This is a forum for all forms of music received and appropriated as “modern” in any location around the globe, crossing the boundaries of post/tonality. The focus is primarily but not exclusively on art, avant-garde, experimental, and modernist music, by global (African, East/Southeast/South Asian, Middle Eastern, Latin American) composers, minority composers from the West, and composers from the peripheries of Europe and North America. Popular and traditional music may come under our purview to the extent that they contest global musical modernities and modernisms.


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