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Awards

Beginning in 2012, the Outstanding Publication Award from the Society for Music Theory’s Popular Music Interest Group exists to acknowledge […]

Megan Lavengood 13 July 2018 13 July 2018 adam krims, alison stone, allan moore, blues, bob dylan, brad osborn, country, danger mouse, dave easley, dj, drew nobile, form, grey album, hardcore, harmonic function, harmonic syntax, introduction, kant, kyle adams, laptop performance, mark butler, mash ups, meter, nick stoia, post-kantion, punk, rhythm, riffs, robert fink, robin attas, schemas, song means, soul, steven rings, terminally climactic form, verse-chorus
notes from small group discussion, SMT 2018

Lyrics:   Performance: In the performance group, we discussed our widely varying repertoires and gave brief summaries of our general […]

Megan Lavengood 2 January 2019 2 January 2019 bass-harmonic divorce, corpus study, empirical musicology, fusion, harmonic-melodic divorce, irony, lyrics, meter, modality, performance, rhythm, timbre, tonality, topics
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