Eine kurze Geschichte der Heiligenverehrung rund um den wichtigsten serbisch-orthodoxen Heiligen. Dargestellt aus einer kultur-anthropologischen Perspektive und im Kontext der politischen Mythologien verschiedener Bewegungen serbischer Identitätsprojekte: vom Mittelalter bis in die Neuzeit, von dynastischer Kulturpropaganda bis zum…[Read more]

The idea of a critical theory has colonized the social consciousness of academia, and become an integral part of the pursuit of higher knowledge. Competing ideas have thereby become standard bearers in that critical theory acts as a measure of true understanding . The only problem, however, is that many of the distinct theories similarly answering…[Read more]

The Line of Control arbitrarily bifurcates Neelum valley, Kashmir into Pakistan and India. While the border attempts to constrain and categorize, the daily movements and flows of human and more-than-human bodies via “unofficial” routes and routines generate an understanding of Kashmir that is not dependent on geopolitics. Neelum as sculpted and…[Read more]

Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

We live in an increasingly übercapitalist society. It’s übercapitalist in that a specific version of neoliberalism, characterised by low pay, zero-hours and fixed-term contracts, is growing ever more aggressive; and that the disruptive technology firm Uber offers one of the most high-profile examples of this intensified form of deregulated cap…[Read more]

About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more]

This essay explores the various state(s) and future(s) of academic publishing, and also makes an argument for the radical hope of a vibrantly futurist University-Library, and the formation of new cultural-intellectual-artistic publics, that would come into being in new para-institutional spaces.

This essay argues for the consideration of energy and an energy-based humanities model in the study of water in the Middle Ages. It also proposes that ‘energy’, when discussed in the context of the Middle Ages, is in fact a study of ‘energies’, derived from technology, material culture, and intellectual culture in equal measure. It propose…[Read more]

The introduction to a special issue of the Journal of Narrative Theory, edited by Eileen Joy and Christine Neufeld, on “Premodern to Modern Humanisms: The BABEL Project.” This essay sketches out a blueprint for pursuing new “critical humanisms” in a post/human age.

This special issue of the “Journal of Narrative Theory” represents one of the BABEL Working Group’s first forays into a collaborative and “baggy” humanistic scholarship between medieval studies, more contemporary humanistic studies, and the sciences, with the objective of interrogating together the open terms, “human,” “humanity,” “humanism,”…[Read more]

In a talk he gave in 1995 at a conference at Georgetown University, “Cultural Frictions: Medieval Cultural Studies in Post-Modern Contexts,” Paul Strohm asserted that “postmodernism is preoccupied with history, endlessly obsessed with history, and with the nature of the claims the past exerts upon us; it might almost be called a way of thinking…[Read more]

The essays collected in this volume demonstrate that, when certain medieval and contemporary cultural texts are placed alongside each other — such as a fourteenth-century penitential handbook and the reality television show “Survivor,” or early fifteenth-century Lancastrian statecraft (Henry IV) and the stagecraft of George W. Bush’s presidential…[Read more]

Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video i…[Read more]

Although widely beloved for its playfulness and comic sensibility, Chaucer’s poetry is also subtly shot through with dark moments that open into obscure and irresolvably haunting vistas, passages into which one might fall head-first and never reach the abyssal bottom, scenes and events where everything could possibly go horribly wrong or where e…[Read more]

Proceedings from the two Speculative Medievalisms symposia, held at King’s College London (Jan. 2011) and The Graduate Center, City University of New York (Sep. 2011), and organized by The Petropunk Collective (Eileen Joy, Anna Klosowska, Nicola Masciandaro, and Michael O’Rourke). These interdisciplinary events were dedicated to dialogue and cro…[Read more]

This short essay, co-authored with L.O. Aranye Fradenburg, in the edited 2-volume collection BURN AFTER READING, eds. Eileen A. Joy, Myra Seaman, and Jeffrey Jerome Cohen (Oliphaunt Books, 2014), ruminates the importance of the humanities as an important space for the artfulness of living, for enriched environments, and real-time experimental…[Read more]

The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]

Module Summary: Using the aftermath of 9/11 and the US invasion of Iraq as a case study, this module asks why states engage in torture, giving particular consideration to why liberal states euphemise, conceal, and downplay this practice. We will examine the ramifications of 9/11 across multiple legal domains, domestically within the US and…[Read more]

Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

Fashion is defined most prominently by its association with perpetual metamorphoses and rapid changes constantly driven by the demand for novelty. Traditionally, fashion mechanisms were known to function cyclically in relation to social ideals and epochs of thought. Following the democratization and decentralization of the fashion system in the…[Read more]