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Beginning in 2012, the Outstanding Publication Award from the Society for Music Theory’s Popular Music Interest Group exists to acknowledge […]

Megan Lavengood 13 July 2018 13 July 2018 adam krims, alison stone, allan moore, blues, bob dylan, brad osborn, country, danger mouse, dave easley, dj, drew nobile, form, grey album, hardcore, harmonic function, harmonic syntax, introduction, kant, kyle adams, laptop performance, mark butler, mash ups, meter, nick stoia, post-kantion, punk, rhythm, riffs, robert fink, robin attas, schemas, song means, soul, steven rings, terminally climactic form, verse-chorus
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