The purpose of Medieval Art is to collect and disseminate web resources and news such as conferences, exhibitions, publications, etc. devoted to medieval art.
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Martin Roland deposited Martin Roland: Erzählstrategien der Bildprogramme zur ‚Weltchronik‘ in the group
Medieval Art on Humanities Commons 1 month, 3 weeks agoDer Beitrag untersucht das Verhältnis des Bildprogramms zur Weltchronik des Rudolf von Ems zu anderen Bildprogrammen von volkssprachlichen Weltchroniken.
Es gibt keinen für Rudolf von Ems typischen Illustrationsmodus. Weder Rudolf noch irgendeine andere Weltchronik hat eine derart individuell ausgeprägte und von der biblischen Grundlage sich ab…[Read more] -
Martin Roland deposited Der Waldrapp. Historische Quellen (Version 1/1: 2022 Februar 14) in the group
Medieval Art on Humanities Commons 1 month, 3 weeks agoDie Quellensammlung zum Waldrapp (Geronticus eremita – Northern Bald Ibis) versammelt Knochenfunde (ab dem Miozän), Bildquellen aus dem Mittleren Osten, dem Alten Ägypten, der Antike, dem Mittelalter und bis ins 17. Jahrhundert und Textquellen, die bis in die Antike zurückreichen und einen eindeutigen Höhepunkt im 16. Jahrhundert (Conrad Ges…[Read more]
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Martin Roland deposited Martin Roland, Das Stadtbuch von Waidhofen an der Thaya Verwaltungsschrifttum als Mittel städtischer Repräsentation in the group
Medieval Art on Humanities Commons 1 month, 3 weeks agoDas Stadtbuch der niederösterreichischen Stadt Waidhofen an der Thaya aus der Mitte des 15. Jahrhunderts beginnt mit einer bemerkenswerten Initiale. Diese kombiniert Motive, die aus Notarssigneten stammen mit einem Vogel, der seit 1971 mit dem Waldrapp (Geronticus eremita) identifiziert wurde.
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Martin Roland deposited Martin Roland, Performance and Image Cycles. How the Middle Ages use the ‘Popular Style’ (2022) in the group
Medieval Art on Humanities Commons 1 month, 3 weeks agoPaintings are usually not animated. But: Painters want to tell stories and therefore have cre-ated methods to induce a performance within the viewer’s imagination. An especially apt media for such approaches is book illumination because it is possible to sequence a story into many separate scenes. This happened from Late Antiquity onwards.
I p…[Read more] -
Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 in the group
Medieval Art on Humanities Commons 1 year agoFew studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]
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Asa Simon Mittman deposited The Vercelli Map in the group
Medieval Art on Humanities Commons 2 years, 8 months agoThe Vercelli Map, one of the largest maps to survive from the Middle Ages, has not received the attention it merits (Plate IV). This is likely the result of its very poor state of preservation, which has been a constant theme in what little has been published on it.’ There are several studies that make brief mention of the map, and a few studies…[Read more]
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Maheswari D deposited இலக்கியங்களில் மருத்துவச் சிந்தனைகள்/ THOUGHTS OF MEDICINE IN LITERATURE, Volume-2, March 2020 Special Issue-4, Vol-1 in the group
Medieval Art on Humanities Commons 2 years, 10 months agoThis is the Vol – 2, SPECIAL ISSUE 4: VOL – 1, MARCH 2020 issue.
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Jose Ángel Salgado Loureiro started the topic International Conference ” The Medieval Eschatology” (Call for papers) in the discussion
Medieval Art on Humanities Commons 2 years, 11 months agoInternational Conference ” The Medieval Eschatology”
(Santiago de Compostela, July 28-29th, 2020)
Eschatology is one of the central components of medieval Christian culture. The end of the world, the Last Judgment, salvation, Messianism, the Antichrist, the Apocalypticism and millenarianism are inescapable elements in what we may generally…[Read more] -
Asa Simon Mittman deposited “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112 in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112
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Asa Simon Mittman deposited “Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript,” with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008) in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript,” with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008)
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Asa Simon Mittman deposited “The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008) in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008)
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Asa Simon Mittman deposited “Digital Mappaemundi: Changing the Way We Work with Medieval World Maps,” Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, with Martin Foys, vol. 2:3 (Summer 2009) in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“Digital Mappaemundi: Changing the Way We Work with Medieval World Maps,” Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, with Martin Foys, vol. 2:3 (Summer 2009)
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Asa Simon Mittman deposited “The Exotic in the Early Middle Ages,” with Susan Kim, Literature Compass, ed. Elaine Treharne (Blackwell Publishing, 2008) in the group
Medieval Art on Humanities Commons 3 years, 1 month agoThe dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and monsters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the monstrous occurs not onl…[Read more]
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Asa Simon Mittman deposited “Ungefraegelicu deor: Monsters and Truth in the Wonders of the East,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“Ungefraegelicu deor: Monsters and Truth in the Wonders of the East,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim
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Asa Simon Mittman deposited “Anglo-Saxon Frames of Reference: Spatial Relations on the Page and in the World,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim in the group
Medieval Art on Humanities Commons 3 years, 1 month ago“Anglo-Saxon Frames of Reference: Spatial Relations on the Page and in the World,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim
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Asa Simon Mittman deposited Asa Simon Mittman and Susan M. Kim, Monsters and the Exotic in Early Medieval England, Literature Compass 6/2 (2009): 332–348 in the group
Medieval Art on Humanities Commons 3 years, 1 month agoThe dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and mon- sters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the mon- strous occurs not…[Read more]
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Asa Simon Mittman deposited “Monsters and the Exotic in Early Medieval England,” The Oxford Handbook of Medieval Literature in English, ed. Elaine Treharne and Greg Walker (Oxford University Press, March 2010) in the group
Medieval Art on Humanities Commons 3 years, 2 months agoThe dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and monsters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the monstrous occurs not onl…[Read more]
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Asa Simon Mittman deposited “Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012) in the group
Medieval Art on Humanities Commons 3 years, 2 months ago“Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012)
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Asa Simon Mittman deposited “Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14 in the group
Medieval Art on Humanities Commons 3 years, 2 months ago“Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14
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Asa Simon Mittman deposited “Navigating Myriad Distant Worlds,” Lo Sguardo, N. 9 (II): “Spazi del Mostruoso; Luoghi Filosofici della Monstruosià,” (2012): 35-46 in the group
Medieval Art on Humanities Commons 3 years, 2 months agoAbstract: This essay attempts to draw connections between medieval maps and their
many monsters, digital cartographical interfaces, and modern experiences of the world.
Each impacts our understandings of the others. The medieval notion of speculum – the
metaphorical mirror that allows us to see our worlds and ourselves more clearly – dra…[Read more] - Load More