• Annotation of Medieval Music Facsimiles Using ‘Good Enough’ OMR

    Author(s):
    Joshua Stutter
    Editor(s):
    Stefan Münnich (see profile) , David Rizo
    Date:
    2022
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Digital humanities, Machine learning, Middle Ages, Music
    Item Type:
    Conference proceeding
    Conf. Title:
    Music Encoding Conference 2021
    Conf. Org.:
    University of Alicante
    Conf. Loc.:
    On-Site & Online
    Conf. Date:
    19–22 July 2021
    Tag(s):
    Notre Dame, transcription, Medieval
    Permanent URL:
    https://doi.org/10.17613/5ssz-2n19
    Abstract:
    The Clausula Archive of the Notre Dame Repertory (CANDR) is an in-progress PhD project with the aim of cataloguing, transcribing and analysing digital facsimiles of the thirteenth-century repertory commonly termed Notre Dame polyphony, and a secondary aim of providing new datasets and analytical tools for studying medieval polyphony. This poster highlights the use in the project of (a) a new methodology for de-skewing facsimile images, and (b) average symbol masks in an OMR–enhanced workflow with an emphasis on creating an OMR workflow that is ‘good enough’ to accelerate the annotation of an image dataset of particularly transitional notation.
    Notes:
    The MEC 2021 was hosted at Universidad de Alicante. It was sponsored by the Conselleria de Innovación, Universidades, Ciencia y Sociedad Digital de la Generalitat Valenciana (ref. AORG/2021/095), the Instituto de Investigación Informática de la Universidad de Alicante (IUII), co-sponsored with the Instituto Superior de Enseñanzas Artísticas de la Comunidad Valenciana (ISEA.CV), and generously supported by the Social Sciences and Humanities Research Council of the Government of Canada (SSHRC).
    Metadata:
    Status:
    Published
    Last Updated:
    4 months ago
    License:
    Attribution-NonCommercial-NoDerivatives
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