Jorgenrique Adoum (translated by Katherine M. Hedeen and Víctor Rodríguez Núñez), ʿĀ’ishah al-Bāʿūnīyah (translated by Th. Emil Homerin), Rachel Tzvia Back, Dan Bellm, Luis Enrique Belmonte (translated by Guillermo Parra), Daniel Borzutzky, George Economou, Sa rah Tuss Efrik (translated by Johannes Göransson), Paul Éluard (translated by Carlos L…[Read more]

Addressing Walt Whitman’s reception in Iran, the present essay focuses on the front cover of a book-length translation of Whitman into Persian to study how Whitman’s image is visually translated for an Iranian audience. Among literary discourses of contemporary Iran, the one that associates poetry with mysticism plays the most significant role in…[Read more]

Since his first works came to critical attention, Ernest Hemingway has occupied a space in the critical and cultural imagination as a definitively ‘masculine’ writer. His novels and stories focus on male narrators in difficult or extreme situations involving war, violence, and the natural world, and his critical heritage has focused on these ele…[Read more]

In this interview, there are typos in regard to names of Indian philosophers.

This paper is a critical examination of two antithetical theories on the role of authorial intention in the criticism and interpretation of literature: the New Critics’ “intentional fallacy” and E. D. Hirsch’s historicist objectivism. A third way is put forward: a regulative objectivism which emerges as a a result of critical debate.

The link between asimovian universe and Sherlock Holmes

gender & Judaism in A Serious Man [Coen Bros, 2009], An American Dream [Norman Mailer, 1965] and the Pericope Adulterae.

This article focuses on three post-9/11 meta-poems – “My Wife Says Don’t Write About September 11th” by Ryan G. Van Cleave, “How to Write A Poem After September 11th” by Nikki Moustaki and “To the Words” by W. S. Merwin – to demonstrate the point that the current scholarly understanding of post-9/11 aesthetics as something functioning like…[Read more]

Though many studies of contemporary Buddhist literature exist, such studies often limit their purview to canonised, ‘high-brow’ authors. In this article, I read Janwillem van de Wetering’s The Japanese Corpse, a detective novel, for how it portrays Zen Buddhism. I show that The Japanese Corpse portrays Zen as non-dualist and amoral: good and bad a…[Read more]

‘Narrative Theory’ is an online introduction to classical structuralist narratological analysis. The fourth section deals with the modes of narrative, “showing” and “telling”, as theorized by Henry James and other theorists of the dramatic aesthetics in narrative. Outline: 1. Two concepts of narrative distance. 2. The theory of the novel before…[Read more]

Call for Papers

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

This paper offers a metafictional reading of William Faulkner’s novel AS I LAY DYING (1930), a reading which goes beyond the usual mimetic interpretation of this novel as an exploration of the characters’ psychology. Faulkner’s writing also explores and allegorizes itself, through the creation of paradoxical narrative forms which carry out an…[Read more]

Featuring work by: Will Alexander, Alexis Almeida, Maria Attanasio, Gennady Aygi, Omar Berrada, Carla Billitteri, Tanella Boni, Amal Dunqul, Tongo Eisen-Martin, Norman Fischer, Peter France, Todd Fredson, María José Giménez, Yāqūt Al-Ḥamawī, Ouyang Jianghe, Hajiwara Kyojiro, John High, Roberta Iannamico, Lucas Klein, David Larsen, Brian Lucas,…[Read more]

Aboriginal Song Poems (compiled by Robert Wood) André Breton (translated by Mark Polizzotti) René Char (translated by Stuart Kendall) Sergio Chejfec (translated by Margaret Carson) James Clifford Joseph Donahue Gyrðir Elíasson (translated by Meg Matich) Clayton Eshleman (interviewed by Irakli Qolbaia) Nazim Hikmet (translated by Murat Nem…[Read more]

Featuring work by: Eugénio de Andrade, Anonymous, A. James Arnold, Rito Ramón Aroche, Dawn-Michelle Baude, Susan Bernofsky, Aloysius Bertrand, Paul Blackburn, Daniel Borzutzky, André Breton, Garrett Caples, Valerie Mejer Caso, RosalÍa de Castro, Paul Celan, Aimé Césaire, René Char, Beatritz de Dia, Kristin Dykstra, Paul Éluard, Clayton Eshlema…[Read more]

Work by: Etel Adnan – Demosthenes Agrafiotis – Will Alexander – Rachel Tzvia Back – Dan Bellm – Aleksandr Blok – Pura López Colomé – Colin Dayan – René Depestre – Rachel Blau DuPlessis – Marcella Durand – Sarah Tuss Efrik – Elke Erb – Peter France – Johannes Göransson – David Hadbawnik – Larry Kearney – Alexis Levitin – Brian Lucas – Michèle Méta…[Read more]

This book-length paper is a Brown University dissertation in American literature and literary theory. A theoretical analysis of the concept of authorial intention in narrative fiction, and of its structural and communicational implications, is followed by an in-depth examination of Stephen Crane’s novella ‘The Monster’ (1898) as a case study in…[Read more]