• Democratizing Indian Popular Music: From Cassette Culture to the Digital Era

    Author(s):
    PETER MANUEL (see profile)
    Date:
    2013
    Item Type:
    Book chapter
    Permanent URL:
    https://doi.org/10.17613/7ddy-dj72
    Abstract:
    The history of Indian popular music constitutes in itself a significant development in modern culture, as this set of genres—especially but not only in their Bollywood forms—have been cherished by hundreds of millions of listeners not only in South Asia but internationally as well. At the same time, the trajectory of Indian popular music represents a dramatic case study of media culture as well, as its patterns of ownership, consumption, and even musical structures themselves have been conditioned by technological changes. Most striking is the way that a highly monopolized, streamlined, and homogeneous popular music culture dominated for several decades by Bollywood gave way in the 1980s and 1990s to a dramatically decentralized and heterogeneous commercial music culture due to the impact of new technologies—initially, cassettes. As India entered the digital era in the new millennium, other media, from VCDs to YouTube, have intensified the general process of democratization, while adding their own distinctive dimensions. This chapter (drawing extensively on an earlier publication1) surveys the trajectory of Indian popular music culture through the cassette era and makes brief observations about more recent developments in the digital age.
    Metadata:
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    Published as:
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    Publisher:
    New Delhi: Oxford University Press,
    Pub. Date:
    2013
    Book Title:
    No Limits: Media Studies from India
    Author/Editor:
    Ravi Sundaram
    Status:
    Published
    Last Updated:
    4 months ago
    License:
    Attribution
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