The iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]

This paper is a new examination of the original find context of the Saqqara lion tables (CG 1321–2) in ‘Gallery C’, an underground structure in the Step Pyramid complex. The substructure may date to the 1st millennium BCE, and this structure was likely part of an embalming complex for the Apis or other sacred animals. The adjacent Western Galle…[Read more]

The Egypt Exploration Society archive contains unpublished pencil drawings by A. Klasens of seal impressions found in the Step Pyramid complex of Saqqara. Digitally inked versions of these drawings are published here for the first time. The seal impressions can be sourced to the Northern Galleries of the complex. The impressions were sealed on…[Read more]

This report describes for the first time the surviving (upper) portions of three 26th-Dynasty shabtis made for Wedjat-Hor, son of Ashsedjemes. Shabtis A and C are clearly from the same mould and inscribed by the same scribe; shabti B is the product of a different mould and scribe. Some orthographic idiosyncrasies are shared, whereas others are…[Read more]

Section 1 of this paper describes a pottery shabti of the Third Intermediate Period and recounts the early stages of the project to understand the name of its owner. Sections 2-7 describe the outcome of the analysis. This covers both the name itself (its variants, orthographies and possible meanings) and a survey of those individuals who bore it…[Read more]

The relationship between the ‘Two Brothers’ Nakhtankh and Khnumnakht has been heavily debated since the discovery of their mummies in 1907. Re-examining the coffin inscriptions of these two individuals reveals that Nakhtankh and Khnumnakht were likely uncle and nephew.

A brief technical re-examination of a paper by George Mann on the Qau skeletons in the Duckworth collection is undertaken. Taking into account the original data and technical aspects of skeletal sexing, it is shown that old data on skeletal sexing may not always be as unreliable as previously thought. Factors that may introduce errors into this…[Read more]

The motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]

Ancient pseudo-histories may contain kernels of geographic truth. In the Sumerian King List (SKL) the long and south-focused antediluvian era may reflect a combination of the Ubaid and Uruk periods, while the initial post-Flood period, which was short and ruled from the north, may reflect the Jemdet Nasr phase. The SKL’s subsequent return of k…[Read more]

It is suggested that the progressive and destructive aridification during the Old Kingdom was recognised by ancient Egyptians as a sun-driven phenomenon, and that this awareness may have contributed to the rise of the solar cult in the 5th Dynasty.

Linguistic studies in Egyptology, Assyriology and Biblical Studies harbour a persistent trope in which the inhabitants of the Ancient Near East and Egypt are believed to have visualised the past as in front of them and the future as behind them. Analyses of the spatial conceptualisation of time in language have revealed that the opposite is true…[Read more]

The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN) at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA) at Thebes. B…[Read more]

In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting.…[Read more]