BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Knowledge Commons//NONSGML Events//EN
CALSCALE:GREGORIAN
X-ORIGINAL-URL:https://hcommons.org/events/event/
X-WR-CALDESC:Knowledge Commons - Events
BEGIN:VEVENT
UID:20200625T0411Z-1593058261.4395-EO-32551-1000360@127.0.0.1
STATUS:CONFIRMED
DTSTAMP:20260407T041952Z
CREATED:20200619T152628Z
LAST-MODIFIED:20200619T152628Z
DTSTART;VALUE=DATE:20200715
DTEND;VALUE=DATE:20200716
SUMMARY: CFP: Counterframing Music Theory: Minorities and Marginalities
DESCRIPTION: The Analysis of World Music Interest Group and Global Intercul
 turalism and Musical Peripheries Interest group will co-host a symposium at
  SMT 2020 in Minneapolis entitled “Counterframing Music Theory: Minorities 
 and Marginalities.” Building on the momentum of the powerful papers on race
  and ethnicity by Yayoi Uno Everett and Philip Ewell in the SMT 2019 Plenar
 y […]
X-ALT-DESC;FMTTYPE=text/html: <p>The Analysis of World Music Interest Group
  and Global Interculturalism and Musical Peripheries Interest group will co
 -host a symposium at SMT 2020 in Minneapolis entitled “Counterframing Music
  Theory: Minorities and Marginalities.” Building on the momentum of the pow
 erful papers on race and ethnicity by Yayoi Uno Everett and Philip Ewell in
  the SMT 2019 Plenary Session\, this symposium seeks to envoice myriad scho
 lars in various career stages who were represented by the papers in that pl
 enary\, but who themselves were not heard. “Counterframing Music Theory” wi
 ll enrich and amplify the message of the 2019 Plenary by giving space to mu
 sic theories and theorists of minoritized cultures\, illuminating musical a
 nd social paradigms that are otherwise obfuscated\, overshadowed\, or oppre
 ssed by what Ewell has called music theory’s “white racial frame” and\, fol
 lowing Everett\, by “counterframing” how music theory is currently practice
 d and represented. Everett and Ewell will serve as respondents to the paper
 s presented at this session.</p><p> </p><p>We are soliciting papers of fift
 een minutes in length (with five additional minutes for questions) which pe
 rform one or more of the following tasks:</p><ul><li>Explore the intersecti
 on between musical and cultural theories of minoritized cultures</li><li>En
 gage colonial and post-colonial\, global\, and/or critical race theory</li>
 <li>Examine strategies for expanding the range of musics attended to in Nor
 th American music theory</li><li>Examine the problematics arising as music 
 institutions abroad--which are often centers of expertise in world musics--
 model their curricula on North American music education and music theory</l
 i><li>Illuminate the experiences of individual minority theorists within ou
 r discipline</li></ul><p> </p><p>Proposals are due on July 15\, 2020 and sh
 ould consist of an abstract of no more than 200 words\, as well as the pres
 enter’s name\, affiliation\, and technology needs. Abstracts should be sent
  as word documents and should not contain self-identifying information. Ple
 ase send proposals and/or questions relating to this symposium to Anna Yu W
 ang (anna_wang@g.harvard.edu) with the subject heading “Counterframing Musi
 c Theory Proposal.”</p><p> </p>
ORGANIZER;CN="Chris Stover":MAILTO:chrisstover.718@gmail.com
URL;VALUE=URI:https://hcommons.org/events/event/cfp-counterframing-music-th
 eory-minorities-and-marginalities/
END:VEVENT
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
DTSTART:20200308T070000
TZNAME:EDT
END:DAYLIGHT
END:VTIMEZONE
END:VCALENDAR