Contemporary art trends and developments in HE
Pruritus Migrans deposited CORVIDS in the group
Contemporary Art on Humanities Commons 5 days, 4 hours ago
CORVIDS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
Pruritus Migrans deposited QRt is the new pop ARt! in the group
Contemporary Art on Humanities Commons 1 week, 2 days ago
QRt is the new pop ARt! – by PRURITUS MIGRANS – CC-BY-NC-ND
Stefano Verri deposited Il “Tempo rallentato” di Nino Migliori – IO SONO VERTICALE / 20 febbraio – 20 giugno 2020, Galleria Monitor, Pereto (AQ) in the group
Contemporary Art on Humanities Commons 1 week, 5 days ago
Nino Migliori, bolognese classe 1923, è una delle figure fondamentali del panorama fotografico italiano – e non solo – che sin dai primi anni di attività ha saputo dare un contributo profondamente originale a quel dibattito estetico che andava delineandosi negli anni Cinquanta del secolo scorso, bilicato, com’era, tra il formalismo di eredità cr…[Read more]
Stefano Verri deposited L’arte e il pensiero ecologico sul paesaggio in the group
Contemporary Art on Humanities Commons 1 week, 6 days ago
Mai come in questo periodo così difficile torna attuale il tema del rapporto tra l’uomo e la Natura. Una relazione dinamica e complessa che ha visto nella progressiva emancipazione tecnica dell’essere umano, la necessità dell’altra di essere salvaguardata, conservata e protetta, in un’inesorabile inversione dei ruoli che ha visto l’uomo da…[Read more]
Stefano Verri deposited Landscape: art and ecological thinking in the group
Contemporary Art on Humanities Commons 2 weeks, 1 day ago
Never more than at the present time, so fraught with difficulty, has the question of mans’s relationship with nature been so topical. A complex, dynamic relationship in which the progressive technical emancipation of man has accompanied a growing need for nature to be safeguarded, preserved and protected – the result of an inexorable inversion of…[Read more]
Pruritus Migrans deposited Enjoy Caustic Humour! in the group
Contemporary Art on Humanities Commons 2 weeks, 5 days ago
Enjoy Caustic Humour! * Caustic Humour by PRURITUS MIGRANS * CC-BY-NC-SA
Ted SOMOGYI deposited SOMOGYI.wpp in the group
Contemporary Art on Humanities Commons 3 weeks ago
There’s an old story about a young person who finds something magical in the woods. They return to it again and
again. Each visit bringing joy to their felt-sense of being alive. Eventually as people do, they tell someone else. The
good news spreads and others start to visit. Then crowds gather, which need to be organized. It isn’t long bef…[Read more]Pruritus Migrans deposited IGNIS in the group
Contemporary Art on Humanities Commons 3 weeks ago
IGNIS – by PRURITUS MIGRANS – CC: BY-NC-ND
Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Contemporary Art on Humanities Commons 7 months, 3 weeks ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group
Contemporary Art on Humanities Commons 1 year, 2 months ago
This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]
Dušan Barok deposited Archiving complex digital artworks in the group
Contemporary Art on Humanities Commons 1 year, 6 months ago
The transmission of the documentation of changes made in each presentation of an artwork and the motivation behind each display are of importance to the continued preservation, re-exhibition and future understanding of artworks. However, it is generally acknowledged that existing digital archiving and documentation systems used by many museums are…[Read more]
Dušan Barok deposited From Collection Management to Content Management in Art Documentation: The Conservator as an Editor in the group
Contemporary Art on Humanities Commons 1 year, 6 months ago
It has been widely acknowledged that reinstallations and re-executions of contemporary artworks substantially rely on available documentation. Especially for installations and performances it is crucial to record the artist’s intent, past iterations, and tacit knowledge involved in staging the artwork. The growing presence of contemporary a…[Read more]
Garrett Lynch (IRL) deposited The transformative nature of networks within contemporary art practice in the group
Contemporary Art on Humanities Commons 1 year, 9 months ago
Since the introduction of the World Wide Web in 1991, it has had a significant impact on contemporary art. As a consequence, however, networks are almost exclusively considered as technologically determined, art produced is digital, refers to the internet and is more often than not specifically web-based. This research redefines the role of…[Read more]
Gordon Edison McQueen deposited How to explain information to a dead hare: Floridi’s approach to information and its relevance to art practice in the group
Contemporary Art on Humanities Commons 1 year, 9 months ago
This research will attempt to evaluate how the thinking of Floridi, especially his emphasis on information, could in some way affect the way we approach art practice. It rests upon an existing body of study about art practice, pursued through a selective literature review of the works of Floridi. As artists rediscover the notion of participation,…[Read more]
Garrett Lynch (IRL) deposited Trav—erse in the group
Contemporary Art on Humanities Commons 1 year, 10 months ago
The software used in the performance (RE:corder) allows the performer to explore, select and use radio frequencies creating a live composition made from noise, sounds, words, voices and far away songs, corroded by distortion. The trip across the space of frequencies becomes a voyage in physical and geographical spaces in search of those people,…[Read more]
Garrett Lynch (IRL) deposited Exploring the networked image in ‘post’ art practices in the group
Contemporary Art on Humanities Commons 2 years ago
This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]
Dušan Barok deposited Monoskop Exhibition Library in the group
Contemporary Art on Humanities Commons 2 years, 3 months ago
The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the…[Read more]
Garrett Lynch (IRL) deposited Auction action – commission an artwork in the group
Contemporary Art on Humanities Commons 2 years, 5 months ago
Auction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]
Garrett Lynch (IRL) deposited Exploring the networked image in ‘post’ art practices in the group
Contemporary Art on Humanities Commons 2 years, 7 months ago
This paper for the Journal of Media Practice / MeCCSA Practice Network Symposium titled Post-Screen Cultures/Practices on the 10/06/2016, presented four networked art practice works undertaken since 2014. The works included: – This is Real Virtuality (2014), a networked photographic and text-based performance in weblog form consisting of a first…[Read more]
Garrett Lynch (IRL) deposited The Art of Networks and Networks as Art in the group
Contemporary Art on Humanities Commons 2 years, 7 months ago
The Art of Networks and Networks as Art is the title of a performance/presentation given at the 12th Annual Subtle Technologies Festival on the theme of Networks. The performance/presentation focused on the development of my work over the last five years and the role of networks within artistic practice. This was detailed in its most obvious sense…[Read more]
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