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	<title>Knowledge Commons | Cultural Heritage | Activity</title>
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	<description>Activity feed for the group, Cultural Heritage.</description>
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				<title>Raymond Clemens edited the blog post Bacon MS 3 in the group Cultural Heritage</title>
				<link>https://culturalheritage.hcommons.org/2025/09/17/bacon-ms-3/</link>
				<pubDate>Wed, 17 Sep 2025 20:07:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>in the University of Chicago<br />
 <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1001200/2025/09/IMG_0047-768x1024.jpeg" /></p>
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				<title>Anna-Marie Kroupová replied to the topic CFP: Iron Curtains or Artistic Gates? in the forum Cultural Heritage</title>
				<link>https://hcommons.org/groups/cultural-heritage/forum/topic/cfp-iron-curtains-or-artistic-gates-3/#post-88125</link>
				<pubDate>Fri, 26 Jul 2024 11:03:15 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Workshop: Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</strong></p>
<p>19–20 September 2024</p>
<p>&nbsp;</p>
<p>Upper Belvedere</p>
<p>Prinz-Eugen-Straße 27, 1030 Vienna, Austria</p>
<p><strong> </strong></p>
<p>Organizers: Anna-Marie Kroupová &amp; Noémie Étienne (University of Vienna)</p>
<p>&nbsp;</p>
<p>This workshop challenges traditional East-West Cold War narra&hellip;<span class="activity-read-more" id="activity-read-more-1894704"><a href="https://hcommons.org/groups/cultural-heritage/forum/topic/cfp-iron-curtains-or-artistic-gates-3/#post-88125" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Paul Reilly deposited The Nessglyph Uncovered in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1887444/</link>
				<pubDate>Wed, 29 May 2024 03:00:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Aimed at young (at heart) people, this comic-strip format book introduces the discovery, and associated challenges of interpretation, of a petroglyph found, disturbed, in the entrance passage way of Middle Iron Age hillfort, at Nesscliffe in Shropshire, UK.  The Nesscliffe petroglyph ('Nessglyph') is made using two types of engraving technologies&hellip;<span class="activity-read-more" id="activity-read-more-1887444"><a href="https://hcommons.org/activity/p/1887444/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited Los Virreyes del Sur de Italia II: Nápoles 1505-1707 in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1884502/</link>
				<pubDate>Wed, 01 May 2024 03:04:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>An account of the governments of the viceroys of the Kingdom of Naples during the sixteenth and seventeenth centuries based on chronicles by Italian authors of the time, with their comments on errors and achievements with additions from Spanish sources on their personality, relationships, and memory.<br />
Un relato de los gobiernos de los virreyes del&hellip;<span class="activity-read-more" id="activity-read-more-1884502"><a href="https://hcommons.org/activity/p/1884502/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anna-Marie Kroupová started the topic CFP: Iron Curtains or Artistic Gates? in the discussion Cultural Heritage</title>
				<link>https://hcommons.org/groups/cultural-heritage/forum/topic/cfp-iron-curtains-or-artistic-gates-3/</link>
				<pubDate>Fri, 02 Feb 2024 14:43:05 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP:</strong> Workshop: Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</p>
<p><strong>Location:</strong> Vienna, Austria</p>
<p><strong>Date:</strong> 19-20 Spetember 2024</p>
<p><strong>Submission deadline:</strong> 31 March 2024</p>
<p>&nbsp;</p>
<p><strong>Iron Curtains or Artistic Gates? Communism and Cultural Diplomacy in the Global South (1945–1991 and Beyond)</strong></p>
<p>How did&hellip;<span class="activity-read-more" id="activity-read-more-1874444"><a href="https://hcommons.org/groups/cultural-heritage/forum/topic/cfp-iron-curtains-or-artistic-gates-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited Whim of the trivial in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1846883/</link>
				<pubDate>Tue, 23 May 2023 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The author begins by saying that before he was born, he lived with his parents (of course) and ends his story 86 years later with an evanescent farewell.  In the interval: a life of no importance. So why tell it? For lack of a better answer, he adduces mysterious voices in the second part of Goethe's Faust:<br />
                           We immer&hellip;<span class="activity-read-more" id="activity-read-more-1846883"><a href="https://hcommons.org/activity/p/1846883/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta created the doc Whim of the trivial in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1846796/</link>
				<pubDate>Mon, 22 May 2023 10:10:08 -0400</pubDate>

				
				
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				<title>Luis de Orueta deposited Capricho de lo trivial in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1840657/</link>
				<pubDate>Mon, 10 Apr 2023 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>El autor comienza diciendo que antes de nacer vivía con sus padres (claro) y termina su relato 86 años después con una despedida evanescente.  En el intervalo: una vida sin huella. ¿Entonces por qué contarla? A falta de mejor respuesta, aduce voces misteriosas en la segunda parte del Fausto de Goethe:<br />
“Redimimos a quien se esfuerza en vano”&hellip;<span class="activity-read-more" id="activity-read-more-1840657"><a href="https://hcommons.org/activity/p/1840657/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited CAPRICHO DE LO TRIVIAL in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1837329/</link>
				<pubDate>Wed, 15 Mar 2023 02:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>El autor comienza diciendo que antes de nacer vivía con sus padres (claro) y termina su relato 86 años después con una despedida evanescente.  En el intervalo: una vida sin huella. ¿Entonces por qué contarla? A falta de mejor respuesta, aduce voces misteriosas en la segunda parte del Fausto de Goethe:<br />
“Redimimos a quien se esfuerza en vano”&hellip;<span class="activity-read-more" id="activity-read-more-1837329"><a href="https://hcommons.org/activity/p/1837329/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited A Dictionary of Spanish Place Names in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1794541/</link>
				<pubDate>Sat, 17 Sep 2022 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>A selection of more than 5000 place Spanish Names from the Iberian Peninsula, presented in alphabetic order and showing their meaning when well established, or listing the known alternatives in cases where a single etymology cannot be ascertained.</p>
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				<title>Luis de Orueta created the doc A Dictionary of Spanish Place Names in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1794356/</link>
				<pubDate>Thu, 15 Sep 2022 15:37:57 -0400</pubDate>

				
				
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				<title>Luis de Orueta deposited Las Hermanas Livermore in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1778686/</link>
				<pubDate>Fri, 15 Apr 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>España, a finales del siglo XVIII, todavía era un imperio colonial. El comercio con las provincias de ultramar estimulaba la venida de irlandeses, prusianos, suecos, holandeses, marselleses y sobre todo ingleses, que fundaban Casas de Comercio con españoles. Pero con la aparición de Napoleón en la escena europea, Inglaterra impuso el “blo&hellip;<span class="activity-read-more" id="activity-read-more-1778686"><a href="https://hcommons.org/activity/p/1778686/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited Los Virreyes del Sur de Italia I, Sicilia 1414-1735 in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1756605/</link>
				<pubDate>Tue, 26 Oct 2021 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>La presencia de virreyes en Sicilia se originó a partir de un pacto entre los habitantes de la isla y la Corona de Aragón. Los sicilianos se comprometieron a pagar donaciones fijadas periódicamente por su Parlamento a cambio de protección contra el enemigo externo. Sicilia por sí sola no podía evitar una invasión musulmana, como la que tuvo lugar&hellip;<span class="activity-read-more" id="activity-read-more-1756605"><a href="https://hcommons.org/activity/p/1756605/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Luis de Orueta deposited Vivre à la Maison Smith de Richard Meier in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1748163/</link>
				<pubDate>Tue, 03 Aug 2021 02:24:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dans ce court essai, l’auteur examine l’effet d’un bâtiment emblématique sur la conduite de la personne qui y vit.  Il prend comme référence la première maison que le célèbre architecte a conçue et projette son irradiation sur des expériences autobiographiques qui couvrent de multiples aspects de la vie quotidienne. Partant de l’interrelatio&hellip;<span class="activity-read-more" id="activity-read-more-1748163"><a href="https://hcommons.org/activity/p/1748163/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andreas Ferus deposited Open Science et al. - Was geht uns Kunst- und Museumsbibliotheken das eigentlich an und welche Initiativen existieren in diesem Zusammenhang bereits in Österreich (und darüber hinaus)? in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1730186/</link>
				<pubDate>Fri, 05 Mar 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Open Access, Open Science, Open Scholarship, Open Educational Resources, Open (Research) Data, Open Infrastructures, Forschungsdatenmanagent, FAIR Principles, CARE Principles, Digital Humanities, Heritage Science, Digitalisierung, Forschungsinfrastrukturen, Repositorien, European Open Science Cloud etc. etc. sind alles Begriffe, die vielen von&hellip;<span class="activity-read-more" id="activity-read-more-1730186"><a href="https://hcommons.org/activity/p/1730186/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Florian Windhager deposited Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1700892/</link>
				<pubDate>Tue, 21 Jul 2020 02:40:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp&hellip;<span class="activity-read-more" id="activity-read-more-1700892"><a href="https://hcommons.org/activity/p/1700892/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rashmi Gajare deposited Palimpsests of Destruction in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1625543/</link>
				<pubDate>Tue, 11 Dec 2018 16:26:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>What role does destruction play in the continued existence of a historical monument? Is destruction an inevitable part of its identity? Huyssen in his 2003 book, Present Pasts, suggests that, “…the only monument that counts, is the one already imagined as ruin.” On the other hand, the creation of the monumental itself is led by a quest for immor&hellip;<span class="activity-read-more" id="activity-read-more-1625543"><a href="https://hcommons.org/activity/p/1625543/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rashmi Gajare deposited Understanding ‘Othering’ mechanisms: Perils of ‘assimilation’ policies for migrant populations in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1625538/</link>
				<pubDate>Tue, 11 Dec 2018 16:26:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>In an ideal society, all inhabitants would be treated equally, but in reality there are divisions with groups of varying dominance, whether clear or hidden. Usually the dominant groups, powerful either by political, cultural or social hegemony create the narrative of ‘otherness’ and pass laws, some of which could be discriminatory. This is esp&hellip;<span class="activity-read-more" id="activity-read-more-1625538"><a href="https://hcommons.org/activity/p/1625538/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Francesco Iacono edited the doc Revolution and counter-revolution in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1621399/</link>
				<pubDate>Thu, 18 Oct 2018 09:35:15 -0400</pubDate>

				
				
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				<title>Francesco Iacono deposited Revolution and counter-revolution; or why it is difficult to have a heritage of communism and what can we do about it in the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1620605/</link>
				<pubDate>Wed, 10 Oct 2018 16:28:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Revolutions have powerful effects on the way the past is presented and<br />
perceived. In former communist states of Eastern Europe, following the<br />
revolutions establishing the regimes, a further sudden inversion has been<br />
regularly experienced in the aftermath of the fall of the Eastern Bloc. In<br />
this paper, I will comparatively discuss these changes&hellip;<span class="activity-read-more" id="activity-read-more-1620605"><a href="https://hcommons.org/activity/p/1620605/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Francesco Iacono created the group Cultural Heritage</title>
				<link>https://hcommons.org/activity/p/1620453/</link>
				<pubDate>Tue, 09 Oct 2018 16:25:09 -0400</pubDate>

				
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