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La recepción de Terencio en la temprana imprenta manual y su repercusión sobre la caracterización genérica de «Celestina»: una perspectiva visual
- Author(s):
- Amaranta Saguar García (see profile)
- Date:
- 2023
- Subject(s):
- Celestina (Rojas, Fernando de)
- Item Type:
- Article
- Tag(s):
- Celestina, La Celestina, Book illustrations, History of the book, book history, Terence
- Permanent URL:
- https://doi.org/10.17613/kzkz-6p60
- Abstract:
- Celestina is linked to Terenceʼs works since its origins: not only did contemporary readers identify it as a «terentian» work, but its earliest illustrated editions are indebted to the Strasbourg: Johannes Grüninger, 1496 edition of Terence’s Comoediae. Going back to the manuscript models of the incunabula editions of Terence, in this article is discussed how the way Terence’s Comoediae were illustrated in medieval and early modern Europe influences the way Celestina was illustrated, which results in two characteristic iconographic programmes: the Burgos and the Crombergerian one. Finally, it is suggested that printers choosing one programme or another affects how they perceived and received both Terence’s Comoediae and Celestina.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. DOI:
- https://doi.org/10.13035/H.2023.11.01.34
- Pub. Date:
- 2023
- Journal:
- Hipogrifo
- Volume:
- 11
- Issue:
- 1
- Page Range:
- 629 - 641
- ISSN:
- 2328-1308
- Status:
- Published
- Last Updated:
- 6 months ago
- License:
- Attribution-NonCommercial-ShareAlike
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La recepción de Terencio en la temprana imprenta manual y su repercusión sobre la caracterización genérica de «Celestina»: una perspectiva visual