Founded in 1987, the Italian Art Society is dedicated to the study of Italian art and architecture from prehistory to the present day. With a membership of more than 350 established and emerging scholars, graduate students, and aficionados, the IAS is a vital force in generating new knowledge about the visual arts on the Italian peninsula and neighboring islands. It actively promotes scholarly exchange through the IAS/Kress Lecture Series in Italy, sponsored sessions at six major North American conferences (American Association of Italian Studies, College Art Association, International Congress on Medieval Studies, Renaissance Society of America, Sixteenth Century Society & Conference, and Society of Architectural Historians), travel grants for scholars presenting at these conferences, and research and publication grants to scholars working on Italian topics. The IAS newsletter, website, and blog are further resources, designed to share news in to the field of Italian art studies and to enable members to engage each other on issues of mutual interest.
The Italian Art Society is a 501(c)(3) public charity; all contributions are tax deductible to the amount permitted by law.
Flavia De Nicola deposited Nuove acquisizioni sulla prima attività romana di Michelangelo Buonarroti connessa con l’Umanesimo dei Pomponiani in the group Italian Art Society on Humanities Commons 11 months, 1 week ago
Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501).
The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]
Flavia De Nicola deposited Equus infoelicitatis: analisi iconografica di una xilografia dell’ Hypnerotomachia Poliphili fra testo e immagine, xilografia n. 6 in the group Italian Art Society on Humanities Commons 11 months, 1 week ago
The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more]
In the late 1420s, Abbot Gomezio di Giovanni initiated a major building campaign to reform the Benedictine monastery of the Florentine Badia. Designed to provide its community with an orderly space in which to pursue the Benedictine Observance, the compound rises around the so-called Orange Cloister, long considered to be an early work of Bernardo…[Read more]
Painted Faces: Documenting the Tradition and Reach of the Renaissance Frescoed Façade in Rome and Beyond In early sixteenth-century Rome, as the architectural language of grand domestic spaces was being further refined, elaborate façade fresco decorations came into incredible popularity. These cycles, some of which were designed to root the st…[Read more]