has a…[Read more]

“Liquid Beowulf” serves as the Introduction to “The Postmodern Beowulf: A Critical Casebook” (Morgantown: West Virginia University Press, 2006), and makes an argument for the Old English poem as a richly inter- and cross-temporal cultural response to historical traumas that still haunt our present moment and which also poses always important (and…[Read more]

This essay serves as the Preface to “Still Thriving: On the Importance of Aranye Fradenburg,” a collection of critical reflections on the career and paradigm-shifting scholarship of medievalist and psychoanalyst L.O. Aranye Fradenburg.

The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]