An overview of the “state of the field” of critical posthumanist studies that also argues for the important intervention of premodern studies into contemporary critical posthumanism studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio…[Read more]

My poetic Preface to Kathleen Biddick’s book, “Make and Let Die: Untimely Sovereignties” (punctum books, 2016), which is indebted to and adapted from Adrienne Rich’s poem “Diving into the Wreck,” which sketches out the exploratory soundings of a sea-wreck of forgotten histories that bears uncanny resonances with Kathleen Biddick’s own acediou…[Read more]

The introduction to a special issue of the Journal of Narrative Theory, edited by Eileen Joy and Christine Neufeld, on “Premodern to Modern Humanisms: The BABEL Project.” This essay sketches out a blueprint for pursuing new “critical humanisms” in a post/human age.

This special issue of the “Journal of Narrative Theory” represents one of the BABEL Working Group’s first forays into a collaborative and “baggy” humanistic scholarship between medieval studies, more contemporary humanistic studies, and the sciences, with the objective of interrogating together the open terms, “human,” “humanity,” “humanism,”…[Read more]

This essay considers Emmanuel Levinas’s philosophy of hospitality in relation to the “isolated and heroic being that the state produces by its virile virtues,” through an analysis of female Chechen suicide terrorists in contemporary Russia and the figure of Grendel in the Old English poem “Beowulf,” in order to raise some questions about the relat…[Read more]

In a talk he gave in 1995 at a conference at Georgetown University, “Cultural Frictions: Medieval Cultural Studies in Post-Modern Contexts,” Paul Strohm asserted that “postmodernism is preoccupied with history, endlessly obsessed with history, and with the nature of the claims the past exerts upon us; it might almost be called a way of thinking…[Read more]

This essay argues that literary narratives can serve as ideal sites through which to explore the emergence of time’s dissonant conjunctions and surprising forks, arising as they do from minds that are both transhistorical and rooted in particular times and places, and because literary texts are also objects that, as Jonathan Gil Harris has a…[Read more]

“Liquid Beowulf” serves as the Introduction to “The Postmodern Beowulf: A Critical Casebook” (Morgantown: West Virginia University Press, 2006), and makes an argument for the Old English poem as a richly inter- and cross-temporal cultural response to historical traumas that still haunt our present moment and which also poses always important (and…[Read more]

This paper is a critical examination of two antithetical theories on the role of authorial intention in the criticism and interpretation of literature: the New Critics’ “intentional fallacy” and E. D. Hirsch’s historicist objectivism. A third way is put forward: a regulative objectivism which emerges as a a result of critical debate.

This paper seeks to explain why Bede’s Ecclesiastical History of the English People constitutes a valid historical work, rather than a religious text. It starts by addressing the nature of historical vs non-historical narrative, focusing on a concept of “genealogy of information.” It couples ideas from narrative theory, historiography, and…[Read more]

The ultimate cause of much historical, social and cultural change is the gradual accumulation of human knowledge of the environment. Human beings use the materials in their environment to meet their needs and increased human knowledge of the environment enables human needs to be met in a more efficient manner. The human environment has a…[Read more]

This essay uses Arnaldo Momigliano’s genealogy of antiquarianism and historiography to propose a new method for engaging the past. The Italian historian Arnaldo Momigliano (1908-1987) traced antiquarianism from its advent in ancient Greece and later growth in Rome to its early modern efflorescence, its usurpation by history, and its transformation…[Read more]