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The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927
- Author(s):
- Claudio Palomares-Salas (see profile)
- Date:
- 2020
- Group(s):
- History of Art, LLC 20th- and 21st-Century Latin American, LLC Mexican
- Subject(s):
- Space (Architecture), Experimental poetry, Latin American poetry, Spanish literature, Avant-garde (Aesthetics), Poetry, Mexico, Literature, Modern
- Item Type:
- Monograph
- Tag(s):
- madrid, Spatiality, Latin American avant-garde poetry, Latin American visual culture, Avant-garde, Modern literature
- Permanent URL:
- http://dx.doi.org/10.17613/je6h-wx84
- Abstract:
- The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
- Metadata:
- xml
- Published as:
- Monograph
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- All Rights Reserved
- Share this:
Open access, open source, open to all
introduction.pdf