A group those interested in the academic study Jewish and Christian scriptures, canonical and non-canonical.
In spite of renewed scholarly interest in the religion of Judeans living on the island of Elephantine during the Persian period, only one recent study has addressed the religious significance of the fired clay female figurines discovered there. The present article seeks to place these objects back on the research agenda. After summarizing the…[Read more]
This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]
This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.
This thesis describes the evolution of the alphabet from Upper Paleolithic to present. We draw a direct line from Aurignacian rock art to Hebrew STA”M script and from Auriginal Paganism to Kabbalah using a Ginzburg Evidentiary Paradigm. Provides strategies for quantifying concepts, belief, and abstraction such as Art, Language, Religion, and…[Read more]
Johannes Bernhardt deposited Die Jüdische Revolution. Untersuchungen zu Ursachen, Verlauf und Folgen der hasmonäischen Erhebung in the group Biblical Studies on Humanities Commons 2 months, 3 weeks ago
The Seleucid Antiochus IV profoundly intervened in the cult of Jerusalem in 168 BC. Under the leadership of the Hasmoneans, an uprising developed against these interventions, which led to the restoration of the cult, the establishment of the Hasmoneans as high priests and the independence of Judea. Against the background of widely differing…[Read more]
***For a copy of the article please write to RNEIS@umich.edu***
While biologists argue about the limits and definition of a species, the urge to cluster and distinguish among the plenitude of lifeforms that populates the planet remains. Contemporary concerns about attempts to clone monkeys and to engineer human-porcine chimeras point to…[Read more]
in: Ilse Müllner/Barbara Schmitz (Hg.), Perspektiven. Biblische Texte und Narratologie (SBB 75), Stuttgart 2018, 131-173.
Pamela Barmash deposited Through the Kaleidoscope of Literary Imagery in Exodus 15: Poetics and Historiography in Service to Religious Exuberance in the group Biblical Studies on Humanities Commons 3 months, 4 weeks ago
Exodus 15, the Song at the Sea, appears to be triggered by the
divine victory over the Egyptians at the Sea, but the poet draws on other
literary images of destruction, images that are incompatible, in order to
express exuberance over divine victory. This seemingly rudimentary technique
is adroitly deployed in tandem with strategies of…[Read more]
Neil B MacDonald deposited ‘Time is no Barrier’ in John’s Resurrection Narrative (John 20:24-29): A Theology of the Absolute Identity of the ‘Wounds at the Cross’? in the group Biblical Studies on Humanities Commons 4 months, 1 week ago
John 20:24-29 – the Doubting Thomas Narrative – is explored in terms of the thesis that Jesus showed Thomas wounds absolutely identical to the wounds originating at the time of the crucifixion. John understands the risen Jesus to enact sovereignty over time in this passage. This was a new stage in John’s Christological Development and aug…[Read more]
Neil B MacDonald deposited Can We Understand the Risen Jesus as Enacting Sovereignty over Space in the Fourth Gospel (or does Jesus ‘Merely’ Pass Through Physical Objects at John 20:19-20)? in the group Biblical Studies on Humanities Commons 4 months, 1 week ago
In interpreting the risen Jesus’ action of appearing ‘out of nowhere’ at John 20:19-20 (and Luke 24:36) and his inferred action of rising from the dead at John 20:5-7 (and Luke 24:12), the consensus of both classical and modern biblical tradition has been to understand these actions as Jesus in some sense passing through physical objects and there…[Read more]
Thomas Bolin deposited The Biblical Commission’s Instruction, On the Historical Truth of the Gospels (Sancta Mater Ecclesia) and Present Magisterial Attitudes Toward Biblical Exegesis in the group Biblical Studies on Humanities Commons 4 months, 3 weeks ago
An overlooked but important document in the history of magisterial pronoun- cements on historical-critical biblical scholarship is the 1964 Instruction of the Pontifical Biblical Commission, Sancta mater ecclesia. This article traces the history leading up to the Instruction and analyzes its importance during the Second Vatican Council and…[Read more]
The O.9.27 manuscript of Trinity College Cambridge is a minuscule manuscript of Hesiod’s Opera et Dies . In a 2001 PhD thesis on Greek palimpsests in Cambridge by Natalie Tchernetska, this manuscript is described to contain two distinct lower scripts, one of which identified as a New Testament text. The author read four lines and a partial fifth o…[Read more]
This article argues that the Gospel of Thomas was written in Alexandria, not in Eastern Syria as is the current consensus. The arguments in favor of a Syrian Gospel of Thomas are not as strong as is often assumed, and a stronger case can be made for Alexandria. The Gospel of Thomas has a number of features that suggest it was a product of the…[Read more]
The brief notice of Absalom’s pillar in 2 Sam 18:18 provides an important yet un-usual case of how memory is constructed in ancient Israel and the Hebrew Bible. Commemoration of the dead typically works from the perspective of the (living) descendent and is directed towards the (deceased) ancestor. Yet in this example Absalom commemorates h…[Read more]
This essay examines the current state of the field in pentateuchal studies and recommends taking up large-genre questions once again and looking at canonical texts from other religious traditions, in this case ancient Sanskrit texts, for clues on how this type of literature grows.
ZéroDécès est un poème numérique inspiré du transhuamnisme. Même que le transhumanisme rende tout possible par l’intermédiaire de la technologie, le poète croit que Dieu est toujours le Tout-Puissant.
ZeroDeath is a digital poem that is conceived from the transhumanism philosophy of defeating death by technology. Though, digital revolution makes everything possible but the poet remains attached to Yahweh
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